๐Pipers Production Diary 23/08/10 (Patreon)
Content
Hello fellow Pipers! ๐ฅฐ Are you having a good day?
In this week's diary, let's start by imagining how things might have turned out if Musical Piper's story had taken a slightly different path. What if Eugene easily gave up her dream because of her race and chose a different job? Of course, it could still make an interesting story. But both the characters' personalities and the story's themes might have taken a different direction. This is a reminder of how characters' reactions in the face of challenges hold valuable information about the story.
During this week, while writing song lyrics, I discovered an interesting theory that applies to musical songs and storytelling as well. It's about creating three-dimensional characters through their responses to the situation. So, this week, I'll be jotting down my thoughts about the process of storytelling through Reaction of characters.
๐ค
Every story has a simple storyline. There's a protagonist living their life, and then an event occurs that shakes up their life, whether positively or negatively. To overcome the event's obstacle or solve the issue arising from it, the character responds with actions to change the situation. This reaction is important; it needs to be proactive, reflect the theme, and reveal the character's personality.
Most duets take the form of a conversation, making this aspect stand out more. To illustrate this, let's take the song "The Other Side" from "The Greatest Showman" as an example.
This number is about a circus owner (Hugh Jackman) proposing a collaboration to a successful show businessman (Zac Efron).
[Link to the song: https://youtu.be/1oh33WB-pqg]
In this scene, the characters' objectives are as follows ๐
Hugh Jackman's goal: Collaborate with Zac Efron on the circus โฌ Obstacle: Efron's avoidance Zac Efron's goal: Break away from his current life โฌ Obstacle: Fear of new challenges
In this scenario, Hugh Jackman takes persuasive actions to overcome the obstacle. And he's quite proactive in doing so, displaying actions of persuasion. From these reactions to the obstacle, we can see that Hugh Jackman's character is free-spirited, proactive, and somewhat cheerful.
Actions: Persuasion
1. Reveals a specific escape plan
You run with me
And I can cut you free
2. Provokes
You can play it sensible, a king of conventional
Or you can risk it all and see
3. Highlights advantages
Stay in the cage, or you'll finally take the key
Oh, damn, suddenly you're free to fly
On the other hand, Zac Efron's character displays a defensive attitude. He uses sarcasm to hold on to the proposal. Thus, he comes across as conservative, cautious, and daring when necessary.
Actions: Evasion
1. Appeals that his life is satisfying as is
'Cause I quite enjoy the life you say I'm trapped in
2. Mocks the proposal and job
But I live among the swells,
and we don't pick up peanut shells
I'll have to leave that up to you
3. Denies his current situation (not a firm refusal but evasion)
Oh, damn, can't you see I'm doing fine
I don't need to see the other side
However, in the end, Zac Efron accepts Hugh Jackman's proposal. The reason is that Hugh Jackman presented a persuasive argument that touches on Zac Efron's character values.
Persuasion 4) Offers not only the reward of freedom but also the true 'freedom of choice'
But you would finally live a little,
finally laugh a little Just let me give you the freedom to dream~
Now that's a deal that seems worth taking
But I guess I'll leave that up to you
In the end, hearing this dialogue, Zac Efron's character decides to join the circus with Hugh Jackman.
When I first listened to this, I didn't realize that each sentence carried attempts to express so much about the characters' minds. It was astounding to discover the brilliance of storytelling and structure through these actions and dialogues. Finally, with a blend of proactivity, character personality, and the core value of 'freedom' conveyed, I understood how well-crafted this musical number is.
๐ค
After the analysis, I pondered how to apply this theory practically. While I understood it in theory, constructing convincingly proactive character actions was a challenge without stepping into the actual situation. The solution I came up with was asking people around me:
"If you were in this situation, what would you do?"
Our musical number's situation goes like this ๐
The dam in Hameln is releasing too much water, and the town is on the brink of flooding! I am a Pied Piper who can use magic, but due to the negative perception of magic in the world, I've hidden my abilities and lived quietly. But now, to save the town, my magic is absolutely necessary! So, what will I do...
- Escape with my dear friend: My friend's family dies, and the hometown is destroyed.
- Use magic: My secret life collapses, and I face the danger of being exposed.
When I prepared this question and asked various friends, the original story had Dawson, a mouse from Hameln, convincing and pushing for option 2. However, most people chose option 1 when faced with these two scenarios. The reason was that without a direct connection to the town, people weren't willing to make personal sacrifices.
This made me realize the need for information about the 'intimacy with townspeople' to envision proactive actions. I found that considering this, the attractive and proactive response of "not using magic" didn't hold up as well as the character's central theme, personal bonds, and friendship, all of which were important.
So, I changed the question like this ๐
- Escape with my dear friend: My friend's family dies, and the hometown is destroyed.
- Use magic: My secret life collapses, and I face the danger of being exposed.
The choice of 'escape' led me to many realizations. It made the importance of Piper's strong bond with his friend even more evident. And through this choice, it became clear that he values his friend more than personal security. Thus, the character's personality and the theme of valuing friendship were all packed within one song.
And... after all these struggles, I was finally able to upload the promised lyrics!
Onwards, I plan to work on the English lyrics' rhyme this weekend, and from next week, I'll dive into more detailed thumbnail sketches and concept art. So, mark August 17th! I'll be back with an evolved process.
Thank you all, as always~ Have a wonderful day!
*If it were you, which would you choose between options 1 and 2? Do you have special someone you'd protect even if it meant letting go of your life path? Feel free to share your thoughts on Piper's dilemma!
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์๋ ํ์ธ์ ๋๋ฃ ํ์ดํผ์ฆ ์ฌ๋ฌ๋ถ!๐ฅฐ
์ข์ํ๋ฃจ ๋ณด๋ด๊ณ ๊ณ์ ๊ฐ์?
์ด๋ฒ์ฃผ์ ๋ค์ด์ด๋ฆฌ๋, ๋ง์ฝ, ํ์ดํผ์ฆ์ ์คํ ๋ฆฌ๊ฐ ์กฐ๊ธ ๋ค๋ฅด๊ฒ ํ๋ฌ๊ฐ๋ค๋ฉด ์ด๋จ์ง ์์ํด ๋ณด๋๊ฑธ๋ก ์์ํ๊ณ ์ ํฉ๋๋ค. ์ ์ง์ด ๋ ํฐ์ธ์ ํ๊ณ๋ฅผ ์ธ์ ํ๊ณ ๋ค๋ฅธ ์ง์ ์ ์ ํํด์ ์ถ์ ์ด์๊ฐ๋ค๋ฉด ๋ง์ด์ฃ . ๋ฌผ๋ก ์ฌ๋ฏธ์๋ ์ด์ผ๊ธฐ๊ฐ ๋ ์ ๋์๊ฒ ์ง์. ํ์ง๋ง ์บ๋ฆญํฐ์ ์ฑ๊ฒฉ๋, ์ด์ผ๊ธฐ์ ์ฃผ์ ๋ ์กฐ๊ธ์ ๋ฌ๋ผ์ง๊ฒ๋๋ค. ์ด์ฒ๋ผ ์ด๋ ค์ด ์ผ์ ๋ง์ฃผํ์ ๋์ ์บ๋ฆญํฐ์ ํ๋์ ๋ง์ ์ ๋ณด๋ฅผ ๋ดํฌํ๊ณ ์๋ ์ค์ํ ์ด์ผ๊ธฐ์ ์์์ ๋๋ค.
์ด๋ฒ์ฃผ์ ๋ ธ๋๊ฐ์ฌ๋ฅผ ์ฐ๋ฉด์ ๋ฎค์ง์ปฌ ์์ ์๋, ์คํ ๋ฆฌํ ๋ง์๋ ์ ์ฉ์ด ๋๋ ์ฌ๋ฏธ์๋ ์ด๋ก ์ ๋ฐ๊ฒฌํ์ด์. ๋ฐ๋ก ์ ์ฒด์ ์ธ ์ธ๋ฌผ์ ๋ง๋ค๊ธฐ์ํ '์บ๋ฆญํฐ์ ๋ฐ์๊ณผ ๊ทธ ์์'๋ค ์ ๋๋ค. ๊ทธ๋์ ์ด๋ฒ์ฃผ์๋ ์บ๋ฆญํฐ๋ค์ ๋ฐ์์ผ๋ก ์คํ ๋ฆฌํ ๋ง์ ์ ๋ฆฌํ๋ ๊ณผ์ ์ ๋ํ ๊ณ ๋ฏผ์ ์ ์ด๋ณผ๊นํฉ๋๋ค.
๐ค
๋ชจ๋ ์ด์ผ๊ธฐ์ ํ๋ฆ์ ์ด๋ ์ต๋๋ค. ๊ทธ๋ญ์ ๋ญ ์์ ์ ์ถ์ ์ฌ๋ ์ฃผ์ธ๊ณต. ๊ทธ๋ฆฌ๊ณ ๊ทธ ์ฃผ์ธ๊ณต์๊ฒ ๊ธ์ ์ ์ด๋ ๋ถ์ ์ ์ด๋ ๊ธฐ์กด์ ์ถ์ ๋คํ๋๋ '์ฌ๊ฑด'์ด ๋ฐ์ํฉ๋๋ค. ๊ทธ๋ฆฌ๊ณ ๊ทธ ์ฌ๊ฑด์ด ๋ฐฉํดํ๋ ๋ชฉ์ ์ ์ด๋ฃจ๊ธฐ์ํด, ํน์ ์ฌ๊ฑด๋๋ฌธ์ ์๊ฒจ๋ ๋ฌธ์ ๋ฅผ ํด๊ฒฐํ๊ธฐ ์ํด, ์บ๋ฆญํฐ๋ ์ํฉ์ ๋ฐ๊พธ๊ธฐ ์ํ ํ๋์ ํ๋ฉด์ '๋ฐ์'์ ๋ณด์ ๋๋ค.
์ด๋ ์ค์ํ๊ฑด ๊ทธ ๋ฐ์์ด ์ ๊ทน์ ์ด๋ฉฐ, ์ฃผ์ ๋ฅผ ๋ด๊ณ ์์ด์ผํ๊ณ , ์บ๋ฆญํฐ์ ์ฑ๊ฒฉ์ ๋ณด์ฌ์ค ์ ์๋ค๋ ์์๊ฐ ์ ๋ถ ์ถฉ์กฑ์ด ๋์ด์ผ ํ๋ค๋ ๊ฒ์ด์์ด์.
๋๋ถ๋ถ์ ๋์ฃ๊ณก์ '๋ํ'ํ์์ ๋๊ธฐ ๋๋ฌธ์ ์ด ๋ถ๋ถ์ด ์กฐ๊ธ ๋ ๋๋๋ฌ์ง๋๋ฐ์,
์ด๋ฅผ ๊ตฌ์ฒด์ ์ผ๋ก ์ค๋ช ํ๊ธฐ์ํด The greatest showman์ the other side๋ผ๋ ๋ ธ๋๋ฅผ ์๋ก ๋ค์ด๋ณผ๊ฒ์.
์ด ๋๋ฒ๋ ์๋ก์ด ์์ปค์ค ์ฌ์ ์ ์์ํ๋ ์์ปค์ค๋จ์ฅ(ํด์ญ๋งจ)์ด ์๋๊ฐ๋ ์ผ ๋น์ง๋์ค๋งจ(์ญ ์ํ๋ก )์๊ฒ ํ์ ์ ์์ ํ๋ ๋ ธ๋์์.
์ด ์ฅ๋ฉด์์์์ ์บ๋ฆญํฐ๋ค์ ๋ชฉํ๋ ์ด๋ ์ต๋๋ค ๐
- ํด์ญ๋งจ์ ๋ชฉํ : ์ญ ์ํ๋ก ๊ณผ ์์ปค์ค๋ฅผ ํจ๊ป ํ๋๊ฒ โฌ ์ฅ์ ๋ฌผ: ํํผํ๋ ์ญ ์ํ๋ก ์ ํ๋
- ์ญ ์ํ๋ก ์ ๋ชฉํ : ๊ธฐ์กด์ ์ถ์์ ๋ฒ์ด๋๋ ๊ฒ โฌ ์ฅ์ ๋ฌผ: ์๋ก์ด ๋์ ์ ๋ํ ๋๋ ค์
์ด๋ฐ ์ํฉ์์ ํด์ญ๋งจ์ ์ฅ์ ๋ฌผ์ ๊ทน๋ณตํ๊ธฐ ์ํด ์ค๋์ด๋ผ๋ ํ๋์ ์ทจํฉ๋๋ค.
๊ทธ๋ฆฌ๊ณ ์ ๊ทน์ ์ผ๋ก ์ค๋ํ๋ ํ๋์ ๋ค ๋ณด์ฌ์ฃผ์ง์. ์ด๋ฌํ ์ฅ์ ๋ฌผ์ ๋ํ ๋ฐ์์์ ์ฐ๋ฆฌ๋ ํด์ญ๋งจ์ด ๋งก์ ์บ๋ฆญํฐ์ ์ฑ๊ฒฉ์ด ์์ ๋กญ๊ณ , ์ ๊ทน์ ์ด๋ฉฐ, ์กฐ๊ธ์ ๋ฅ๊ธ๋ง์ ์บ๋ฆญํฐ๋ผ๋ ๊ฒ์ ์ ์ ์์ต๋๋ค.
ํ์ : ์ค๋
1) ๊ตฌ์ฒด์ ์ธ ํ์ถ ๊ณํ์ ์๋ ค์ค
You run with me
And I can cut you free
2) ๋๋ฐํ๊ธฐ
You can play it sensible, a king of conventional
Or you can risk it all and see
3) ์ฅ์ ์ ๋งํ๊ธฐ
Stay in the cage, or you'll finally take the key
Oh, damn, suddenly you're free to fly
ํํธ, ์ญ ์ํ๋ก ์ ์บ๋ฆญํฐ๋ ๋ฐฉ์ด์ ์ธ ํ๋๋ฅผ ๋ณด์ ๋๋ค. ๊ทธ๋์ ํด์ญ๋งจ์ ์ ์์ ๊ผฌํฌ๋ฆฌ๋ฅผ ์ก์ผ๋ฉฐ ๋น๊ผฌ์ฃ . ๊ทธ๋ ๊ธฐ์ ๋ณด์์ ์ด๊ณ , ์กฐ์ฌ์ค๋ฝ์ง๋ง, ๊ฒฐ๋จ์ ํ ์ ๋์ ๋๋ดํจ์ ๊ฐ์ง ์บ๋ฆญํฐ๋ผ๋ ๊ฒ์ ์ ์ ์์ต๋๋ค.
ํ์ : ํํผ
1) ์์ ์ ์ถ์ด ๋ง์กฑ์ค๋ฌ์ ์ดํ
'Cause I quite enjoy the life you say I'm trapped in
2)์๋์ ์ ์๊ณผ ์ง์ ์ ๋น๊ผผ
But I live among the swells, and we don't pick up peanut shells
I'll have to leave that up to you
3)์๊ธฐ ์ํฉ์ ๋ถ์ ํจ(์ฌ๊ธฐ์ ์๊ฐํ ๊ฑฐ์ ์ด ์๋ ํํผ์์ด ๋ํ๋์ง์)
Oh, damn, can't you see I'm doing fine
I don't need to see the other side
ํ์ง๋ง ๊ฒฐ๊ตญ์ ์ญ ์ํ๋ก ์ ํด์ญ๋งจ์ ์ ์์ ๋ฐ์๋ค์ด๊ฒ ๋ฉ๋๋ค. ๊ทธ ์ด์ ๋ ํด์ญ๋งจ์ด ์ญ ์ํ๋ก ์ด๋ผ๋ ์บ๋ฆญํฐ์ 'ํต์ฌ ๊ฐ์น'๋ฅผ ๊ฑด๋ค์ด๋ ์ค๋์ ๊ฑด๋ธ๊ธฐ ๋๋ฌธ์ด์์
์ค๋ 4) ์์ ๋ก์ ์ง๊ฒ์ด๋ผ๋ ๋ณด์ ๋ฟ๋ง์๋๋ผ ์ง์ง '์ ํํ ์์ '๋ฅผ ์ ๊ณต
But you would finally live a little, finally laugh a little
Just let me give you the freedom to dream~
Now that's a deal that seems worth taking
But I guess I'll leave that up to you
๊ฒฐ๊ตญ์ ์ด ๋์ฌ๋ฅผ ๋ค์ ์ญ ์ํ๋ก ์ ๋ง์์ ๋๋ ค ์์ปค์ค๋ฅผ ํจ๊ป ํ๊ธฐ๋ก ํฉ๋๋ค.
๋ฃ๊ธฐ๋ง ํ์๋๋ ๋ณด์ด์ง ์๋ ์ ๊ทน์ ์ธ ๋ฐ์๋ค์ด ํ๋ฌธ์ฅ ํ๋ฌธ์ฅ์ ๋ด๊ฒจ์์ด์ ์ฒ์ ๋ถ์๋๋ ์ ๋ง ๋๋์ต๋๋ค. ๊ทธ๋ฆฌ๊ณ ์คํ ๋ฆฌ๋ฅผ ์ธ๋ ๊ณต๋ถํ๋ ๋ด์ฉ์ด '๊ฐ์ฌ'์ ํ์์๋ ๊ทธ๋๋ก ๋ฐ์์ด ๋๋ค๋ ์ ์ด ์ ๋ง ์ ๊ธฐํ์ด์. ์ต์ข ์ ์ผ๋ก ์ ๊ทน์ฑ, ์บ๋ฆญํฐ์ ์ฑ๊ฒฉ์ด ๋๋ฌ๋๋ฉด์ ๋์์ '์์ '๋ผ๋ ํต์ฌ ๊ฐ์น๋ฅผ ์ ๋ฌํ๋ฉด์ ์ํ์ ์ฃผ์ ๋ ํจ๊ป ๋ด์๋์ผ๋ ์ ๋ง๋ค์ด์ง ๋ฎค์ง์ปฌ ๋ ธ๋์์ ์ ์ ์์์ต๋๋ค.
๐ค
๋ถ์์ด ๋๋ ํ, ๊ณผ์ฐ ์ด ์ด๋ก ์ ์ด๋ป๊ฒ ์จ๋จน์ ์ ์์๊น๋ฅผ ๋ง์ด ๊ณ ๋ฏผํ์ด์. ์ด๋ก ์์ผ๋ก๋ ์์ง๋ง, ์ค์ ๋ก ์ค๋๋ ฅ์๋ ์ ๊ทน์ ์ธ ์บ๋ฆญํฐ๋ค์ ํ๋์ ๊ตฌ์ฑํ๋ ๊ฒ์ ๊ทธ ์ํฉ์ ๋ค์ด๊ฐ๋ณด์ง ์๋ ์ด์ ์ ์๊ฐ ์์๊ฑฐ๋ ์.
๊ณ ๋ฏผ ๋์ ๋ด๋์ ํด๋ต์ '์ด๋ฐ ์ํฉ์ ๋๋ ์ด๋ป๊ฒ ํ ๊บผ์ผ?'๋ผ๋ ์ง๋ฌธ์ ์ฃผ๋ณ์ธ๋ค์๊ฒ ๋์ ธ๋ณด๋ ๋ฐฉ๋ฒ์ด์์ด์.
์ฐ๋ฆฌ์ ๋ฎค์ง์ปฌ ๋๋ฒ ์ ์ํฉ์ ์ด๋์๐
ํ๋ฉ๋ฅธ์ ๋์ด ๊ณผ๋ํ๊ฒ ๋ฐฉ๋ฅ๋์ด ๋ง์์ด ํ์์์ ์ ๊ธธ ์๊ธฐ์ ์ฒํ๋ค!
๋๋ ๋ง๋ฒ์ ์ธ ์ ์๋ ํผ๋ฆฌ๋ถ๋ ์ฌ๋์ด์ง๋ง, ๋ง๋ฒ์ ๋ํด ๋ถ์ ์ ์ธ ์ธ์์ ์์ ๋๋ฌธ์ ์ ์ฒด๋ฅผ ์จ๊ธฐ๋ฉฐ ํ์์ ์ด์๋ค. ๊ทธ๋ฐ๋ฐ ์ด ๋ง์์ ๊ตฌํ๊ธฐ ์ํด์๋ ๋ด ๋ง๋ฒ์ด ๊ผญ ํ์ํ๋ค!
๊ทธ๋ ๋ค๋ฉด ๋๋...
1) ๋ง๋ฒ์ ์ฐ์ง ์๋๋ค : ๋ง์์ด ๋ฌด๋์ง๋ค.
2) ๋ง๋ฒ์ ์ด๋ค : ๊ทธ๋์ ์ ์ฒด๋ฅผ ์จ๊ธฐ๋ฉฐ ์์์จ ์ถ์ด ๋ฌด๋์ง๊ณ ์ซ๊ฒจ๋ ์๊ธฐ์ ์ฒํ๋ค.
์ด๋ฐ ์ง๋ฌธ์ ์ค๋นํด์ ๋ค์ํ ์น๊ตฌ๋ค์๊ฒ ๋ฌผ์ด๋ณด์๋๋ฐ์, ์๋ ์คํ ๋ฆฌ๋ ์น๊ตฌ ๋ค์ฐ์จ(ํ๋ฉ๋ฅธ์ ์ฅ)์ ๋ฏฟ์๊ณผ ์ค๋์ผ๋ก 2๋ฒ์ ์ ํํด์ผํ๋ ์ ์์ด์์ด์. ํ์ง๋ง ์ด ๋ ์ํฉ์ ์ ์ํ์๋ ๋๋ถ๋ถ์ ์ฌ๋๋ค์ 1๋ฒ์ ์ ํํ์ต๋๋ค.
๊ทธ ์ด์ ๋ ๋ฐ๋ก '๊ทธ ๋ง์๊ณผ ์ฐ๊ณ ๊ฐ ์์ผ๋ฉด ๊ตณ์ด ๊ฐ์ธ์ ํฌ์์ ์น๋ฅผ ๊ฒ ๊ฐ์ง ์๊ธฐ' ๋๋ฌธ์ด์์ด์.
์ ๋ ์ด๋ ์ ๊ทน์ ์ธ ํ๋์ ์์ํ๊ธฐ ์ํด ํ์ํ๋ ์ ๋ณด๊ฐ ๋ฐ๋ก '๋ง์์ฌ๋๋ค๊ณผ์ ์น๋ฐ๋'๋ผ๋ ๊ฒ์ ๊นจ๋ฌ์์ด์. ๊ทธ๋ฆฌ๊ณ ๊ทธ๊ฒ์ ๊ณ ๋ คํด๋ดค์๋ ๋จ์ํ '๋ง๋ฒ์ ์ฐ์ง ์๋๋ค'๋ ๋งค๋ ฅ์ ์ด๊ณ ์ ๊ทน์ ์ธ ์ฃผ์ธ๊ณต์ค๋ฌ์ด ๋ฐ์์ด ์๋๋ผ๋ ๊ฒ์ ์๊ฒ ๋์์ฃ .
๊ทธ๋์ ์ง๋ฌธ์ ์ด๋ ๊ฒ ๋ฐ๊พธ๊ฒ ๋์์ต๋๋ค๐
1) ์์คํ ์น๊ตฌ์ ํจ๊ป ๋๋ง์น๋ค : ์์คํ ์น๊ตฌ์ ๊ฐ์กฑ์ด ์ฃฝ๊ณ ๊ณ ํฅ ๋ง์์ด ๋ฌด๋์ง๋ค.
2) ๋ง๋ฒ์ ์ด๋ค : ๊ทธ๋์ ์ ์ฒด๋ฅผ ์จ๊ธฐ๋ฉฐ ์์์จ ์ถ์ด ๋ฌด๋์ง๊ณ ์ซ๊ฒจ๋ ์๊ธฐ์ ์ฒํ๋ค.
'๋๋ง์น๋ค'๋ ์ ๊ทน์ ์ธ ํ๋์ ์ ํ๊ณ ๋๋, ๋ง์๊ฒ์ด ๋ช ํํด์ก์ต๋๋ค. ํผ๋ฆฌ๋ถ๋ ์ฌ๋์ด, ์ ๋ค๋น๋ธ๊ฐ ์์ ์ ์ด์ต๋ณด๋ค ์ฐ์ ์ ์ฌ๊ธฐ๋ ๊ฒ์ ๋ฐ๋ก '์์คํ ์น๊ตฌ'๋ผ๋ ๊ฒ์ด ์ ์ ๋ฌ๋๊ฒ ๋์๊ฑฐ๋ ์. ์ด๋ก์จ ์น๊ตฌ๋ฅผ ์๋ผ๋ ์บ๋ฆญํฐ์ ์ฑ๊ฒฉ๊ณผ ์ฐ์ ์ ์ค์์ํ๋ ์ํ์ ์ฃผ์ ๋ ํ ๋ ธ๋ ์์์ ๋ชจ๋ ์ ๋ฆฌ ๋์์ต๋๋ค.
๊ทธ๋ฆฌ๊ณ ์ด๋ฐ ๊ณ ๋ฏผ์ ๋ฐํ์ผ๋ก ์ฝ์ํ๋ ๊ฐ์ฌ๋ฅผ ์ ๋ฆฌํด์ ์ ๋ก๋ ํ ์ ์๊ฒ๋์์ด์!
์์ผ๋ก๋ ์ฃผ๋ง๊น์ง ์์ด ๊ฐ์ฌ์ ๋ผ์ ์์ ์, ๋ค์์ฃผ๋ถํฐ๋ ๋ณธ๊ฒฉ์ ์ธ ์ธ๋ค์ผ ์ค์ผ์น์ ์ปจ์ ์ํธ ์์ ์ ์งํํ ๊ณํ์ด์์. ๊ทธ๋ฌ๋ฉด 8์ 17์ผ! ๋ค์ ๋ฐ์ ๋ ์ด์ผ๊ธฐ๋ก ๋์์ค๊ฒ ์ต๋๋ค.
์ฌ๋ฌ๋ถ ์ธ์ ๋ ๊ฐ์ฌํฉ๋๋ค~ ํ๋ณตํ ํ๋ฃจ ๋ณด๋ด์ธ์!
*์ฌ๋ฌ๋ถ์ด๋ผ๋ฉด 1๋ฒ๊ณผ 2๋ฒ, ๋ฌด์์ ์ ํํ์ค๊ฑด๊ฐ์? ์์์จ ๊ฒ์ ๋ฒ๋ฆฌ๋๋ผ๋ ๊ผญ ์ง์ผ์ฃผ๊ณ ์ถ์ ์์คํ ๊ด๊ณ๊ฐ ์๋์? ํผ๋ฆฌ๋ถ๋ ์ฌ๋์ด์ ๋๋ ๋ง์ ๋ํ ์๊ฐ์ ์์ ๋กญ๊ฒ ๋จ๊ฒจ์ฃผ์ธ์!