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hello my loves. 

to the new patrons (there are a few hundred of you) - WELCOME. it is a good place here, please be comfy and feel free to introduce yourself in the comments. i'm always reading everything.

i'm currently at klekolo coffee shop in middletown connecticut, about to do the day-long video shoot with my students from wesleyan university. three weeks ago we spent a class together in which i asked them to free-write on the topic of "fixing shit" and i took all of their writing and turned it into a song a few days later. then i made a piano demo of the song, sent it to them, put together a band in london and recorded a full production of it with bass, drums, piano, glockenspiel and saxophone (!). meanwhile, the students wrote their own video treatment and michael pope has been guiding them in how to create a video from scratch. they've been shooting for two days and this is day #3, in which i'm on set and apparently we are shooting in an filthy abandoned house with no heat. RIGHT ON ROCK AND ROLL!!!! this is how you get fired from a university, people!!!! 

a reminder that i would never be able to spend the time doing this, unpaid, if the patreon weren't there to provide the budget. so consider yourselves all donors to a bunch of international college kids who really wanted to learn how to Do and Make Art. one of the kids in the class is audrey pratt, the girl who won the full-ride Hamilton Prize Scholorship  (that's the board i'm on with effin' lin-manuel miranda, fellow wesleyan grad). she's kicking ass. all the kids are. i am so proud of pope, of them, of us, of art growing. 

i'm due on set in about 20 minutes. i have been informed that i might be "covered in clay". right.

.............

meanwhile, the "mother" video has still gained absolutely no traction in the mainstream press, but the Occupy Democrats facebook page just posted it, garnering it almost 300k views just today, and....a lot of trolls. HOORAY! i started a nice discussion over there, go add your voice if you're on FB:

https://www.facebook.com/OccupyDemocrats/videos/1795788757180837/

..............

david gilmour (the david gilmour, of pink floyd) wrote to say he liked the song and video. i died.

................

meanwhile, i'd love to share a few comments from the official "mother" post.

99% of you seemed to love the video, the song, the project, the whole nine yards. you were moved and some of your comments were so on the money: you seemed to really understand the intention of the video. other people were confused by the intention but still loved it. that's all great. 

not all of you loved it. and i love when not everybody loves a thing. it would be weird if everybody loved Every Thing. if Every Body loved Every Thing i would feel like a bad artist, or i'd feel like my audience - you guys - weren't intelligent, opinionated and discriminating. 

which i actually need you to be to feel like a real artist.

this is a great criticism/comment:

ria wrote: "I guess I just don't get it. Maybe it's because I don't live in the us but it just doesn't resonate with me. It's pretty,it's nice too see Melissa but I don't understand the hype. And I feel really sorry about that, wish I was more emotional about it. Instead I'm a little bit disappointed it's a cover song. Love you anyway xx"

and this is also a great criticism/comment: 

Wong Sau Yan wrote: "I love you, and I love being your Patreon, Amanda, but I am really REALLY tired of weepy paino/violin-only-driven songs. I won't be deleting my pledge, but this song is definitely not going to be a unskippable track on my musical shuffle.  I would definitely look forward to more original songs, or even weird arty videos like the Grown Man Cry video. That was really fantastic. <3  I dunno if you'd get around to reading this comment, but yeah, I hope you do so, eventually. In the meantime, I'll be here looking forward to new material!"

okay now.

this is not a great criticism/comment:

tinker's tales wrote: "Amanda, if you are reading this, I convey the sentiment of 2 other friends, that this video was confusing, out of date, out of touch and to 'arty'.  Enjoy parenting and teaching, and allow the next gen to make good art."

this makes me want to laugh, because i'm like: i expect this from youtube comments, but you're....my patron??

that means....wait...that means: you're paying me money to troll me.

weird.

...................

criticism, yes, bring it on. 

i love you and i love it. i truly do welcome it. i do not like smoke blown up my artistic ass. 

i've released dozens of pieces of art on this platform and i'd be shocked and disappointed if you each loved everything equally. i'd be crushed, actually.

aesthetic/political/musical disappointment, bring it on. i love you all, love your comments, love your intelligence, love your take son things, love your profound understanding of art and meaning and subtlety.

but

downright immature insults? 

"enjoy parenting and teaching"??

dude.

i will. i will enjoy parenting, teaching, vacuuming, sewing, and making uncompromising fucking art of greater and greater relevance and personal power until i'm frail and old, and then dead, thank you very much.

i'm relieved to announce that i researched this patron, and they withdrew their pledge after posting this.

to the rest of you: long may we prosper.

xx

a

 

---------THE NEVER-ENDING AS ALWAYS---------

1. if you’re a patron, please click through to comment on this post. at the very least, if you’ve read it, indicate that by using the heart symbol.

2. see All the Things i've made so far on patreon: http://amandapalmer.net/patreon-things

3. join the official AFP-patron facebook group: https://www.facebook.com/groups/afpland

4. AFP-patreon-related questions? ask away, someone will answer:
patronhelp@amandapalmer.net





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Comments

Anonymous

p.s just totally blew smoke up your creative ass ....but I am genuine in my smoke blowing abilities :)

Anonymous

p.p.s that sounded a lot dirtier than it was intended to be x

Anonymous

I personally didn't care for that song as much, perhaps it was the accompanying video(??). I have loved a lot of your older and quite a few of your newer content, this one didn't resonate with me either. It may have been the sad violin, I'm not sure. But I always look forward to your new art, whatever it may be. Also, on a side note, I am a (slightly) older patron.. I stopped not because of your art, but because the app was very glitchy and my pledges we being lost/card wouldn't update.

Anonymous

Thank you so much for this post. We now live in a culture of never-ending feedback and opinion and it is helpful to get a loving education on how to still be kind and to remember that we are interacting with a human and not a keyboard. For someone to make work or a particular work that is not your taste is not an offense...in fact it is a blessing because it could very well mean that the artist took great risk in the endeavor. I love and am inspired by your devotion to great risk...no matter the outcome.

Anonymous

I loved the Mother video. Loved it, loved it, loved it. Was very inspired and also creeped out. And it makes me very happy to know my pledge is going to support so many cool and talented artists.

Anonymous

♥ Right on with the comments about critiques and criticisms. As if parenting and teaching don't help improve one's art?!

Michael Clark

Did someone offer this person some presence / a listening ear? :-/ "Everyone needs a bosom for a pillow" - Cornershop 'Brimful of Asha' :-P Whenever I see a "troll," I have the yearning that at least one person check in and see what is going on with that person. Anywho.

Anonymous

Best coffee ☕️ in the city

Anonymous

David Gilmour.... Wow!

Anonymous

nice coffee!

Anonymous

David Gilmour. That's just amazingly cool. As for "stuff I don't like," if a song you put out doesn't do it for me that's okay--especially when I find myself humming it. Then listening to it more. And then loving it. I find your original songs mostly fall into two categories: Stuff I love immediately, and stuff that takes a while to grow on me, but I end up liking a lot. One or two things leave me unaffected, but I am amazed how much of your work belongs to one of the two main groups. One observation: the most deeply affecting of your songs (for me) seem to have a more playful approach. Playing with lyrics especially. Like you're deepest when you are obviously having the most fun writing and creating. Or that what it seems like; I can't even read my own mind.

Anonymous

I'm late to the commenting party, but I watched the Mother video a couple weeks ago and wanted to take a moment to share my thoughts. I'd seen this post ahead of getting a chance to watch so I knew I was in for something polarising. On first watch I was a little uncertain, it made me uncomfortable, like I wanted to recoil - the comment that 'this is one that I won't listen to on repeat' resonated. But then I felt pulled to watch it again and it started to grow on me. Almost all art that really sticks with me and eventually becomes a favourite touchstone begins with me disliking it and that is exactly the trajectory of Mother. As a musician myself I'm super drawn to the ornate and over the top but sometimes lack courage to take things as far as I want to. The fact that something like Mother exists gives me the 'permission slip' (for lack of a better term) that I need to go all the way with my visions. Thank you Amanda, for being brave and never shying away from the uncomfortable, messy bits - I'm so, so glad this video exists. Big love.