when abortions meet algorithms, and tour prep!....tomorrow, we sail. (Patreon)
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hallo my loves
here's a little voice-ramble for you...embedded, and soundcloud:
https://soundcloud.com/amandapalmer/voiceramble-feb-21-2019
and if you want to READ this voice ramble, you can find it (and the entire archive of voice rambles) lovingly transcribed by alex right here:
i've been running round all day like a singer with my head cut off, working on costumes, working on the show, working on guest lists, working on....everything.
i made a fun video, too, of me SEEING THE VINYL AND CD FOR THE FIRST TIME and holy fuck do they both look incredible. you're gonna be so happy.
too much to do right now to give you a proper catch-up....but....soon.
let me get over the start hump.
i am so fucking excited.
......
i wanted to cross-post something here that i posted to facebook yesterday, i think you'd find it interesting:
when abortions meet facebook algorithms.
the last 24 hours since releasing "voicemail for jill" have been a real ride. interestingly enough, facebook has been the place that's garnered the LEAST amount of discussion/sharing/reflection about this song, and i wonder if that has to do with 1) people being too squeamish to share this sort of stuff on facebook for fear of backlash or 2) the algorithms themselves.
my facebook post with the link to the song yesterday - a huge emotional moment for me - got less "engagement" and reach on facebook yesterday than ANY other post i've put out in the last week. my selfie of myself with a broken piano string reached twice as many people. my photo of a 7" record from a thrift shop reached twice as many people. my photo of my etch-a-sketch drawing of neil reached three times as many people.
now...i love that people like my 10-minute etch-a-sketch drawing. but it took 10 minutes, and reached 59,000 people.
this song took 23 years and 3 abortions to write, then took about three days in a recording studio to record.....and it reached 18,000 people.
for an artist, that's so....just....so strange to feel.
writing about abortion, or about anything personal, and sharing it with the world is such a strangely vulnerable leap of faith.
my faith in facebook just keeps plummeting and plummeting when things like this happen.
when i feel like i'm being rewarded for not being real.
when i feel like i'm rewarded not for creating, but for distracting and delighting people in unchallenging ways.
meanwhile, over on patreon, the discussion is on fire. on twitter, men are piping up in the thread about the song and sharing their own abortion-experience stories. on instagram (owned by facebook, let's not forget) there's been a group-hug of support for a woman who shared that she's on her way to have an abortion next week. everyone is holding space for her.
this sort of stuff happening is the internet i miss. when we all used it to get closer, rather than further apart.
meanwhile...the feminist and pro-choice press hasn't picked up on it (i'll really go knocking on their doors when the video comes out) but it has been picked up by places in the UK press, which isn't shocking, and NME (which IS shocking to me - they were always the most misogynist of all, i think they've had a total soul-cleanse lately.....?) and Under the Radar have both been ballsy enough to run pieces about it.
(thanks to both of those outlets...it means a lot to me).
from this piece in under the radar:
"I wrote this song as a gift, a handbook, for any woman on her way to have an abortion, and as a reminder that this is not an experience you have to face alone."
i'm glad it's worked.
i love you all.
x
a
link to article:
............
right?
i know there are a lot of other creators/musicians/small business people who follow me here...can i get an amen?
..............
speaking of all that...
here's my most popular tweet of the year, literally.
it was posted this morning.
true fucking story.
xxx
AFP
------THE NEVER-ENDING AS ALWAYS---------
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