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We're going back to some classical music this time with the second movement of the Peer Gynt Suite, No. 1 (Op. 46) by Edvard Grieg. It's a hauntingly beautiful piece that seems to be longing for what is no longer there...and he achieves this sound via the use of several augmented sixth chords that resolve in non-standard ways. The result is a sad but sublime piece. Enjoy!

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Ase's Death (Grieg) | Behind the Score Ep. 47

This is "Ase's Death (Grieg) | Behind the Score Ep. 47" by Doug Helvering on Vimeo, the home for high quality videos and the people who love them.

Comments

Frode Korneliussen

A great look into this movement! I have long imagined that if opuses or the suites like this would have been albums, then this would surely have been one of the most legendary albums, packed with "hits". In addition to this movement, he has "Morning Mood" and "In the Hall of the Mountain King", which are both one of the most recognizable classical pieces of music, in addition to the great "Anitra's Dance".

Guitar Channel

Really enjoyed the breakdowns on the augmented 6th chords and the irregular resolutions. When initially listening to these, I didn't really notice this. Is it because of the passing tone in the upper voice (violins) with an inner voice (violas) in contrary motion?

doughelvering

Yes…that passing tone decreases the natural tension of these chords. His voicing of the chords are also quite perfect…so they sound less crunchy.