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I know Stelladiplastica is not the most glamorous model I've ever worked with, but I still find her fascinating.
This simple picture taken with the Fujifilm X100V, appears to be a still straight from an horror movie.
The film simulations from Fuji are surely helping this overall feeling, but the physical presence of Stella is making a huge difference.

She is coming from the same Bergamo "school" of modelling as Miele, and they are also good friends in real life, and what they both appear to share is the ability to fill up an empty space, giving it an all new meaning.
And I clearly remember Miele telling me how tired she was after our shooting in the abandoned building site because she had to struggle more in order to fill up the large and empty rooms.
I wonder if this is just down to the level of experience in modelling or to a magical ability they are sharing, but the younger models are not providing the same level of integration with the space...

This talent is present also in Manya, and when I perceive this ability to fill up the empty space, I feel entitled to try more daring, unbalanced compositions with plenty of negative space.

It is as if younger models are just falling into the room and lie in the composition, so I concentrate mainly on their figure - whilst these special models are modifying the room and expanding to fill up the empty spaces...

I don't prefer one or the other approach, and I'm not sure this thing even exist or that it is noticeable for you (let me know in comments), but I will have to think more about it and try and apply this parameter to all my models.

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