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While stemming from a softer source, that hardly diminished Rebel Without a Cause. The HDR brings incredible, bright contrast to the screen, unusually aggressive for a catalog effort. This isn't bright enough as to clip, merely pushing nits to an extreme. Arguably, it's too much given how the frame glows. Black levels dodge crush, more natural than the contrast.

Grand color enhances flesh tones in the best '50s era manner. Density in the blues and vividness in the reds push limits, just shy of bleeding, but still natural (if borderline). Rebel Without a Cause's mastering aims for excess and pop. Attractive in the modern HDR era, but Rebel Without a Cause doesn't appear accurate much of the time.

Texture thrives though, the best thing about this disc, along with grain reproduction. Clarity excels and all damage disappears. It's pure unfiltered film, benefiting from the resolution afforded by the format. Definition bests the Blu-ray by a wide margin, even with the softer approach to the cinematography.

Audio

Upmixed into Dolby Atmos, the update primarily concerns the score. Each channel engages in the orchestration, spreading wide while keeping dialog firmly centered. All the trickery aside, Rebel Without a Cause preserves the original intent, likely from the 4-track magnetic prints.

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Comments

Anonymous

I just got it but have not yet watched. I also had it on LaserDisc in the day! I am pretty sure this was shot on Anscocolor which is very problematic for accurate colors. The recent Long Long Trailer remaster did a great job on this problematic negative filmstock, so I am anxious to see how this looks, but from your review, I wonder if this remaster team did not hit the mark.

DoBlu

I was wondering what color/film stock they used. The issues though - or my issues with it anyway - are entirely the fault of the HDR. It's blindingly bright, as if a Transformers movie or something. Cool, I guess, for showing off the tech, not so much for accuracy.