Home Artists Posts Import Register

Content

(patron-only post)

hallo loves.

**edit....and worth notifying you, because i slammed my hand against my head when i realized i hadn’t said it: if you were at ANY of the shows...detroit, montreal, toronto, philly, DC, any of the warm-up shows...go for it. this was meant to be an open invitation to all if it wasnt obvious**

greetings from home...where i landed last night after flying back from the philadephia show (through albany airport) and collapsed in a heap at neil's feet. i posted this to instagram this morning:



first of all...here's me and a bunch of philly patrons in front of an owl, looking scared. photo by hayley:

(photo: hayley rosenblum)

the show in DC was 4.5 hours, the show in philly was a little over three and a half....i think that this show is just gonna be really, really long. there are cities where i'm going to have to cut shit short because there are house and union curfews (i'm waiting to see that list)....but mostly, i think the organic nature of things is that this is a 3.5 hour show in its natural state.

i've never done a show like this. 

it's so weird.

every other time i've toured "solo", i simply do what i want to do, play what i want to play, and adjust the length of the show according to....what i feel like doing. this tour is not like that. this tour is a motherfucker of specificity. i have to Do A Real Thing.

and when planning this tour, i got a few things wrong.

first of all: i thought that playing the songs on this record would be EASY. they are, mostly, not nearly as demanding as some of the material on "theatre is evil" and "who killed amanda palmer". the songs are in my vocal range. most of them are slow.

i figured that this would mean that the show would be easy to play, and easy to deliver night after night. but i didn't really figure in the emotional exhaustion factor.

so....spoiler (but not really? given the album and the way i've been pitching the sho, you probably saw it all coming). i talk on stage. a lot. i talk about a lot of really hard things. i talk about having abortions. i talk about having a miscarriage. i talk about grief, and pain. i connect things. it is, after all, all connected.

i realized i also sort of positioned this show wrong when i sent it to the promotors. it really is....a one-woman show. it's a piece of theater. with a beginning, middle and end. 

and all that being said, i found myself wondering when and where i would have time to also fit in signings. i did a signing in montreal - and that's the only one i've done. so ironic, given we didn't have any merchandise...but hey. it felt wonderful. because...i don't sign things to sell merch, not really. i don't sign things to win hearts.

i have to be honest with y'all: i sign after shows because I NEED IT. i sign after shows because otherwise it's just too goddamn lonely. to share your heart like that and then get in a car with a stranger and go crash in a hotel by an airport is just....i can't explain it. it's the worst feeling.

it's like having sex with no cuddle. it's like climaxing and then running out the door or, worse, watching the other person jump out of bed and scram.

i feel so connected on stage...to you. to the crowd. to everybody. it's such an intense feeling, especially when you're delving into topics like this. it needs....comedown. or i get the bends.

i felt so satisfied after playing in montreal that i got to see and hug people, and hold their hands, and see their growing baby-bellies and hear their miscarriage and cancer stories. i needed it to feel connected.

but here's the thing.

i'm also FUCKING EXHAUSTED after playing a four hour show. at the end of the signing line in montreal, which lasted about 90 minutes, i could barely stand up. i think doing signings on this tour is just gonna be...really rare. 

after the shows in DC and philly this weekend, i met with some of the upper-tier patrons (HI YOU ALL) and it was nice, though somewhat awkward....because everyone is just sitting there going ... wow, that was a thing ... and there i am, standing with my face still caked with tears and make-up, trying to be cheerful while i sign books and ukuleles. and i love doing it. but i wonder if there's a better way. weirdly, the signing line actually feels more intimate than these meet and greets because everybody has allotted, sacred, uninterruptible time with me. there's a ritual. maybe i'll make sure the meet and greet actually has a line. because fuck it.

one of my good friends, malka, came to meet me after the DC show. the one that went 4.5 hours. she went straight into friend-mode, and i felt my brain collapsing. i wanted and needed to be her friend but i actually felt myself unable to deliver my friendship to her...it was as if someone had pulled the drain out of the bottom of my emotional bathtub. i just couldn't even keep my thoughts straight.

i thought: i need to be careful. i shouldn't be offering myself to anyone after this show. it's stupid, and inconsiderate. i can't do anything. i'm useless.

when i went to see hannah gadbsy's show in london, we'd been chattingon DM in twitter, and i asked if she wanted to hang out after the show. 

she said she never sees anybody after the show.

i was like:

that's weird.


i didn't really get it at the time.


now i get it.


.........

but also....it's confusing. 

i need people. i need it. i need the feedback. i kind of die inside without it.

rizo, my singer friend, said something so honest the other night:

she talked about driving back from the gig and checking the twitter feed for comments. i do that. especially on nights where i haven't had time to feel a post-show connection with the hundreds or thousands of people there...i need it. some kind of affirmation.

a "yes - that happened".

i think it's normal.

jason (webley) and i have talked about this as well.

we've talked about the harrowing loneliness - it's a very specific kind - that you feel after leading a huge group of people through the dark and light during a stage performance...and then, there you are, alone, in a room, on a bed....facing the silence. 

i think many musicians and performers feel this and....it's a crushing feeling, the un-easy bends of stage to silence. sometimes we fill that vacancy up with strangers, just so there's someone in the bed. sometimes we attach to the internet. sometimes we drink and collapse. i've done all those things.

..........

what can i do?

here's what i'd like to ask you...and if you're coming to the upcoming shows in chicago and st. paul, we can experiment.

there is no way i'll be signing in chicago. the venue fits over 3,000 people and i have to wake up early the next day to fly to st. paul. i'll probably skip signing in st. paul as well, unless i manage to get a massive second wind after the show. 

i'll do what i did in all the cities thee past few weekends and sign a HUGE amount of vinyl, artbooks and CDS. hundreds. there will be plenty if you want it.

here's me signing a fuck ton of posters in DC:

(photo: hayley rosenblum)

yes, that's michael being awesome.


...............

BUT.....

AND.......

i have an idea.

READY FOR MY IDEA?



okay.



i'll put up a post - either before or after the show - that's a virtual signing line for you guys to comment on for after the show. think of it as a guest book, or a place to say thank you, or fuck you, or whatever you'd like to say to me after the show.

if you were in DC or philly...hit me.

here.

now.

i never got my cuddle.

i want a hug. and your thoughts, and your stories....anything you would have told me in the signing line.

here. i'l read everything tonight and tomorrow morning.

and really....? tbh.....it's more for me than for you, but that's always the way with art and shows...it's for 

us.

don't worry about spoiling the show for others....if people want spoilers, they can read the comments, if they don't, they can skip it.

okay?

okay.

go for it.

................

and then:

virtual signing line, this friday, let's do it. i'll be there, after the show, online for a second, to wave, to bow, to collapse. let's see what we can do with the internet, and us, and this.

i'll need you, chicago.

and i love you.

virtually, really, truly, in all ways.

XX

AFP

p.s. show photo from saturday night in philly, by @andratte on instagram.



Files

Comments

Anonymous

I was at the Detroit show and brought the rug, table and disco ball. While I was very excited for a chance to meet you, I also can empathize with how exhausting a show that emotional could be. Your tour manager was lovely and apologized profusely, but I was fortunate enough to meet you at the Dresden Dolls show in Boston and I figured that was the best I would get. Thank you for meeting with me in Boston, and I hope you were able to rest after the Detroit show.

Anonymous

I will be at the Chicago show (way up in the balcony, so wave high if you wave hi) and I love this idea AND I'm very good at Mom Hugs if you need done. Just sayin'. I've got the busom to make any grown woman feel like a three year old again.

Anonymous

I was at the montreal show, and was one of the first people in line for the signing. I remember thinking " holy shit, she must be exhausted" and then i turned around to see the line growing....after 3.5 hours of show. I kinda felt bad at that moment, and i felt like you would be obligated to talk to me. I would have asked for a hug, and a nice chat, but didnt know how. Instead i just said thank you. For everything. And meant it . You helped me a lot, to cry tears i didnt know i needed to cry, for things buried too deep for me to reach, thank you for letting those feelings free. And thank you for signing my t-shirt

Anonymous

Hi Amanda, I caught the DC show while visiting my daughter there from Boston. We brought along her sweet guy friend who travelled with me for the weekend. He couldn't really handle the show... I guess your art really isn't for everyone, but Haley and I thought it was the best thing we've ever seen you do. Loved the tampon throwing at the white house.... perfect! I think the emotional crash after the show is over extends to us audience members too. I know I always feel beautifully drained and sad and wishing i could hug you and tell you all my secrets so you could turn those feelings into songs. Although you already have. Thank you for that...

Anonymous

I was in the Philly show and cried out, sobbing, after you finished Voicemail for Jill. You're absolutely wonderful and you made me feel so affirmed in my feelings about my 2 abortions. And my need to talk about my miscarriages and be held and heard by others who have felt the same. But the two things that I carried away the most from the show were your affirmation of my need to have a song like Oasis in my life, and my need to write. The ability to laugh about sexual assault as a survivor is such an odd and vital thing. And you gave me that gift. Made me feel like I was more than just a tragic victim. I've loved that song for years and not known exactly why. And now I have an articulate reason and that is so important. When I got home from your show, I revived my Patreon. Because if you can, you must. Thank you. I love you.

Anonymous

I went to the Detroit show and was thrilled to finally see you live. I've been a fan since around '05 and have been following through the email list ever since, but have just never been in the right place at the right time to come to show. Your songs have always been a cathartic, interesting and emotional place where I go when my introverted self just won't let me scream out all the feels the way they need to properly be screamed. More than any other artist, your songs always seem to hit me at the right time, when I need them most. (There's a running joke among my friends and I that we all run about 5 years behind Ani Difranco because we never quite "get it" when the albums come out, but wait a few years and they everything.) This particular album has hit just as I'm dealing with having had an abortion to complete a miscarriage, learned my mother's likely on her final journey as a stroke and diabetes are dragging her slowly towards death's door, and I'm about to embark on a career move after spending nearly all of my thirties on a different path. It's daunting and I'm really just so comforted by the entirety of this album. So thank you - I think like most people here, I can't really express what your honesty, vulnerability, and your ability to express those things through art mean to us. I consider my patronage here as valuable as my NPR membership, my newspaper subscriptions (I have 5, all digital), and my donations to the ACLU and Planned Parenthood.

Anonymous

hey amanda, i was at the toronto show. it was my first show of yours and i was amazed. i cried a little, i usually dont cry at things. you made me feel really at home and i loved all your songs and stories so much. and, my mom, who took me, loved your show too and started appreciating your music and art so much more. we listen to a mothers confession and sing along all the time now. thank you so much, and i hope to see you again <3

Anonymous

Hi Amanda, just a few lines to say that I love "There will be no intermission" so much that I feel I have finally found something even more touching and engaging than "Theatre is evil", which was quite difficult to imagine, wasn't it? These days, American fans are very lucky to enjoy your gigs in the USA: actually, I live in Rome and I am eager for the next time you will come to Europe. I was at a concert of yours in Köln, November 2016, and it was one of the best shows I have ever been at in my life (and this comes from a guy who has attended hundreds of gigs including people like Dylan, Clash, Miles Davis, Zappa, and so on and so forth). I have this flashbulb memory of you entering the hall in the middle of the crowd, carrying your ukulele and blinking to me 'cos I had been perhaps the first to recognize you before you jumped up the bar to sing a popular German song with no mike. Gosh, I definitely thought of Neil as a fucking fortunate guy ;) I wish you all the best and will support you in the future to give my little little contribution to save you freedom and independence in the artistic world.

Anonymous

I “chaperoned” my 14 year old daughter to the philly show. Thank you for giving us such an amazing mother daughter experience. We love you.

Anonymous

I wanted to write a while back. But life is, well it's life. Things are crazy hectic with my children and partner, but that's how it always is. I was elated to be given a trip to Detroit to see your opening show for my Valentine's gift. I could blabber on and on about how the songs you have written have somehow been spot on for the particular events in my life at the time. But what I really want you to know is that I see you and hear you. Thank you for opening up and sharing such difficult and heartbreaking and beautiful moments of your life with all of us. It has helped me to open up and share my own a little bit at a time. Much love to you!

Anonymous

I feel a little odd posting on an old post bit I'm going to anyway.... I just joined today after the better part of a year of unemployment. I got my first paycheque on Friday and promised myself I would celebrate by becoming a patron. So here I am (Hi!). I just want to say that I was at the Toronto show thanks to the unbelievable generosity of my sister who knew I was going through a really hard time and "needed to be in that room". As usual, my much younger, much wiser "baby" sister was right... I SO needed to be in that room. But goddam did I miss the cuddle. So please let me send you a virtual cuddle. I wanted so much to just enfold you after that show and say thank you (I completely understand why you couldn't!). You poured out heart, soul and blood out on that stage and it was the most moving theatre experience I've ever had. Can't possibly ever thank you enough. It was beauty personified and you are a BAMF to simply still be standing after it all. Big hugs.

Anonymous

I've been overloading myself in various ways, so I'm only just now catching up. And ↓↓↓ HERE ↓↓↓ are all the virtual ((((HUGS)))) you want. And all the THANKS I can give you for all you've added to my life.