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Opening on a classic Universal logo, Knock at the Cabin carries that vintage aesthetic through to its cinematography. Shot on 35mm, the almost undetectable grain structure poses no risk to the encode. Sharpness isn't constant, but that's on the source and intentional. There's an inherent fuzziness indicative of older fimmaking, and it's actually refreshing. Detail looks spectacular at the peaks, especially in close. Facial definition looks reference at its best, and that's often.

In Dolby Vision, the striking contrast carries a marginal tint, but costs the overall depth little in total. Brightness still achieves a perky peak, draping the screen with intensity. Stellar black levels create the ideal balance. Dimensionality is achieved immediately and sustains for the duration.

Equally dense, pure color favors warmer tones. Flesh tones steer that direction, but stay natural. Primaries excel. Greenery in the surrounding forest is eye-catching, as are other hues. Grading favors a comfortable palette, making the end result increasingly disturbing considering the horror angle.

Audio

intense music stings pound the room, a full-on bass assault as the drums throb. They do so often. Pounding on the cabin doors bring an awesome jolt. Scenes of destruction - a tsunami in particular - drive the low-end even deeper. Knock at the Cabin doesn't limit its range in the slightest.

Excellent directionality keeps the audio bouncing between every channel. Action scenes drive the rears and stereos often. Mixing stays in a constant state of awareness, taking every opportunity to utilize the soundstage. Atmos effects are not common, but do appear, like footsteps stomping on a floor above characters.

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