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Digitally shot with a notable film grain filter, Lionsgate's UHD transfers the material well. Encoding passes the grain cleanly, keeping Everything Everywhere's simulated texture. The softer source upscales precisely. Facial texture is a constant, medium and close-ups satisfying. Definition looks great all around, even with a lower resolution source.

Managing a hefty balance between light and dark, highlights push brightness to a hefty peak. The Dolby Vision pass isn't subtle. Black levels avoid hitting the deepest shadows, yet sustain dimensionality. Everything Everywhere sticks to a dry depth successfully without losing impact.

Shadows perform as such due to the color grading, on an orange/teal path that doesn't deviate. Primaries stick out as possible, especially the warmed over flesh tones and other reds. Vibrancy stays contained though, the palette either warmed over or cooled.

Audio

Awesome low-end complements the action, better than some high-dollar blockbusters on this format. The rumble digs deep, flooding the room and shaking walls to showcase the available range - and it's a lot of range. Music stings sink potently, then bettered by the various fight scenes. Dipping into the multiverse, each transition brings a firm shake.

The soundstage isn't as adventurous. Fronts and stereos split well, rears generally blending together, lacking precise separation. As Raymond slings a fanny pack around like nunchucks, everything stays forward focused, surround use barely noted. However, small touches like doorbells ringing in specific rears are notable, adding space to Everything Everywhere.

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