How To Use Modes In Your Music (Patreon)

This orchestral piece uses each of the 7 modes of the major scale. I wrote a short cue for 

each mode to illustrate their distinct properties. I progress through the modes in parallel or using "Modal Interchange." All this means is that each mode shares the same root note. As each mode emerges, a new key is established but still retaining the same tonic. For example, I start in A Ionian, which is equivalent to A Major. Next, A Dorian starts at 0:22. A Dorian is relative to the key of G Major. A Phrygian starts 44 seconds in and is relative to the key of F Major. 

If you want to use modes in your music try repeat the primary chords as much as possible. 

The modal primary chords for each mode are represented by the following formulas. 

Ionian (I-IV-V)

Dorian (i-IV)

Phrygian (i-bII

Lydian (I-II)

Mixolydian (I-bVII)

Aeolian (i-VI-VII)

Locrian (im7b5)

For example, if you want to write in the A Lydian Mode, use the chords A and B. Keep an A bass note for both chords to really bring out the modal quality. Use the notes from the A Lydian Mode (A-B-C#-D#-E-F#-G#) to develop melodies and supporting lines. 

Ionian: 0:00 (Chords: A-D-E)

Dorian: 0:22 (Chords: Am-D)

Phrygian: 0:44 (Chords: Am-Bb)

Lydian: 1:02 (Chords: A-B)

Mixolydian: 1:26 (Chords: A-G)

Aeolian: 1:52 (Chords: Am-F-G)

Locrian: 2:53 (Chords: Am7b5)

If you're interested in learning more about modes, check out my YouTube tutorial below:

Modes  youtube.com/watch?v=jRD3czcHZBc