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Hey all. Sorry I've been mired in a bunch of script crap this week, but I was planning on writing this big thing about the end of The Rehearsal and Synecdoche; NY, but honestly, after the finale I'm kind of just sitting with it and may need to do it for a long time. 

The thing about the show and any criticism of it is that the show is honestly doing more interesting version of whatever the criticisms are being thrown against it - it's practically part of the conceit. Every layer, thought, and element of discomfort is present right in the text, often brought to life by the actors hired to voice those criticisms. It's all there. I guess I more just wanted people to have a space for to get out whatever visceral reactions they had to all of it. From the public response, some people have them - and are definitely right to have them. But I feel like a lot of people are just thrown very inward by all of it and kind of feeling a stunned silence. At least, that's been my reaction today.

Comments

Anonymous

Still unpacking The Rehearsal, and I think I'll be doing that for a long time. I find myself drawing parallels between Nathan Fielder's approach and Kendrick Lamar's approach on his new record. Both works are therapy sessions. Both Nathan and Kendrick, or at least the characters of "Nathan" and "Kendrick", are deliberately transgressive. They are willing to say and do morally and ethically troubling/dubious/wrong things in service of provoking a bigger conversation. Writing about Fielder in the New Republic, John Semley said something along the lines of "by repeatedly crossing social lines, we recognize their existence." Both Nathan and Kendrick are willing to cross these lines in their work, and when they do, it instigates challenging, necessary conversations. Like, I just still cannot wrap my mind around how The Rehearsal ended up really being about all the ugly, tragic things that can happen when we act as though life is here to make art better and not the other way around (that's how I interpreted a big part of the show, anyway). But it's also this utterly cohesive and singular artistic statement that absolutely should exist. And oh mah gah that editing! It feels influenced by John Wilson, but I guess John Wilson is also inspired by Nathan. And actually John Wilson is just an actor that Nathan hired to rehearse for his HBO show (jk). When we allow art to embrace contradictions, we can have our cake and eat it too I guess!

Anonymous

Please talk Synecdoche....