Analogue Synths are Fun - Behringer Poly-D (Patreon)

In this tutorial, the focus is on the Behringer Poly D, an entry-level analog synthesizer that ignited the presenter's passion for analog synthesis. The Poly D, a more affordable alternative to the Mini Moog, offers a raw and unfiltered synthesis experience, devoid of menus, displays, or presets. Here's a summary of key points and how the Poly D is utilized:

• Analog Synthesis Appeal: The allure lies in its raw sound and hands-on control. The Poly D's lack of digital interfaces encourages a direct interaction with the sound, making it ideal for exploring analog synthesis.
• Functionality Overview: The synthesizer is straightforward, with a main tuning knob, four oscillators (three tunable and one fixed to global tuning), a mixer section for volume control and external signal input, a versatile filter with cutoff, resonance, and modulation controls, and envelopes for filter and amplitude modulation. It also features an LFO, mod wheel, noise options, and a sequencer with an arpeggiator.
• Usage Techniques:Tuning and Oscillators: The Poly D requires frequent tuning adjustments due to its nature of drifting out of tune. Oscillators can be individually tuned to create chords or specific intervals, with options to switch between monophonic, unison, and polyphonic modes.
  Creating Chords: By tuning different oscillators to specific intervals (such as a minor third or a fifth) and manipulating the filter, various chord textures can be crafted.
  Sound Design: Utilizing the filter, modulation sources (including using an oscillator for FM), and effects like distortion and chorus can yield a wide range of sounds, from ambient textures to more aggressive tones.
  Performance and Sampling: The Poly D is primarily used for live sound exploration, with the output often being sampled into a computer for use in tracks. The emphasis is on capturing the unique, raw sound of analog synthesis for further manipulation.
• Practical Application: The presenter shares specific settings and methods for generating sounds, such as adjusting oscillator octaves and applying effects to enhance the sonic characteristics. The tutorial also covers the Poly D's limitations, such as its relatively slow envelopes, limiting its effectiveness for fast, percussive sounds.
• Conclusion: The Behringer Poly D serves as a gateway into the world of analog synthesis, offering a tactile and immersive experience. Despite its simplicity and limitations, it provides a rich palette for sound design and musical exploration.

This tutorial is particularly beneficial for those new to analog synthesis, offering insights into both the practical use of the Behringer Poly D and the broader appeal of working with analog synthesizers.