Girls'ArtMuseum_No.10（explanation） (Pixiv Fanbox)

Today, I would like to explain about No.10 and guide you through the history of the Girl's Exhibition Hall.

Please understand that some parts may be a bit long.

This work is displayed in a glass case, restrained by metal. Behind the work is a large photograph of the work as it was when it was a human being, allowing visitors to compare and contrast its appearance with that of a human being.

　Her shoulder-length hair has grown so long that it touches the ground, and her breasts have grown to the point of being ripped off. This alone is enough to show how many years have passed since this girl became a work of art.

When she is not given any blame, as she is in her current state, every inch of her body can be carefully admired. Huge breasts and nipples of proportionate size, moderately plump flesh, a clitoris that has been polished so much that it has become as huge as a jewel, and a cunt that continues to drip thick love juice, you can appreciate such embarrassing parts down to the deepest creases.

This alone is worth enough, but in order for the viewer to appreciate the various expressions of agony in the work, we give various kinds of torture alternately.

　For example, the pussy alone is subjected to various types of torture, such as intense thrusting with a dildo, rubbing up and down with a silicone roller brush, and playing around with the cervix with a metal rod.

Of course, she is merciless in all the places where she finds the work pleasurable, such as sucking on her large, swollen nipples, polishing her clitoris, and tickling her sensitive soles and armpits.

　As a result of years of training, her entire body has become a sexually vulnerable zone, and in unusual places, you can even watch her fuck her ear canal or blame her navel hole.

　Sometimes the whole body is tortured in a messy manner, and sometimes only the clitoris is concentrated and polished. Because of such slow and steady blaming, the work's moment of peace never comes.

If the work is subjected to this much torture, it would not be surprising if the work would normally keep coming all the time. However, the metal that restrains the work has a no-climax pulse, and no matter what kind of torture she is subjected to, she can never climax.

　Since the work is being tortured all over its body without being able to come all the time, a large amount of love juice is dripping from the crotch of the work, creating a puddle in the glass case.

To further drive such a work that cannot climax, an aphrodisiac is injected directly into the ovarian area. Injecting from the ovaries can increase the climax impulse to the maximum.

　As a result of being injected with the aphrodisiac for too long, the aphrodisiac ingredients seep into her bodily fluids and become a natural aphrodisiac lotion.

　If it were not for the glass case, the aphrodisiac ingredients would be dispersed into the air, causing all the people around her to go into heat. Please be careful when viewing the work for a long period of time, as a small amount of the ingredients flow out even through the glass case.

She is never able to climax even though her whole body is tortured and made sensitive by the training. Furthermore, the sensitivity is increased by an aphrodisiac. Normally, the urge to climax is to the point of violent outbursts, but there is a slight dulling of the reaction, perhaps due to the fact that she has been subjected to the torture for a long period of time.

　Therefore, we inject undiluted torture aphrodisiacs directly into the body in our works, albeit occasionally. Torture aphrodisiacs are dangerous aphrodisiacs that can make a man come just by touching him, and they are mainly used as punishment for staff members. Even the staff members are not injected because there is a risk that they will never regain their sensitivity.

　However, this is a minor problem for this work, in which bodily fluids have become an aphrodisiac.　Visitors love it because they can watch the work suffer in agony with all its might!

　However, it is not so bad for the work, because the level of suffering, which the artist thought was at its limit, is permanently increased by one step.

In fact, this work was originally supposed to be exhibited as No. 01.

To explain how it came to be, it is necessary to mention the history of the Girl's Exhibition Hall, so this will be a somewhat long story about the old days.

She was originally the daughter of the president of one of the world's largest corporations. In addition to her beauty, she was also very gentle and kind-hearted.

　On the other hand, her voluptuous body had a seductive charm that captivated all men. She was famous among the rich and powerful, and many of them would have loved to have her for their own.

One day, her father's company suffered a huge loss and was on the verge of bankruptcy, with debts that could never be repaid. Unable to cope any longer, her father took his own life, leaving the rest of the family, including the girl, in a tight spot.

Then, a wealthy pharmaceutical company owner offered to absorb the company as a subsidiary and take on its debts.

　Of course, it was not for free. In return, he demanded that the girl devote her body, her mind, and her entire life to him, becoming his complete property.

　It would have been easy to imagine that the treatment would have been worse than mere sex slavery.

Nevertheless, the girl agreed for the sake of her remaining family and the company her father had left her, and she became the complete property of a wealthy man.

The girl was so new to this that she had never even held hands with a man. Naturally, she had never even masturbated. When she had sexual intercourse with him for the first time, he was captivated by the sight of her writhing in unknown pleasure.

　She was so cute that he did not let her come even once during their first sexual intercourse, and he continued to train her in various ways without letting her come even once after that.

　Incidentally, he regretted for the rest of his life that he had taken the girl's virginity and taught her the taste of men.

The girl was subjected to various forms of training from then on. She was even subjected to the use of a powerful aphrodisiac developed by a wealthy man's company, which made her the partner of many men. Even so, the girl was never allowed to cum.

　The girl became weaker and weaker every day. Normally, the more she was kept on the edge, the stronger her reaction would be. However, for a young girl who was gentle at heart and a novice, the stress of being less than a sex slave must have been more than enough to make her weak. Her beauty, which had attracted many men, gradually faded away.

　The girl had never even held hands with a man before. Naturally, she had never masturbated and had never come.

　During her first training session, she was so cute in the way she wanted to come but did not know what it felt like to come, that the wealthy man trained her in various ways without letting her come even once.

　The girl was subjected to various kinds of training from then on. He used a powerful aphrodisiac developed by a wealthy man's company, and developed her body into a sexual sensation zone with a lot of instruments. Even so, the girl was never allowed to come.

As these days went on, the wealthy man began to feel a growing fear.

He feared that she would grow old and gradually lose her beauty. The rich man thought hard.

　One day, he came up with a crazy idea. To preserve her beauty, he would turn her into a work of art. The wealthy man decided to build a pavilion on an off-the-map villa island he owned and exhibit her there as a work of art. This pavilion was called the "Girl's art museum.

In order to preserve her beauty as a work of art, the wealthy man used the technology of his pharmaceutical company to the fullest. He solicited investments from many wealthy people, and drug experiments with girls were conducted in secret.

　Finally, he even created an anti-aging drug, but this drug only worked on women and required a large amount of semen to be inoculated at the same time.

　　For the wealthy man who was thoroughly insistent that the girl be a virgin, it was a painful choice to have her drink the semen of so many men.

At this time, the power of the wealthy was already absolute, and they were connected to the government and even the police force. He owned a villa island that was not even on the map, and he was able to experiment with drugs on girls, which must have been the reason.

　However, the way he focused all these efforts on "preserving the beauty of this girl" must have been as if he was obsessed with something.

　The anti-aging drug he developed had no effect on men, and the wealthy man soon ended his life. I guess it was more important for him to preserve the beauty of the girl than himself.

After the wealthy man died, other wealthy people who had invested in him decided to build a museum to preserve the beauty of the girls. Various girls are decorated as fixtures, and attendants provide entertainment. The museum will feature a variety of works of art, which visitors will be able to appreciate and enjoy. The girls were to be exhibited as the centerpiece of such a museum.

　Various girls were collected to serve as fixtures. They were divided into many museum fixtures, such as chairs, toilets, and wall ornaments.

　The attendants were made up of maids who had originally worked in a wealthy man's house managing the girls' exhibit and providing sexual services, as well as newly brought in sexually active men.

　The attendants were also trained with various equipment, and finally, when the girl was being moved from the museum to the museum, an accident occurred.

　The attendant in charge of transporting her accidentally causes her to coming.

The girl, who had never climaxed since birth and had been made to stop short after numerous training sessions, finally climaxed.

　I was not there, but she seemed to scream like a female beast's male scream, as if everyone present was going into heat.

At this moment, the value of the piece, "I have never climaxed since birth," was lost. The financiers of the Girl's art museum were enjoying a work of art that was writhing in agony from unknown pleasures, and they had financed the museum to display the sight of it. The end of a decades-long skittishness is said to have caused a great deal of panic.

And, as bad luck would have it, the attendant was originally a maid who had served her in the girl's mansion. When the wealthy man absorbed the company, he brought in several maids who had served in his daughter's house and had them perform sexual services as well. It was natural to suspect that he felt sorry for his daughter and intentionally made her climax.

　The attendant apologized desperately and the investors managed to forgive her by saying that she would be punished for the rest of her life.

　She became the guide for the newly built basement exhibit, and the other attendants were given a more thorough reeducation as a joint responsibility.

　This incident also led to the establishment of a rule that the guide was to be stamped on her back, to increase her awareness of her status as an object and her loyalty to the museum.

Then, a new girl was assigned to work No. 01.

　At first, she was nominated because she was a virgin and had the same name as that girl, but her life-size girlishness and the unexpected fact that she actually loves to masturbate won the hearts of the supporters. Although her nature was different from that of the girl who had never even come, she inherited the artistic value of "cannot climax forever" as the original No. 01 and became a work of art.

　If someone touched me, I could climax just by that, but no one would touch me, and I would be rushed for the rest of my life. This work is the closest to climax, yet the furthest away from it, and is still on display today.

After No.01 was exhibited, the girl remained quietly in the basement exhibition room for a while. Some visitors said that their expressions changed after having known climax once. But, on the other hand, perhaps having known pleasure only once, the sensation was burned into their brains. The works began to writhe in agony, seeking climax even more. The works became more agonized in their climax, which again attracted the visitors as a different kind of artistry.

　As a result, the work was assigned the number 10 as a work that continues to writhe in agony, wanting to once again experience the pleasure it has tasted only once in its lifetime, and it is once again exhibited on the ground.　　　　　

　Of course, unlike in the past, various techniques were used to ensure that he would never climax again.

This is how this is the first work and how it was assigned the number of work No. 10. Thank you for your patience at length.

　By the way, various top-of-the-line technologies are used in the work. The metal that restrains the body uses special processing techniques, and cannot be destroyed even by heavy machinery.

　The glass case that covers the work is made of a special material that is bulletproof but also conducts electricity, protecting the work from anyone who tries to touch it by passing electricity through it.

　In fact, these techniques were those owned by the company of the father of the artwork.

　They were passed down when the company was absorbed and are now used to keep the girls on display as artworks.

　Thanks to this technology, it will never be destroyed by anyone in the future. It is a very tragic and tantalizing story that even the slightest hope is ended because of the technology created by one's own father.

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*Next update: difference story of No.10.

You can watch her receiving various blames in addition to piston, rotary roller, and stick blames on her uterus.