Keytrack for better Balance (Patreon)

In my tutorial, I delve into an advanced technique for achieving a well-balanced mixdown in music production by utilizing the EQ+ tilt setting and key tracking modulators in Bitwig Studio and VST plugins. Here's a summary:

1. Tilt EQ Setting for Mixdowns: I introduce a guideline for mixdowns using a slope of 4.5 dB per octave in an EQ, which means every octave above a reference point is reduced in volume by 4.5 dB. This approach helps in achieving a more natural balance in the mix, as our ears perceive frequencies differently than what white noise (equal volume across all frequencies) suggests. The goal is to adjust frequencies so that they align in a straight line when viewed on an EQ, reflecting this slope.
2. Analyzing Frequencies: To simplify EQ adjustments, I suggest using the tilt setting only in the EQ's analyzer part. By doing so, the visual representation of frequencies aligns in a straight line, making it easier to achieve the desired slope without altering the actual EQ curve.
3. Application in Bitwig's Grid: I explore how this concept can be applied directly within Bitwig's Grid environment, bypassing the need for post-process EQ adjustments. By modulating the volume of notes based on their pitch, it's possible to internally balance the frequency spectrum according to the 4.5 dB per octave rule. This involves calculating the volume reduction needed across the pitch range and adjusting accordingly, essentially embedding the mixdown balance within the sound design phase.
4. Practical Example with Key Tracking: I provide a practical example of implementing this technique on a synthesizer patch in Bitwig. Using the key track modulator, I adjust the volume of notes across the keyboard to match the desired frequency slope, ensuring a balanced output directly from the synthesizer.
5. Saving Default Presets: To streamline workflow, I suggest saving these adjustments as default presets for synthesizers in Bitwig, allowing for consistent frequency balance across projects without additional EQ adjustments.
6. Applicability to Other Synthesizers and Sounds: Finally, I mention that this technique isn't limited to Bitwig's Grid or a single instrument but can be applied to any synthesizer or sound source, considering the specific range and capabilities of the key tracking modulator available.

This approach promotes a deeper understanding and application of frequency balance in music production, encouraging producers to think critically about how they achieve a mixdown not just through EQ, but through the initial sound design and synthesis process.