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1982's Poltergeist is a fascinating film to examine. It's a Steven Spielberg horror production that also wasn't, a movie with what was essentially a 'shadow director,' allowing Spielberg to navigate around contractual issues with ET, which he (also) directed, and which came to theaters at nearly the same time. But production curiosities aside, Poltergeist is akin to the collision of two Spielberg pictures -- Jaws and The Goonies -- a sometimes dire and scary while at other times upbeat and even funny adventure about a house built on an old graveyard... and the consequences therein. Is the house clean? Well, not exactly. Yet, the TV beckons... and so does this episode of KnockBack.

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James McGivern

Watched the film this year for our 80s theme horror movie marathon (we do horror movie marathons every October, when the films are "in season") I would argue Poltergeist was an attempt at a "family horror film" and does an admirable job. Fun (weird) fact, the skeletons which pop up during the climax were genuine, bought from a medical company.

LastStandMedia

I agree, I think it straddles the line well and plays with elements of tension that allow it to be less gory and explicit.

Travis B

Warren Buffet? LMAO

Brandon Soto

🎵IF YOU LIKE PIÑA COLADAS🎵

NinjaDC

The problem with Kathleen Kennedy is she is a business person, not a creative. She is a great producer, handling the finances of film and budgeting. But, she isn't a creative mind. It's like putting Jeff Bezos in charge of Star Wars.