Big Daddy Dispatch November 2019 (Patreon)
Content
Dispatch Thirty Six, November 1st, 2019
Hello WHM Family!
And just like that the 2019 Halloween Spooktacular has come to a close! But it was a tremendous Spooktacular, wasn't it folks? Many people are saying it was the biggest and best ever. We're never ones to rest on our laurels here at the WHM Factory so we are going right back to work in the month of November, hitting the road and putting out TWO episodes on Terminator movies!
Banner Credit: We Hate Movies The Big Daddy Dispatch by Felipe Sobreiro
Image Credit: Great Party, Isn't It? by Donald McQuaid Jr.
FALL TOUR FINAL UPDATE: SECOND L.A. SHOW ADDED!
Our bags are packed and we are just a few short days away from coming out and meeting a ton of you great folks and playing for you live! We couldn't be more excited about this slate, especially since we had to add another show to accommodate the demand!
Wednesday, November 6th at Cobb's Comedy Club in San Francisco we will be talking about The Rock! (This one is a WLM, believe you us)
Thursday, November 7th at The Aladdin Theater in Portland, Oregon we will be doing a live episode on Kindergarten Cop
Sunday, November 10th at the Hollywood Improv in Los Angeles: our episode on The Karate Kid is SOLD OUT! But we just added a second, earlier show at 5pm for Teen Wolf!
All tickets can be found on our website! We so stoked for this tour and we can't wait to say hi to all you Big Daddies!
LAST MONTH ON WHM Episode 445 – Friday the 13th (2009)
To kick off the Spooktacular, the gang returns to Camp Crystal Lake once again to wrangle with the 2009 remake of Friday the 13th. Did our drunken hijinks lead to this movie getting a quasi-bum rap in our friend circle? What the hell is with these tunnels? Whose weed is this? Is this at least partially pornography or what? Either way, keep your eye out for probably the funniest sex scene you’ll see this year.
Episode 446 – The Shining (PATREON EXCLUSIVE)
For the October We Love Movies Patreon Exclusive, the boys take a trip up to the Overlook Hotel to visit the Torrance family in Stanley Kubrick’s masterwork. How are there no red flags going up during Jack’s job interview? Did Dog Guy and Tux Man have a long love affair? Does Scatman Crothers have the best apartment in the history of time? Is this the best movie ever made? We also find time to reiterate just how horrible Ready Player One was. Cuz, fuck that movie.
Episode 447 – Final Destination 3
Andrew, Steve, Chris, and Eric tempt the devil and watch their step as they take their second stab at the Final Destination franchise, this time with less Tony Todd and more Mary Elizabeth Winstead. Are we supposed to like Captain Upskirt or what? How does Winstead not remember her sister was on the ride with her? And seriously, how do you not give Tony Todd more screen time? The Candyman deserves better!
Episode 448 – The Human Centipede (First Sequence)
Unfortunately, the boys decide to confront one of the most notorious horror films of the last two decades, and nearly lose their minds discussing it. Why would these girls get out of the car? Is this Alec Baldwin's favorite movie of all time? What is the end game here? Why does this exist? No, but seriously, why does this exist?! I beg you to explain this to me.
Episode 449 – Child's Play (Live in Chicago)
Recorded this past summer at Chicago's Thalia Hall as part of the Headgum Live showcase, the gang laid into the original Child's Play movie, which was filmed in the Windy City. How does any mother not toss this child out the window the minute he starts talking about living dolls? How much research did Chris do on the Windy City before the show? Which member of WHM blew out their voice quickest while doing the Chucky voice? At least there wasn’t a scene with the doll chowing down on some deep dish.
Episode 450 – The Monster Squad
In a long-overdue nostalgia-buster episode, Steve, Andrew, Eric, and Chris team up to battle a battalion of resuscitated monsters, including Tom Noonan and the most boring Dracula ever. Were all kids this petty and monstrous to their teachers? What is with this kid creeping on his naked sister? Where on Earth did Dracula get all that dynamite? WHO IS THAT KID WITH THE DOG AND WHERE AM I? Did Shane Black really pen this garbage? It’s okay to like a movie and all but…this? Really?
WHAT ARE WE WATCHING?
This is a space for us to talk about some NON-We Hate Movies related content that we've shoved into our eyeballs in the last month: TV, Movies, Cartoons, and Sports (maybe?). Just about anything that isn't pornography.
Andrew: Last month, my wife and I went on a long-ish trip to Europe so, I loaded up my iPad with movies off the Criterion Channel. Since we were traveling in the weeks leading up to Halloween, I of course had to curate an all-horror list for myself. So for two 6+ hour flights, a couple hotel stays, and one long train ride, I wound up watching a ton of selections from Criterion's "Val Lewton Presents" list. In our hotel room in London, I watched The Leopard Man; on the train from London to Paris I watched I Walked with a Zombie; and then on our flight from Paris back to New York, I watched The Seventh Victim, The Ghost Ship, The Curse of the Cat People, and The Body Snatcher. I think my biggest takeaways were that I really do love minimalist, eerie films that are super-short (none of these films really go beyond 80 minutes); after re-watching it, I firmly believe that Cat People did NOT need that pseudo-sequel (it's terrible, and kind-of just a kids' film); and that Boris Karloff was a phenomenal actor who does some of the best work I've ever seen him do in The Seventh Victim, one of the best films I watched on the trip. These titles are all still on Criterion Channel (as-is the excellent Jacques Tourneur-directed Cat People) and I highly recommend you give them all a shot. Chris: So, here are the highlights of the horror/thriller/science-fiction movies I’ve been watching in honor of the Festival of Samhein:
Phase IV – I don’t know why everyone seems to think this is a horror movie. It has two pretty harrowing deaths, so I guess that means it gets automatically co-opted as horror? Anyway, I was looking through weird horror movies that Michael Murphy has been in and this one has been on my list for a long while and boy howdy, it delivered. Its ridiculous plot – space-radiated ants take over a small section of the Arizona desert and the government facility built to study them – is given a genuinely unnerving and plausible backbone by first-and-only-time director Saul Bass, the man behind those exquisite Hitchcock title sequences like the ones in Psycho and North by Northwest. He attempts, with great patience and boldness, to give us a view of ant society as a compelling, single-minded organism and mostly succeeds in my view. It’s got plenty of allegorical meat on the bone – the positive and negative aspects of groupthink, for one – but I mostly just enjoyed watching Bass’s quasi-clinical style unfold.
The Eight Immortals Restaurant: The Untold Story – An honest-to-god Holy Fucking Shit movie. Tonally, the movie – cut between the gruesome, repugnant killer and the sexist, sex-crazed, and mostly incompetent cops who are chasing him – doesn’t entirely work for me but when it finds its groove, its pretty difficult to look away. If you can get through this, I highly recommend the director’s other genuinely jaw-dropping nihilism-fest, Ebola Syndrome, which deserves a place in the upper echelons of gross-out movies.
The Innocents – This one has been on my list for a long time and my expectations were mostly met. It takes awhile to get going – there is a lot of narrative scaffolding to make double or triple sure you know where you are and what’s going on – but the director, Jack Clayton, really goes wild toward the end. The use of sound and close-ups is especially eerie here, and the abruptness of the end really knocked me out. For someone who has rarely loved ghosts and haunted house movies, this one came awfully close, and Deborah Kerr always helps the situation.
Zombi 2/Don’t Torture a Duckling/City of the Living Dead – I am a huge fan of Bava and Argento but Giallo, on the whole, has often been my least-favorite type of horror. I've been trying to find a few more Giallo pictures that key me into the supposed charms of the style and this season, I decided to look more at Fulci, after only seeing The Beyond and The New York Ripper (enjoyed the former, felt indifferent to the latter). These three titles didn’t move the needle much but I do find myself warming to the hazy look of Fulci’s films and am genuinely impressed with his way with gore. This was most apparent in City of the Living Dead but Duckling is probably the one that I was most drawn to as a viewer. Good witch hunt movies are hard to find, friends.
Eric: It’s been a bit of an unusual month for me. The floor underneath my bathtub rotted away so I’ve been having a crew in and out all month fixing it. This resulted in me and my wife living in a hotel for over two weeks as well. Luckily (question mark), the hotel was next to a movie theater. So I ended up seeing Joker, which is fine. Has it’s moments of greatness and moments of badness. Speaking of badness, I caught Rambo: Last Blood during this time too and man, that’s like not even a movie. Possible stay tuned but I am honestly not certain, there’s kinda not much that happens. Wish I went to see Ad Astra again instead. I haven’t even gotten around to much horror besides the Spooktacular titles because I’ve been fucking around doing shit like rewatching Gladiator (kinda wanted a Joaquin Phoenix double-header there with Joker) and I was pretty shocked that the movie holds up as well as it does. I remember liking it back in 2000 but felt it was long and a bit dull, but man, this sucker moves. Also I did not remember people get outright cut in half in that movie. Also it has Sven-Ole Thorsen as the undefeated Tigris of Gaul who might in fact actually be Secundus.
Steve: So first things first. I did see Joker, but honestly it is such a mishmash of good and bad so that it leaves me exactly at 50%, 2-1/2 stars (outta five), and a C-, so it really hasn't occupied too much of my brain space. But as resident Comic Book expert I suppose I owe you a larger accounting. So, here goes... Big fat spoiler warning for the below:
I think Phoenix is really good in the role, he totally commits and makes some interesting choices but the movie on a whole just lets him down in a big way. His laugh is genuinely unsettling and wholly original. His cadence, his mannerisms, and his voice all feel Joker to me, while still seeming fresh. Good on him. However, I would like to introduce new legislation wherein an actor can only gain or lose 20 lbs for a movie. That's it. I'm desperately bored by these macho artists killing themselves for movies that don't need it or warrant it. Congratulations, I can see every rib on your body. Excellent, acting dude.
Other than Phoenix the cinematography, set design, and location stuff is fantastic. There are truly stunning and gorgeous looking sequences in this film that I really enjoyed. So there's that!
The story is just a mess of too little connection to the Batman universe and too much at the exact same time. I actually really like the idea of Thomas Wayne being a big, rich asshole, it certainly strikes a chord with some rich assholes we've experienced throughout history. But you gotta cast somebody that has some weight in that role. Also, if you go that route, he needs to be more involved. Sorry. You can't do the nonsense fake-out of maybe they're brothers and then they're not because the mother is crazy. (BTW, we're just letting people with a history of institutionalization adopt kids without any kind of social work or follow up afterwards? Whatever you say movie!) The Alfred and Bruce scene is just kind of embarrassing, really.
Another thing you can keep was the Zazie Beets subplot. She was good, but it's just another fake out that doesn't tell you much about the Joker other than that the Joker is straight. Gotcha. Also, I GET THAT THEY NEVER DATED, I don't need that hammered home six different times in two minutes.
All the Scorsese homage stuff is fine and dandy, if a bit overworked. I mean, what the fuck kind of a business has a Clown Depot where a bunch of clowns sit around before they go out on clown jobs. I was laughing in the theater and not for the right reasons.
Speaking of legendary Italians, I hate to say it, but I think Robert DeNiro is just a blight on this film. It's not his fault, because he clearly doesn't give a shit, but there's room for a great performance there that is nowhere to be found. Which is a shame because it makes a climax that could've been good feel stale. There's a real moment there towards the end where you think that this movie is going to culminate with the Joker blowing his head off on live television and there's some real tension there, which I appreciated. I also appreciate the subtle Dark Knight Returns reference by having a Dr. Ruth substitute on the couch as the previous guest. But again, it's just DeNiro at zero charisma bringing absolutely no gravitas to a role that needed some oomf.
The riot at the end feels a little too much like it's set in The Purge universe to have any kind of real substance or societal impact at all, so why bother? OK, so this clown murders some shitty Wall Street guys and all these marginalized people want to be...killer clowns? I just don't get it. There's a lot of people out there right now who are rightfully angry about how little the 1% has left them and how much their greed has gutted programs and pushed people farther to the edges, but I don't think this movie is smart enough to make any kind of coherent argument about that one way or another, so just leave it alone. It just seems like a long way to go to get to the least surprising ending you could choose, which is the Joker was involved in the Wayne murders. Whoop-de-fucking-doo. But at least we got that sweet, sweet shot of pearls hitting the alley floor!
I like the idea that society let this guy down so he becomes a weird dark stain that infects everything he touches. Do that movie.
There's talk of sequels and Phoenix reprising his role, which I'm intrigued enough by and could be talked into. Wild idea: what if in this movie the Joker was the antagonist as opposed to the hero? Wild idea right? If only we could find a colorful enough hero to have him go up against... I'll scratch my noodle on this one, feel free to tweet me with any suggestions.
PATREON MAILBAG LIGHTNING ROUND
November's entry comes from Ryan from Michigan, who asks:
"In honor of Thanksgiving being this month, what's your favorite dinner scene in a movie?"
Andrew: My favorite dinner scene in all of cinema is the soup scene from Peter Jackson's Dead Alive. Just kidding. That's awful. How about something not gross? Well, hmm. Maybe not: I think one of my actual favorite dinner scenes is the "dinner" in Tobe Hooper's The Texas Chain Saw Massacre. Now, yeah, I know it's not an appetizing scene by any means—if you want my fave foodie film that will make you hungry AF, it's hands-down Tampopo and I won't hear about any alternatives—but this scene in TCM has stuck with me in a big, bad way ever since I first saw the film back in high school. It's just so outrageously horrifying and gross and weird. It's the absolute worst dinner party you could ever imagine attending in your nightmares and it's something I'll probably never shake. So eat up—you'll need your strength to raise the sledge!
Eric: The best dinner scene in motion picture history is obviously in Indiana Jones and the Temple of Doom—kidding. Although when dinner in film is mentioned, as it often is, I tend to think about that supposed meal Lando was leading Han Solo and crew towards on Cloud City. What would that meal have consisted of? And when Vader interrupts it with Boba Fett in tow (this scene you can hear spurs when Fett walks, really leaning into that Man with No Name vibe and it rules, just a BTW.) what happened next? “Honored if you’d join us." Did like, Darth Vader actually sit down with everyone and have a meal? I mean, I’d guess not? But it’d be cool if they did. Okay, but seriously the best food scene in film is probably actually Gary Busey telling Johnny Utah to get him two meatball sandwiches in Point Break.
Chris: This is a question that my old professor, Greg Taylor, used to talk about all the time, so it’s been on my mind since I was about 20. There are a few that stick out. The egg sandwich and big glass of beer that Adam Sandler makes himself in Spanglish is one. The Timpano from Big Night is another. The prison sauce from Goodfellas, which I imagine I'd put on everything in sight, including ice cream. I'd say Jiro Dreams of Sushi, but that seems like a bit of a cheat, so let's say the entire dinner that the grandma makes in Koreeda’s Still Walking. I remain impatient in waiting for a good chicken tenders scene to come in and wreck this list. Steve: Like Chris I'm drawn to the food in Goodfellas, and while I agree that the prison scene makes me hungry, the best dinner scene is the "Let's go to Uncle Paulie's" scene right when Henry gets out of prison. It just strikes my sweet spot as a (partly) Italian from the Bronx, this big obnoxious meal with 200 family members and amazing looking pasta courses.
The movie that makes me the most hungry, however, has to be Defending Your Life. The whole set up of "you get to eat whatever you want but you can't gain weight" is exactly heaven to me and there are so many shots of Albert Brooks and Meryl Streep eating outstanding looking meals. I'm getting hungry just talking about it and I just had lunch!
NOVEMBER SCHEDULE
Say what? The Schedule in advance?! It's the least we could do! By subscribing to this newsletter you get a sneak peak at what we're putting out this month:
Episode 451 — Terminator Salvation with David Sims
Episode 452 — I Now Pronounce You Chuck & Larry
Episode 453 — Kindergarten Cop: Live in Portland!
Episode 454 — Kazaam with Amir Blumenfeld
Patreon Episodes:
Patreon Exclusive We Love Movies — The Terminator
Animation Damnation — Teenage Mutant Ninja Turtles: "Shredder's Mom" (s4, e5) & Ducktales (s3, e13) "Yuppy Ducks", Live From Housingworks!
The Nexus — TOS: "The Doomsday Machine" (s2, e6) & TNG: "The Dauphin" (s2, e10)
Gleep Glossary: A Star Wars Story — Boba Fett (ever heard of him?)
Find all this crap and enjoy it legally, just like we do! now!
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UPCOMING NEWS AND PROMOTION
OH. MY. GOD. : our Youtube Channel is still kicking all kinds of ass. Did you know that you could watch our full Gone in 60 Seconds episode from the D.C. Improv? Not only that but you've got your monthly video Mail Bags, some great On-Screens (and more coming) and amazing clips of bits like Cinema Truckers, Louie Anderson as the Last Actor on Earth and James Bond's Mourned at His Favorite Restaurant and some from our Patreon commentaries, like the just released Twilight: Breaking Dawn part 2, as well as old favorites like Sucker Punch, Teenage Mutant Ninja Turtles, and Independence Day which are not only fun to re-visit if you're a fan but they're also great jumping on points for folks you want to indoctrinate into the WHM lifestyle! Also there are full episodes to stream right on Youtube, like Brainscan, Pet Semetary (with Griffin Newman), Venom and Fantastic Beasts and Where to Find Them: The Crimes of Grindelwald there too! So watch, subscribe, and share the crap out of all this great content!
This month on Hooked on TJ Hooker: Eric and Ben are joined by Nathan Rabin to talk about a rotten detective that is caught drinking on the job. Listen here!
Head on over to the Tee Public Store where we've got our new logo (and super cool variations like the one below) on-sale
That's gonna do it for this month's dispatch, thanks as always for your incredible support!
Andrew, Chris, Eric, and Steve
We Hate Movies