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(You can check out the previous installment of this story here.) 

Folks, here are (layout) pages 39 through 43 of an unpublished, 48-page story titled Dirty Pair: Quick & Dirty that I wrote and drew back in late 2003. Only one more installment of pages to go! 

Below, I'll cut & paste my notes from the initial installment of the story:

My reasons for creating this story—and for drawing it in this rather odd, proto-Empowered "tight layout page" format—now seem hazy and unclear to me. At a time when my (ahem) "career" in comics was not going well at all and I was flailing around desperately for work—as opposed to nowadays, when I'm still flailing around desperately for work!—I believe that I was trying to interest Dark Horse in doing more Dirty Pair comics, around the time that the DP license was about to expire, or possibly already had. 

Ah, but did I intend to have Quick and Dirty eventually published in some more finished form? Almost certainly not, as I'd abandoned any attempts at creating comics in a conventional comics format after 1999-2000's miniseries Dirty Pair: Run from the Future. My godawful work technique back then—loose roughs, extraordinarily tight layout pages like the ones above, then recopied and even tighter pencils on Bristol board, then finished inks, then color guides for a separate colorist—had become so maddeningly slow and repetitive that I swore off drawing comics after Run from the Future's miserable work experience.

I think my intention was to show Dark Horse that this was the sort of Dirty Pair story I would write for other artists to draw, but nothing came of this admittedly rather puzzling effort, as I'm fairly sure I just couldn't get any other artists approved by the Japanese license-holders to draw these (theoretical) books. 

I wound up paying dearly for not investing in myself and creating wholly creator-owned comics earlier in my career, folks; let this be a lesson to all and sundry! Work-for-hire at handsome mainstream page rates is one thing (which I'm still interested in doing, from time to time), but investing decades of my life on a pseudo-creator-owned property that, importantly, I didn't actually own was an incredibly foolish choice on my part.  

What does seem clear to me now is that I still wanted to write and draw comics, but without the stifling repetition of my old work approach. After Quick & Dirty, I began to realize that, hey, maybe a comic's art could be reproduced from tight layout pages along these lines—and by the summer of the next year, I started scribbling the first stories that would eventually evolve into Empowered, my (still-)ongoing, creator-owned "sexy superhero comedy" series.  

I'll never draw another published Dirty Pair project, though in theory I wouldn't mind writing one.  In reality, that's really not likely to happen, as Dark Horse hasn't been able to get approval to reprint my old DP work, let alone get new projects rolling. I do hope to write and even draw new SF-oriented comics down the road, though. 

Wellp, Quick & Dirty wraps up next week, folks! (I'll probably be going back to serializing the prose experiment I Am Empowered on Thursdays after this, BTW.) 

Tomorrow on this here Patreon: Very likely a sketch dump of recent Patron art requests, possibly with a recent charity commission of Poison Ivy and Harley Quinn tacked on.

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Comments

AdamVanWyk

Ah ha! A very satisfying twist!

Strypgia

Ah, Kei, you are such a lovable bitch. :V Kei's long-delayed cyberhack is a good reminder that they're not just distractingly hot, but very good at their jobs.