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Aside from low light noise, Row 19's pedestrian digital cinematography fairs well enough. Stable clarity finds moderate definition and detail, generally in close. Lesser CG elements lack the same refined output, dotted by thicker noise, even ringing. Also, banding shows in plane exteriors, possibly a fault of the original animation effects.

Overly pleasing, contrast boldly layers the image before the horror takes over and begins a heavy shadowy assault. Black levels create the dimensionality required of modern productions.

Generous color produces accurate flesh tones along cooler if still rich primaries. Blue stewardess uniforms have an eye-fetching quality. Although taking place almost entirely within a plane, Row 19 finds ways to show off.

Audio

There's an English dub, but stick with the Russian in 5.1. Ambiance runs excessively high, whether engines or the exterior weather hitting the fuselage. While not overwhelming dialog or out of balance, these things call more attention to themselves than necessary. Action favors loudness, but is accurate.

Runny bass needs tightening up. While there's clear rumble, it's poorly contained, never hitting the lowest points, settling into a bland midtone.

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