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1931’s Dracula had made horror one of the most profitable genres in Hollywood and made Lugosi an in-demand star. By 1936 the genre was defunct and the actor struggling for work. The next fifteen years would be the most volatile period of Lugosi’s career and its rises and falls were mirrored by those of the character that made him famous.  

Buy Robin's new book "The Immortal Dracula" (UK) https://amzn.to/2HsWZI5 (USA) https://amzn.to/2FQvbwE  

Buy Robin's other books (UK) https://amzn.to/2F7Blbf (USA) https://amzn.to/3kmGMD3   

Research books 

The Immortal Count  (UK) https://amzn.to/2HKnc5c (USA) https://amzn.to/3fIO7uI

Dark Carnival (UK) https://amzn.to/3lpNFmF (USA) https://amzn.to/3o6cINeHollywood Gothic (UK)  https://amzn.to/2VeYvkK  (USA) https://amzn.to/36gCzvSClassics of the Horror Film (UK) https://amzn.to/36h18Ja (USA) https://amzn.to/39nqQ0lUniversal Classics on Amazon: (UK) https://amzn.to/37efnxq (USA) https://amzn.to/3fLbnbN 

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Twitter: https://twitter.com/DarkCorners3 @DarkCorners3   

Films in this Review 

Dracula's Daughter: Prof. Van Helsing is in danger of prosecution for the murder of Dracula...until a hypnotic woman steals the Count's body and cremates it. Bloodless corpses start appearing in London again, and Hungarian countess Marya Zaleska seeks the aid of Jeffrey Garth, psychiatrist, in freeing herself of a mysterious evil influence. The scene changes from foggy London back to that eerie road to the Borgo Pass...   

Son of Dracula: When Katherine, a beautiful Southern girl obsessed with thoughts of eternal life, invites Count Alucard to come to her mansion in the U.S., she unleashes a Pandora's box of horror on unsuspecting relatives and neighbors.  

House of Frankenstein: After escaping from an asylum the mad Dr. Niemann and his hunch back assistant revive Count Dracula, the Wolf Man and the Frankenstein monster in order to extract revenge upon their many enemies.   

House of Dracula: The Wolf Man and Count Dracula beg Dr. Edelman to cure them of their killing instincts but Dracula schemes to seduce the doctor's nurse. 

 Abbot and Costello Meet Frankenstein: The Wolf Man tries to warn a dimwitted porter that Dracula wants his brain for Frankenstein monster's body.  

Return of the Vampire: In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp.  

Son of Frankenstein: Returning to the ancestral castle long after the death of the monster, the son of Dr. Frankenstein meets a mad shepherd who is hiding the comatose creature. To clear the family name, he revives the creature and tries to rehabilitate him.  

Written and presented by Robin Bailes @robinbailes  

Directed and Edited by Graham Trelfer  

DARK CORNERS OF THIS SICK WORLD: Bela Lugosi: The Rise of Dracula #BelaLugosi 

Files

Bela Lugosi: The Return of Dracula

1931’s Dracula had made horror one of the most profitable genres in Hollywood and made Lugosi an in-demand star. By 1936 the genre was defunct and the actor struggling for work. The next fifteen years would be the most volatile period of Lugosi’s career and its rises and falls were mirrored by those of the character that made him famous. Please consider supporting Dark Corners on Patreon for bonus videos, uncensored reviews, and ad-free early access: www.patreon.com/darkcorners Buy Robin's new book "The Immortal Dracula" (UK) https://amzn.to/2HsWZI5 (USA) https://amzn.to/2FQvbwE Buy Robin's other books (UK) https://amzn.to/2F7Blbf (USA) https://amzn.to/3kmGMD3 Research books The Immortal Count (UK) https://amzn.to/2HKnc5c (USA) https://amzn.to/3fIO7uI Dark Carnival (UK) https://amzn.to/3lpNFmF (USA) https://amzn.to/3o6cINe Hollywood Gothic (UK) https://amzn.to/2VeYvkK (USA) https://amzn.to/36gCzvS Classics of the Horror Film (UK) https://amzn.to/36h18Ja (USA) https://amzn.to/39nqQ0l Universal Classics on Amazon: (UK) https://amzn.to/37efnxq (USA) https://amzn.to/3fLbnbN Facebook: http://on.fb.me/RvhRdc Twitter: https://twitter.com/DarkCorners3 @DarkCorners3 Films in this Review Dracula's Daughter: Prof. Van Helsing is in danger of prosecution for the murder of Dracula...until a hypnotic woman steals the Count's body and cremates it. Bloodless corpses start appearing in London again, and Hungarian countess Marya Zaleska seeks the aid of Jeffrey Garth, psychiatrist, in freeing herself of a mysterious evil influence. The scene changes from foggy London back to that eerie road to the Borgo Pass... Son of Dracula: When Katherine, a beautiful Southern girl obsessed with thoughts of eternal life, invites Count Alucard to come to her mansion in the U.S., she unleashes a Pandora's box of horror on unsuspecting relatives and neighbors. House of Frankenstein: After escaping from an asylum the mad Dr. Niemann and his hunch back assistant revive Count Dracula, the Wolf Man and the Frankenstein monster in order to extract revenge upon their many enemies. House of Dracula: The Wolf Man and Count Dracula beg Dr. Edelman to cure them of their killing instincts but Dracula schemes to seduce the doctor's nurse. Abbot and Costello Meet Frankenstein: The Wolf Man tries to warn a dimwitted porter that Dracula wants his brain for Frankenstein monster's body. Return of the Vampire: In 1918, an English family are terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp. Son of Frankenstein: Returning to the ancestral castle long after the death of the monster, the son of Dr. Frankenstein meets a mad shepherd who is hiding the comatose creature. To clear the family name, he revives the creature and tries to rehabilitate him. A special thanks to our Dark Cultist Patreon supporters. THE SHADOWS: Brent Beebe, Pvt_Unicorn_Parts, Scott Nesmith, Lisa Kuta, John L., Normand Richardson, Richard Sadler, Thom MacIntyre, Chantelle Corey, Logistical Nightmare, Joe Niedbala, Trahan, Joseph Hines, Stephen Crane, Christopher Eckart, Anthony Strocks, John S. Savage, Dave Church, You Don't Get to Know, Ford, Jasmine Shafer, Allan Liska, goddessoftransitory, rachemus, Zachary Nolan, Chris Weakley, Heather and Michael Bailes, Colleen Crouch, Christie Bryden, Dan D Doty, Joseph Dougherty, Chris Hewson, David H. Adler, Hidden Trail Video THE ACOLYTES: Fritz Rutz, Joe Porter, Tony Breneman, Thomas Brown, Chris Fischer, D R Wellington, Ken Smiley, Richard D'Ambrosia, Matt P, John Hepp, Andy M, Milton Knight, Michael Schmidt, C, Michael Dean Jackson, Gemma Crowley, Andrew Weber, NuclearSaber, Picatea, Jim Rockford, Chris A, Mystic Cyclone, Prince Charming, Kyle Olson, Ch'aska Huayhuaca, Adam Everett, Johnathan Henning, James Robertson, Nils Muninsheim, David Pellot, Brian Kidd, Albertus Magnus, rachael kafrissen, Janne Wass, Robert Freeborn, David Conner, Peter Grantham, Amber Wesley, Tony Belmonte, Henry Brennan, Alex B, Mark Buckley, Uwe Marquardt, Russ Chandler, Simon Ash, Lavaughn Towell, Dave Smith, Tim Smith, Dark_Roast, Raven House Mystery THE INITIATES: Roop 298, Daniel Robinson, james Steadman, Andre, Jeffrey Disharoon, G.Kumar Achar, Ashleigh Rose, Claire Chandler, Lorna Smart, Seth Coleman, Joshua Allen, Jeffrey A Pleimling, Barry P., Terry LeCroix, VC, Jim Smith, greg Galanos, Clifford Parson, Martin Vlachynsky, Karl Bunker, Brian Ullmark, Alexandra Virgiel, Stephen LaPlante, Greg Hartwick, María Gd, Melissa Hayes, Derek Summers, bob de builder, Michael Schwern, GadgetBlues, Jakub Łabeński, Double – U, Felix Weißig Written and presented by Robin Bailes @robinbailes Directed and Edited by Graham Trelfer DARK CORNERS OF THIS SICK WORLD: Bela Lugosi: The Rise of Dracula #BelaLugosi #DarkCorners #Dracula

Comments

Anonymous

This was wonderful, thank you so much.

Anonymous

Grand. Perceptive, generous, insightful, entertaining. What a pleasure.

Anonymous

Brilliant! Actors indelibly associated with roles must include Sean Connery as Bond and Christopher Lee as Dracula. However, unlike Connery &amp; Lee, Lugosi's accent was integral to his characterization of Dracula, making him forever THE voice of the Count. Since it was his natural accent, and quite foreign to US/UK audiences, no matter what part he played after that, he sounded like Dracula. Although Connery never tried to change his Scots accent, it just didn't scream Bond at you, the way Lugosi's exotic voice sang of the Carpathians.

Anonymous

Guys, you out did yourselves. Bloody brilliant! What other roles would I have liked to see him in? Pretty much everything. I'd have liked to see him in the Sidney Greenstreet role in 'Casablanca'. Boagart and Lugosi... wow. Or How about Cardinal Richlieu in the 1948 Three Musketeers? That would be casting against type. But generally, the lead scientist / Evil Wizard / 'Source-of-all-human-knowledge" (TM) roles in such flicks as The Devil-Doll, Forbidden Planet, or 1947's Sinbad the Sailor. Can you see him against Doug Fairbanks Jr?

darkcorners

Thanks for the kind comments. It is always with a sense of relief and dread when we finish one of these. It is always a race to the finish line (this video finished uploading 10mins before it's scheduled time) and now we feel we have to raise the bar. That said the amount of research done for these videos increases and often it can inform future videos. Looking back I think we would do Universal Frankenstein very differently now... and perhaps in time we shall.

Anonymous

Apart from Edward van Sloan Universal really seems to have invested great effort in casting the 'good guys' as bleak and square as possible. I still wonder, if this is a modern point of view and all those Harkers and Dr. Brewsters indeed were the idol of american masculinity at their time - or if even the producers back then at least sensed, that the 'evil one' would be the real star, despite the billing and payment granted.

Anonymous

Wonderful video. Both parts really are great.

Anonymous

I've mentioned it before, but even in something like William "One Take" Beaudine's Voodoo Man, Lugosi committed totally to the character's tender, heartbroken love for his wife. He always understood that underneath every layer of monster or mad scientist there was a romantic, who would give the world for love and consider it well lost.