Home Artists Posts Import Register
The Offical Matrix Groupchat is online! >>CLICK HERE<<

Content

Would like to do something first, so voting will be tomorrow 

Files

Comments

gwadahunter

I like this page, it works better than the two previous it has less panel and feel less crammed

snakebit1995

Man I love how Dash looks in this comic

annonbimbo

She did turn out quite gorgerous. It's fun, starting out with the comic had no idea how she'd turn out until voting began

BioYuGi

Gosh I can't get enough of how you did her rainbow stuff here, it's so insanely good. It's just a real good look. If I can ever get back to some more Bleach bimbos, the manga's extra chapter that came out last year introduced a new character with a similar pattern to her nails that'll be great: https://64.media.tumblr.com/b93ab67dd900e3bc23360fd3ea6cc67b/17d50c1c58e52547-a8/s540x810/b3b933c636bbb03d7504ca2c822803fcd524e0e5.jpg

meepsalot

Looks great!

Artorius

So obviously, less panels but bigger ones. Now, in the case of panels, I'm not usually one to say to mix it up for consistency. I ultimately think that a comic page needs as many panels as the story needs to proceed for the next page at a good pace. If it needs twelve, slightly smaller ones to pack in more information/actions, then that's what it needs. In this case though, if you really want to sit with a moment and have more panel space to depict it then, yeah, less panels is what you go for. This composition of 8 (Maybe technically 7 if you don't count the smallest one of Dash) is a good one for a scene that's really trying to drag this moment out and to make it feel slower, such as how Spike would be feeling as Rainbow slowly and meticulously tries to get him to cum. The last three panels are a really good example of allowing us to follow a character's perspective as we get closer and closer to Rainbow and our gaze is led to follow Spike's, understanding how his own thoughts are being absorbed by the pleasure he's experiencing and what he's seeing. The flipping back and forth gives us a good look at Rainbow's transformation from both ends and how it continues to develop and it ends up creating a nice little contrast. It keeps itself from getting too old by delving into Spike's perspective by the end and, overall, it creates a rather compelling back and forth for it. The third-to-last panel, however, does show what I think it a little bit of the problem with plastic-wrapped skin around muscle and why it's generally better to use blending and shadows. As the abs here have to kind of protrude and be very obvious, there isn't a lot of space or leeway to have them curve along with her figure, as compared to the third panel where, towards the middle of her abdominals, you can see them naturally pinching in along with her waist. Admittedly, at a certain point, it's more a matter of taste but I tend to find more blended line for muscles in art can still add a lot of obvious definition to muscles while leaving open canvas for them to fit with the shape and curve of the body. Good page, I'd say!