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In the script, I had this as an elaborate transformation sequence on page 14, but when I started drawing it, the impact of just Grwn standing naked over him fit the spirit of the scene so much better I had to cut the transformation. I was really wringing my hands over cutting it, since so many people love to see transformations—and it’s such a very specific drawing challenge that I want to tackle again, and plan to later in the script where it flows better with the page-to-page read.

(Pages 14-15, censored digital roughs from Wilfrith and Grwn)

I think thing these pages are the ones I’m most excited to get to draw draw, when I finish the roughs because they’ve got an energy already at this stage that I’m totally excited for.

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