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The darkest hour of the production process going into this anime. Looking into finding LO animators and managing corrections without a full-time animation director.

Below are some LO videos that we had before corrections

And here is another storyboard sheet showing one of the more intense moments!



Comments

Shy

This is so interesting because some of the things you were struggling with are things I’m familiar with as industry standard, specifically character turnarounds/character sheets are usually some of the musts people will have on their art portfolios, at least with what I’m familiar with in American animator standards. Would you say that it was generally different when you were working with anime animators in terms of expectations with the scene and how so?

Shy

When you did the audio for the animation already, do you think that impacted the lip-sync quality? Did it help in key areas like yelling in particular? Or overall did the feedback you were given on it seem like it was harder to work on it that way?

SoulBroNo3

Generally lip sync quality will always be better when handled as prelay as opposed to dubbing. Most of the people who submitted cuts didn't exactly know how to do anime-style lipsync so I went into Clip Studio and corrected all of the flaps myself