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Sporting a slightly thicker grain structure than the previous two films, it's lucky Paramount's encode is up to this challenge. A slight noise is evident in spots, but marginal. Certainly this doesn't impact detail or fidelity. Impeccable sharpness defines everything to the extremes, making full use of a true 4K scan. There's brilliant luster to this image, resolving the finest facial detail and environmental texture. Rocky landscapes courtesy of this resolution make the location cinematography dazzle.

After Temple of Doom's underground darkness, Last Crusade changes tone to a literal and figurative brighter aesthetic. Aided by Dolby Vision, the visuals shimmer, given renewed - some might say eternal - life. Sparkling contrast floods the frame, and when needed (say the stormy boat in the beginning) black levels perform their end flawlessly. Those deep shadows maintain detail.

Heavily lit scenery allows color to flourish too, bringing forward the sandy earth tones, generous flesh tones, and utterly vivid primaries. Venice looks glorious between the paint, flowers, and rich waters. Stained glass never looked better on a home screen.

Audio

It's possible to hear the advancing sound technology by viewing the films in order. Last Crusade benefits the most in the move to Atmos, evident from the first action scenes, especially the stormy water that uses the height channels extensively. Both waves and rain rush through the soundstage, convincing in their boldness and scale. Subtler moments like Indy smashing the marble library floor resonate smoothly as the impacts echo. Bike and boat chases send engines panning to the sides or front to back; transitions are flawless. The dogfight is masterful in this way too.

Bass is the only lacking element. Marginally powerful in brief spurts, the depth never reached impressive lows. Tank rounds barely generate a rumble (although the shells travel perfectly). Explosions erupt with minimal oomph.

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