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Giga Lane: Aegir (Act 4, 1080p) (Patreon)

Published:
2024-02-24 14:31:16
Imported:
2024-02
Tags:

Content

MEGA: https://mega.nz/file/3ghAzbpR#iCIQ3SdoHnKVgsGa5FST9GuUUzePFL2FDHjIP-LpZ8U
Decryption Key: iCIQ3SdoHnKVgsGa5FST9GuUUzePFL2FDHjIP-LpZ8U

Low pitch voice: https://mega.nz/file/r1ogzQBa#YkEMzkTr0MSGiOjuP8CrfK16bk6dadPHfzxQUiWNrfo
Decryption Key: YkEMzkTr0MSGiOjuP8CrfK16bk6dadPHfzxQUiWNrfo


Did you miss me? Idk lol but here's the next audio job for Aegir. Sorry for the delay on this one, we're basically already working on our own OVA and this is being neglected a bit as a result. No worries though, the finale for this is going up in just a few days from now!!@!





Files

Aegir_Part_4_SOUND

Watch "Aegir_Part_4_SOUND" on Streamable.

Comments

Growinggoddess2

I really love the way you have your models grow in short but sizable bursts. I’ve actually stolen that for my stories :)

Darren van der Valk

I must admit, having the videos split into audio and no-audio does wonders when typing commentary. Understandably, I tend to write chapters in and of themselves, but it does prevent me from posting full-length novels! I can effectively focus on the team’s work for both animation and audio design, respectively. To remark on things I enjoyed, as we’re reaching unprecedented scales or rather uncharted territory in musical exuberance in terms of size; first up is the slow, dragged echoing of her voice in scenes such as 0:04 - 0:07, 0:08 – 0:12, 1:00 - 1:04. Truly it was the voice heard round the world. Coincidentally, that last bar was also my favorite bit of vocal work this time around; and 1:06 - 1:09. You won’t hear any moaning, from me at least... 😉 Also, undertones indicating movement not seen on screen combined with shadows encroaching the visualized scape are some of, if not, the hottest moments; see 0:14 to 0:15. The hidden nature of the threat, as what is often used in horror is peak and the mixture makes for some downright delicious despair. What you created here was perfection. I liked the drumming 'thoom' as she grew at 0:58 - 1:02, reminiscent of someone pushing up a switch, like the ones that lie on a track, as if dialing up the power to invoke further growth. While also appreciating the addition of the ‘ping’ as her horn comes into view at 1:22, indicating they're acting as a sort of antenna. An interesting aspect here was the view from outer space. I'm curious about what that might’ve been about. The laws of the universe might be beyond my grasp, but it was a take I found intriguing, albeit something, that for me, felt out of place. It was too far of a departure from the rest for my liking. The crunch of gravelly goodness as her hands dig deeper into the crumbling crust of the planet’s surface was masterfully crafted. I’ve yet to be disappointed, and this is one aspect I feel you have a true knack for. I’ll spare you from going into them individually as that would unnecessarily pad out this reply seeing as every single one was top-notch! No complaints here ദ്ദി ˉ͈꒳ˉ͈ ) Though if I had one nitpick, and this may very well prove my deafness or not, but I felt a lack of balance in the accompaniment of audio in the breast movement. There seemed to be one swish sound, and my brain kept anticipating another as they pulled back in the opposite direction. Not to mention the possible absence of the more cartoonish 'bwoop,' which was far more audible in Giga Alice & メガ 女神 - Mega Megami. While it might be a detractor in the sense of its gimmickier roots, I feel it adds that extra bit of attention in the exaggerated nature of the sound. At least for me, it triggers an additional level of attractiveness in the already well-rounded beauty that breasts encapsulate if this dimension of detail is included. It can be hard to describe, but I miss this nuance. Again, I could be mishearing amongst the vast array of scores on display, but if I'm right, I'd like to voice that here amidst the chaos. I feel it might have been a missed opportunity, particularly in scenes such as 1:15 - 1:17, 1:25 – 1:29, and 1:32. In fact, 1:30 - 1:34 feels a tad bit empty, where a ‘bwop’ and retraction could have animated the scene a bit more, injecting a bit of humor. When faced with something as outrageous as this, laughing in the face of it all is one way to truly feel hopelessness as one tries to cope with the ridiculousness. Oh, and that build-up tone in the swing and drop, another hard hitter for me 🏏🧢 Then the sheer atomic level of extended arm, fist-holding and opening “boom” was incredibly satisfying to hear as it all culminated in deftness discord 👊💥 shattering expectations upon impact. Truly, she has become death, the destroyer of worlds 💀🌍