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No quarter in the War Against Humanity (Patreon)

Published:
2022-02-09 14:48:07
Imported:
2023-06

Content

This is the first of the videos recorded during this recording session that only ends today. We’re still working on perfecting the result in the new studio, I’m trying my best to continue improving my presentation skills, and our search for the most comprehensive coverage possible goes on. I hope some of that is visible in the result. Thank you all for making it possible with  your membership!

your Spartacus

Files

Eat the Nazis, There’s Nothing Else - WAH 052 - February 1943, Pt. 1

As the United Nations Alliance, and the Resistance in occupied Europe increase their pressure on Nazi Germany, they continue to escalate their war on humanity. Meanwhile, in more and more parts of the world there is little to eat. Join us on Patreon: https://bit.ly/WAH_52_DE Or join the TimeGhost Army directly at: https://timeghost.tv/signup/ Check out our TimeGhost History YouTube channel: https://www.youtube.com/c/timeghost Between 2 Wars: https://www.youtube.com/playlist?list=PLrG5J-K5AYAU1R-HeWSfY2D1jy_sEssNG Follow WW2 Day by Day on Instagram: @ww2_day_by_day Follow TimeGhost History on Instagram: @timeghosthistory Like us on Facebook: https://www.facebook.com/TimeGhostHistory/ Hosted by: Spartacus Olsson Director: Astrid Deinhard Producers: Astrid Deinhard and Spartacus Olsson Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson Creative Producer: Marek Kamiński Community Management: Ian Sowden Written by: Spartacus Olsson and Joram Appel Research by: Joram Appel Map animations by: Daniel Weiss and Miki Cackowski Map research by: Sietse Kenter Edited by: Miki Cackowski Artwork and color grading by: Mikołaj Uchman Sound design by: Marek Kamiński Colorizations by: Julius Jääskeläinen - https://www.facebook.com/JJcolorization/ Daniel Weiss Spartacus Olsson Mikołaj Uchman Source literature list: http://bit.ly/WW2sources Archive footage: Screenocean/Reuters - https://www.screenocean.com Image sources: pictures of the famine in China by Harrison Forman, courtesy of University of Wisconsin-Milwaukee Library Yad Vashem 4613/969, 268/156, 8932/3, 6614/1, 4613/218, 1907/14, 2855/1, 3384/118, 5087/14 Auschwitz-Birkenau State Museum www.auschwitz.org USHMM Picture of prisoners of Kamp Vught with a guard, courtesy of STIWOT, collectie NM Kamp Vught Bundesarchiv IWM BU 5939, ART LD 5155 Soundtracks from Epidemic Sound: Wendel Scherer - Defeated Johan Hynynen - Dark Beginning Jon Bjork - For the Many Wendel Scherer - Growing Doubt Max Anson - Maze Heist Cobby Costa - From the Past Jon Bjork - Icicles Edward Karl Hanson - Firebreak Brightarm Orchestra - On the Edge of Change Farrell Wooten - Nighttime A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Comments

Anonymous

I paid closer attention to your delivery this time and it sounded more natural. I do not feel that you have to emphasize the horrors of which you speak, the content will do that for itself. Your closing statement, with your signature “never forget,” flowed very naturally. I cannot image how you prepare to present, I have to steel myself just to watch. And I have worked in child welfare and have seen and heard enough. But in this time when there are those in America who would ban materials that might cause “discomfort” or distress, it is important that you remind us of what our species is capable of. If we do forget.

Anonymous

Sparty: your presentations of the very first WAH episodes did seem a bit tentative — as though you were warming up for something you weren't yet 100% comfortable with — but this anxiety was noticeably gone after only a half-dozen episodes, or so. During the time since this initial performance leap, your presentation has only grown better. We think you're fully on par with Indy, within the signature style which you've cultivated. We think either of you would be fine presenters of prime-time news on a national (or international) broadcast network — you are at least as good as the best who are in that business, if not superior. Honestly.

Anonymous

Technical note: the lighting of this episode is noticeably flatter than in previous episodes, and noticeably much cooler. The source from your desk lamp barely registers, anymore. We think this is a move in the wrong direction, as it has an effect of distancing viewers from your performance. The warm, high contrast approach from before, which used incandescent-temp lamp sources to shape the frame, drew viewers into a much more urgent focus...

Anonymous

Also: a little more photographic depth of field would be nice, if you could manage it. We're not sure what your location looks like post-renovation, but dimly lit set dressing along a the back wall, which is far enough from the foreground to be thrown a bit out of focus, would help spotlight your delivery.

Anonymous

The writing for this episode, along with Sparty's performance of the writing, is absolutely riveting. Overall, the sound design and mix are very, very good (good sound really adds a lot). One day, maybe each of these episodes could be combined, either in a linear or else a non-linear and interactive way, to form a total presentation of this topic. In the meantime, the next episode can't come soon enough for us. If we could binge watch these into the future, up until 1945, we would.

Tanya Dixie

Can’t find the words to comment, so 😭😶💔

Anonymous

Excellent.

Anonymous

Spartacus I absolutely love your presentation style and believe that you are absolutely perfect for the grim subject matter being dealt. I am impressed by how humble you must be to ask us this given your age and credentials. If I were to ask anything I would ask that the episodes be even longer. I admit that I anticipate these episodes more than the weekly episodes with exception of major pivotal events such as the recent surrender of the 6th Army. Thank you so much for your hard work

Anonymous

Thank you as always.

Anonymous

As a long-time fan and a person from Eastern Europe I feel that you are not covering enough of how the Soviet GULAG inmates during the war lived or even more the home front of Soviet Union. Or maybe their existence was grim but compared to the victims of Nazis? You have people of Ukrainian background working for you. If not you could easily find collaborators from Ukraine, Belarus or Russia, who speak the local language.

Anonymous
>>77670907

Timothy Snyder's 'Bloodlands' is also an excellent resource in this area.

Anonymous

I take my hat off to you, Spartacus - a very difficult subject, and handled well.

Anonymous

It was cool seeing the mortar at 6:02 being fired. I'm buying a live NFA registered earlier variant of that weapon.