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My fellow bassists!

The winner of this month's poll was fingerstyle technique, so here's your fingerstyle technique lesson!

Many of you are already familiar with basic fingerstyle technique (if not, watch this video) and so I decided that the best way to help you refine your technique is to show you three famous bass lines that helped me out a lot, and extract the lessons we can take from each one.

In this lesson you'll learn how to play fast octaves, a gallop bass line, how to build fingerstyle speed and stamina as well as how to use note lengths to build anticipation.

Once you've watched this video, head over to video #93.1 so you can practise a 5-minute fingerstyle workout I designed that uses elements of all of these bass lines for your convenience. As always, remember the golden rule of bass technique while you practise: economy of motion!

Thanks so much for coming here and practising with me, have a great weekend and I'll see you in the next lesson!

Charles

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Comments

oyster74

Something about pressure on strings here I wonder. I have spent years getting the e-string plucking in time, especially with the middle finger. Some use the thumb as support for the plucking fingers rest strokes. I've struggled with getting this right, and I observe you don't use any support for resting the middlefinger at something behind plucking the e-string (ie on run to the hills) Charles. Is it because you strike the string very lighly (so the finger doesn't wander far behind the e-string with a longer upward motion to get it in striking position again) or is it some other technique?

Ruben Natal

I would like to know when will you be coming out with the Shecter CB-5?

Charles Berthoud

I find when I try to use my thumb as a rest on the E-string, I have to angle my wrist in a way that actually ends up making everything harder. I don't strike the string particularly lightly but one thing that helps is keeping the rest of your hand / wrist / arm relaxed. When playing fast stuff it's easy to fall into the trap of tensing up random parts of your hand that have nothing to do with executing the bass line and that stops you from putting enough energy/focus into the fingers that are actually needed