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A luxurious production, scanned at 4K from a high-grade film stock, Death on the Nile looks spectacular. Elegant sharpness brings every scene to life, wide shots and close-ups equally impeccable in resolution. The finest textures appear at all times, the only hangup(s) being rougher grain reproduction,, the first trouble spot popping up when Gal Gadot appears on the club steps. The hazy smoke is too tough a challenge, but it's still gorgeous. Phony digital sets, certainly rendered at 2K, break up the perfection too, but that's part of the source.

The HDR pass is equally stellar. Highlights glisten off water, and heat adds sweaty faces, additionally bold. Even interiors contain the same intensity, whether natural light or from electric bulbs. Dynamic shadows complete the dimensionality, letting Death on the Nile breathe and leap from the screen.

Heavily warmed, the cast appears bronzed by Egypt's sun. Unnatural, but attractive. That's helped by the surrounding primaries, all vivid. Scenery produces exemplary saturation, at times glowing, making the most from the digital effects, adding to their surrealism.

Audio

Opening during WWI, cannon fire slams into the ground, letting viewers know Death on the Nile's Atmos mix isn't toying around. Each blast demonstrates superb force, ground erupting into the surrounds, if not the heights in any notable way. Mostly that stays true for the whole, other than occasional ambiance slipping overhead. The design does keep life flowing through the surrounds though. That varies from birds to chatter in markets, or even water splashing about. Later moments include a sandstorm that brings together the low-end and positional channels for a brief home theater moment.

Death on the Nile sticks around the center though, no surprise given the dialog-driven nature. Balance is precise.

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