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The full video for "Toy-Sized (Part 2)" is now available!

This is the second of the 2-part video animation.

The attached files have a password. Check your inbox for the ZIP Password or PM me here if you didn't receive any message within 24 hours after this was posted.

(Note: If you are a new Patron, please wait for at least 24 hour before PM-ing me because I will message new patrons within 24 hours. If I didn't message you after 24 hours, then you can send me a message.)

I hope you all enjoy watching it and thank you for the continued support as always!

Files

Comments

Clayton

Great video My only nit pic would be that I would have liked to have seen her place the guy on a skyscraper use the skyscraper as a dildo with him on it.

Christoper Cross

heck yeah, lets see how this concludes

RemKT

Actually, I have a video idea in the future (maybe for next year) where that scenario might happen so I didn't do that scenario in this one.

Eugenefindit

I can confirm that this is officially my favourite video (or videos) from you so far. Nice. 😁

지형 신

Can you give me the password, please?

Wesley

Can I get the password

トルノ

Please tell me the password

Phoenix_XXD

Can I get the password

Phoenix_XXD

Can I the password please

raipest

Can you give me the password, please?

Gg

Can you sent me the password?

Darren van der Valk (edited)

Comment edits

2023-07-18 17:29:38 This was a lot of fun, as one could expect from the theme “toy” presented in the title. The concept delivered cleverly in how it drove the line between owner and plaything, reversing the roles setup from the beginning. We get glimpses of her change in actions as she mimics what she had come to associate with play, such as the truly cute display with the cop car. It perfectly embodied her character in the innocence of the act, and I simply loved not only what the action represented but just how endearing it all was. Interestingly, it also reflects more broadly that the world, itself, has become her toy. I must say once more that the walk animation was done in good step; the rhythmic ups and downs undoubtably having me nod in assertion, to say nothing of my following of the motion. I like to think that his flight, both in the meaning and mode of escape, led to the lusty sequence of events as she looked to make good on his promise. As what could be better than the literal implication of in the palm of one's hands. Leaning more into this, I must say that I’m usually a bit iffy on self-play but this time it was exactly on point: from the way she looked at the building; the ensuing insinuated innuendo along with the half daze of the eyes in the roll up. Explicit but in just the right amount. The music leading up to her 2nd spurt gave a wonderful impending sense of what was to come as it provided a feeling of immense escalation, aided visually by her colouration. The clashing of the two sounds at play momentarily added to the chaos of the moment and provided the perfect emotional storm, while the usual effect headed the crescendo. It was a standout for how distinctly it introduced the growth along with the power implied behind it. Then what I thought was quite interesting was the interaction in the initial instance of her growing. I enjoyed the idea of the direct consequence of such and the reaction to the developing dynamic; would be keen to see more such moments in the future. The ending brought to mind “Starting Tasks from Zero”. It was an excellent call to reference such imagery as it utilized the shock and awe factor of keeping the viewer in the proverbial dark; making use of hard cuts of radio silence kicking in a feeling of worse case whilst the slow approach in the grand reveal exemplified the scale. It is a method that imbibes the size like no other, it was great to see its execution here once again. Lastly, just a thank you. I’d (e)xpand on it, but I think you’re a(b)reast of what I mean (๑´>᎑<)~*
2023-07-18 12:29:35 This was a lot of fun, as one could expect from the theme “toy” presented in the title. The concept delivered cleverly in how it drove the line between owner and plaything, reversing the roles setup from the beginning. We get glimpses of her change in actions as she mimics what she had come to associate with play, such as the truly cute display with the cop car. It perfectly embodied her character in the innocence of the act, and I simply loved not only what the action represented but just how endearing it all was. Interestingly, it also reflects more broadly that the world, itself, has become her toy. I must say once more that the walk animation was done in good step; the rhythmic ups and downs undoubtably having me nod in assertion, to say nothing of my following of the motion. I like to think that his flight, both in the meaning and mode of escape, led to the lusty sequence of events as she looked to make good on his promise. As what could be better than the literal implication of in the palm of one's hands. Leaning more into this, I must say that I’m usually a bit iffy on self-play but this time it was exactly on point: from the way she looked at the building; the ensuing insinuated innuendo along with the half daze of the eyes in the roll up. Explicit but in just the right amount. The music leading up to her 2nd spurt gave a wonderful impending sense of what was to come as it provided a feeling of immense escalation, aided visually by her colouration. The clashing of the two sounds at play momentarily added to the chaos of the moment and provided the perfect emotional storm, while the usual effect headed the crescendo. It was a standout for how distinctly it introduced the growth along with the power implied behind it. Then what I thought was quite interesting was the interaction in the initial instance of her growing. I enjoyed the idea of the direct consequence of such and the reaction to the developing dynamic; would be keen to see more such moments in the future. The ending brought to mind “Starting Tasks from Zero”. It was an excellent call to reference such imagery as it utilized the shock and awe factor of keeping the viewer in the proverbial dark; making use of hard cuts of radio silence kicking in a feeling of worse case whilst the slow approach in the grand reveal exemplified the scale. It is a method that imbibes the size like no other, it was great to see its execution here once again. Lastly, just a thank you. I’d (e)xpand on it, but I think you’re a(b)reast of what I mean (๑´>᎑<)~*

This was a lot of fun, as one could expect from the theme “toy” presented in the title. The concept delivered cleverly in how it drove the line between owner and plaything, reversing the roles setup from the beginning. We get glimpses of her change in actions as she mimics what she had come to associate with play, such as the truly cute display with the cop car. It perfectly embodied her character in the innocence of the act, and I simply loved not only what the action represented but just how endearing it all was. Interestingly, it also reflects more broadly that the world, itself, has become her toy. I must say once more that the walk animation was done in good step; the rhythmic ups and downs undoubtably having me nod in assertion, to say nothing of my following of the motion. I like to think that his flight, both in the meaning and mode of escape, led to the lusty sequence of events as she looked to make good on his promise. As what could be better than the literal implication of in the palm of one's hands. Leaning more into this, I must say that I’m usually a bit iffy on self-play but this time it was exactly on point: from the way she looked at the building; the ensuing insinuated innuendo along with the half daze of the eyes in the roll up. Explicit but in just the right amount. The music leading up to her 2nd spurt gave a wonderful impending sense of what was to come as it provided a feeling of immense escalation, aided visually by her colouration. The clashing of the two sounds at play momentarily added to the chaos of the moment and provided the perfect emotional storm, while the usual effect headed the crescendo. It was a standout for how distinctly it introduced the growth along with the power implied behind it. Then what I thought was quite interesting was the interaction in the initial instance of her growing. I enjoyed the idea of the direct consequence of such and the reaction to the developing dynamic; would be keen to see more such moments in the future. The ending brought to mind “Starting Tasks from Zero”. It was an excellent call to reference such imagery as it utilized the shock and awe factor of keeping the viewer in the proverbial dark; making use of hard cuts of radio silence kicking in a feeling of worse case whilst the slow approach in the grand reveal exemplified the scale. It is a method that imbibes the size like no other, it was great to see its execution here once again. Lastly, just a thank you. I’d (e)xpand on it, but I think you’re a(b)reast of what I mean (๑´>᎑<)~*

RemKT

Thank you very much for yet another insightful comment~! I love how you notice the subtle things and explain them in great detail. I always appreciate your feedback!