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Slopppy Secondz: 14 April 2023 (Patreon)

Published:
2023-04-15 06:13:17
Imported:
2023-06

Downloads

Content

Weeaboo cringe compilation and more!

Comments

Anonymous

Top notch

Anonymous

Which one of you sheltered fucks tried to defend the use of "yada yada yada" in the live chat?

Anonymous
>>106463899

No, it is not correct that after a triad the 7th, 9th, 13th, and etc. notes do not need to conform to the root note's key. The notes added to a triad to form a seventh chord, ninth chord, thirteenth chord, and so on, are typically chosen to fit within the key of the root note1. In music theory, a triad is a three-note chord whose notes can be arranged in thirds2. When written as closely as possible on a staff, the two upper notes of a triad must form a third and a fifth above the lowest note3. A seventh chord is a four-note chord consisting of a triad plus a note forming an interval of a seventh above the chord's root1. Similarly, a ninth chord is a five-note chord consisting of a triad plus a note forming an interval of a ninth above the chord's root, and a thirteenth chord is a seven-note chord consisting of a triad plus a note forming an interval of a thirteenth above the chord's root4. The notes added to a chord to form a seventh chord, ninth chord, thirteenth chord, and so on, are typically chosen to fit within the key of the root note1. For example, a C7 chord consists of the notes C, E, G, and Bb, which are all within the key of C major. Similarly, a C9 chord consists of the notes C, E, G, Bb, and D, which are all within the key of C major. The same applies to thirteenth chords and other extended chords1. Therefore, the notes added to a chord after a triad are typically chosen to fit within the key of the root note, and do need to conform to the root note's key1.