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Felix joins Will and Hesse to look at two films from director Mamoru Oshii, Angel’s Egg (1985) & Patlabor 2 (1993). Both films explore Oshii’s fascination with navigating simulated and detached realities, with Angel’s Egg offering a mysterious dystopia laden with religious and symbolism and allegories for birth, and Patlabor 2 addressing suppressed emotions around Japan’s political situation in the 90’s. The crew unpacks the filmmaker's metaphorical storytelling with a fair bit of discussion of Japan’s unique social and political context post WWII.

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Adam Foster

I wouldn’t agree that “Akira” is nihilistic, I think perhaps the movie can be read that way but certainly not if you have the context of the manga. Without the manga I agree that nihilism is a valid potential take-away. In the manga Akira is clearly (and all but explicitly) a buddhist story about how we exist in a never ending cycle of destruction and creation, each leading to the other. Oshii may not have become a priest in the end but I feel like his Christian background may have influenced his reaction to Akira on some level, because Akira isn’t saying destruction is good (and in the manga there are several explosions and people keep on living) it’s saying destruction is just a thing that happens and that we all react differently when we face it. As much as Japan is influenced by the bomb and the destruction of WWII we’re talking about a country where you lose count of the earthquake warnings and how many things of yours have been broken by earthquakes. I think the mindset that destruction can bring something positive is maybe necessary in a place like that just to get by day-to-day.

kee

"Writing about music is like dancing about architecture" -Frank Zappa

Taz

I would love a whole run of the mindset view of anime movies