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Hey all! Happy New year! It’s been awhile since I sent out one of these. I’ve had a lot of going on and kept just putting writing newsletters off. What have I been doing? Well for one, I put the finishing touches on Woman in the Woods and Other North American Stories. That kickstarter finished out at the most funded comic anthology on twitter! HUZZAH!



And didn’t have too long to celebrate, I jumped into helping run another Iron Circus Kickstarter, Real Hero Shit by Kendra Wells! I edited Real Hero Shit all last year. It’s out in February and is a fun time all around. I even did a drawing of the main character Eugene.


Then shortly after Real Hero Shit launched on kickstarter I got a job at the publisher Seven Seas! So getting the hang of things in the manga editing process took up most of my November and December.  I’m super glad because I really got to rethink how my comics are making money. This is gonna give me some flexibility and time to think about a new direction.

Why a new direction? 

Well, cons still aren’t back in the full swing. I don’t have a lot of faith in things bouncing back in 2022. I went to Rose City Comic Con and Emerald City Comic Con in 2021. Both were okay but not in full force, also Emerald City was right when the Omicron variant first got reported. I don’t think things will bounce back by July 2022 (which is when San Diego Comic Con, my next con is scheduled)

The other thing is Kickstarter is pivoting to blockchain. Why are they doing this? Well, seems like they don’t even know. Their statement on it was a lot of buzzwords and not a lot of content. Then their follow up to clarification was… more buzzwords and some “our blockchain is different, we swear.” Now if you are someone who doesn’t live on the internet like I do and therefore don’t know what blockchain is, here is a youtube video that does a nice job explaining it

The short version is it is a way of coding that uses a shit ton of power. The environmental impact is too much for me and a lot of other comic artists to ignore. Part of Kickstarter’s “clarification” is them saying they are gonna use a blockchain that offsets their carbon footprint, but said blockchain is self reporting.

I mentioned a lot of other comic artists are taking this stance, as are a bunch of indie tabletop game developers. Also several of Kickstarter’s staff have quit over this. But Kickstarter is still going full steam ahead. I’ll be super surprised if they change things up. It’s frustrating because they have been so good until now and they don’t really seem to have a plan. I need to look into more crowdfunding options. Currently, I am looking into Indiegogo and Zoop. Indiegogo is more established but a lot of scammers have used it in the past, so I don’t know. Zoop is newer and takes a bigger cut, but it handles fulfillment and is comics only. So like maybe they will adjust to specific comic needs quicker? I don’t know.

I’m now gonna take this moment to post a general reminder to anyone who wants to start a webcomic in the future, please make your own website. Make sure people know about, otherwise your hard work can be wrecked by a corporation's whim. Use all the tools, social media, whatever online that you can, but a hub/website you control is important to building something that can weather the ever changing internet.

With all these shake ups, are you wondering how you can help support me in the meantime? Well, here is my Amazon author page. Please review my books on there. It does help them sell better and get recommended to other people. 



Yes, I know Amazon is also bad for the environment. But even if you don’t use Amazon or try to avoid it, you can still leave a review. 

Meanwhile, I’m restructuring what I’m gonna be doing with my website, patreon, and online presence. Where am I doing that? Well…

I’m gonna try to be more active on twitter again. In mid-2019, I was super burnt out on twitter. I’m not even talking about discourse or shitty people getting into fights with me on twitter. Just the act of trying to post on it regularly, to think of what to say, and stay active, I found it exhausting. Like I wasn’t burnt out on anything else, just twitter (and well other social medias). If you follow me on twitter, you might have noticed I only posted that my site updated. Those are all auto-posts from my website. After about 2 and ½ years, I think I’m ready to at least try to post stuff on there again. And I've got a few experiments to see if I can figure out a way to use it without getting burnt out. 



I’m also gonna try to post more on instagram and my facebook page too. But those are a lower priority. Facebook because it hides posts from like 2/3s of the people that like the page unless I give them money. Instragram because my account there is newer and building something up from scratch is harder than just getting older things running again.

I’m also gonna be streaming more art. Jose Pimienta and I had a good time streaming on Wednesdays, but we are gonna move it to the evening rather than at lunchtime. I figured that it would be easier to do editing work in the morning, and then art after dinner. Since they went well, I’m also gonna be streaming on Tuesday evenings with Alina Pete. Both of those streams will start at 8pm standard time. Keeping both of these going is gonna help me balance doing art and editing.


Bones and I are also gonna get back to streaming video games again. It’s gonna be a mix of Rimworld, Crusader Kings, and Don’t Starve Together. We’ll announce which before streaming each Thursday. To get back into the groove we streamed some Rimworld on Christmas and New Years Eve. I installed the Forgotten Realms mod. It adds a bunch of races from dnd into the game, so we gave playing as the Illithid squid monsters. You can give it a watch here and here.

As for projects coming in 2022, I got a lot of plans and hope I can get some off the ground. So here are some pitches I’m working on (these are all working titles):

Next The City Between will start soon. Murky Water is gonna wrap up in mid-2022. I have a couple ideas for the next story. Two are about half way written. I’m having my Patreon backers vote on which is next. I am also gonna think about if I want to do an omnibus of City Between books. But that’s on the back burner since cons aren’t back in full force and I’m not using Kickstarter anymore. 



You are the Chosen One is gonna keep going on my Patreon. I’m gonna take a break before starting Chapter 3 because I need to do some concept art. Also, Patreon isn’t really the best place to read something serialized. So I’m talking to Kevin, the guy who built my website, about making a password protected archive on my site. I want it to be easier for folks to catch up. 

Blue Moon is a YA horror/romance about a non-binary teen in a small town who gets drawn to a mysterious drifter passing through town. I’m writing it and Meredith McClarren is drawing it. I got the pitch packet mostly made, but gotta tweak it a little to clarify some stuff. 



As Time Goes By is a middle grade story about a town stuck in the late 50s. A modern preteen and their family pass through. Said preteen befriends a queer local preteen and the two of them try to help local kid escape the time trapped magic town. This one doesn’t have an artist and I still need to clear up some stuff. But once Blue Moon is ready to get pitch around I’m gonna focus on cleaning this one up. I’m trying to go for a Brigadon meets Pleasantville vibe. 

Eat the Witch is an adult graphic black comedy about werewolves eating the rich. Kinda. Basically, it uses magic as a metaphor for inherited wealth. So the werewolves are focused on fight (and eating) a group of spellcasters based in a country club. This one I want to write and draw. I’ve posted some character designs on instragram about this. Right now I’m mostly reading some political theory nonfiction books as research. That way I can clean up the parts in the story that are currently vague and make sure it’s reinforcing the metaphor I’m aiming from. This one will probably be a while I do anything public with it. I also don’t really know where I’d send this out as a pitch. 



I think that is everything. Hope you all have a good new year! Thanks for your support. Please support my patreon if you can.

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Comments

Anonymous

I do not like Kickstarter and I do not use Kickstarter.

kelmcdonald

I liked them until this blockchain nonsense. Hense looking into Indiegogo and zoop

Anonymous

I'd much rather pay a creator directly for their work without anyone else being involved. I liked Kickstarter as well at first and supported a lot of projects, but after a few incidents with my account the gloss wore off really fast.

Simone Spinozzi

I actually bought 2 NFTs from a friend of mine to see what it was like, because all these second hand recounting looked highly mistified. Especially the claims about the ecological impact since using up all the time of all the data centers in the world and all the private company servers in the world are barely a fraction of te ecological impact i see portrayed... and you pay for the time you use since in 2021 we are back to something like the '70s where big mainframes work on a time sharing structure where you pay for the effective time. And over 60% of that time is used for... uh... cloud storage which is the most marketed thing. But bottom line: NFTs suck without trying to blame world heating on them. • Unless the original art costs less than 0 at 300$ per piece you are BARELY making a profit at near to 0 gain due to all the fees involved. • The art cannot be private in any way because NFTs are based on a structure where privacy cannot exist. • The system is clunky and everything you want to do from creating a piece of art to uploading it to creating a contract to sharing the contract to selling the piece of art to getting the money from the contract.... and there are several more steps involved which are way too "you need to know how this works" to even make sense... they all cost money. And they are all needed. And they cannot be skipped. And WIPs are not allowed because each WIP requires all the steps above. Which is why many go for RNG art. • so you need to be an artist, a tech wizard, a thoughtful planner, and have a prepared customer and that customer needs to be extremely wealthy... to make a fraction of the money you would make with any other system. Truly the only people making money are those putting the stamps of approval on every step of the process. AKA: "the miners". I... honestly don't see why you need to put an easily debunkable thing like "it harms the environment" in the whole shenanigan when you just need to show people how it works to make anybody with 2 brain cells say "i'll pass".

kelmcdonald

Kickstarter isn't involved in NFTs (currently). It is getting involved in the blockchain, which is harming the environment independently of everything that is going on with NFTs.

Simone Spinozzi

Uh... you can do only 2 things on the blockchain. Currency (FTs) or non-currency (NFTs). In order to sell anything it needs to be a NFT to be sold for FTs, as NFTs are essentially the receipt/contract/invoice (depending on the complexity of the NFT itself) you get for paying with FTs. The only other transaction you could have is exchanging FTs for actual money which is basically sending FTs to a service which takes your FTs and gives money back to you. In any case... uh... all the steps above still have to happen. And the environment is getting harmed with or without be blockchain, since you using any cloud storage of any kind actually uses up 30 times more server time than blockchains do at this moment in time. The same stuff that is allowing you to see patreon, that is handling transactions from your visa, etc. etc. etc. That takes 98% of the server time in a data center. The remaining 2% is reserved for "miscellaneous stuff", of which the blockchain is a small part of it. The cambridge study over which some of the environmental claims are based was doing a study of "the metaverse" and what it takes to allow it to function, trying to compare it to a normal state. Therefore anything which held "the metaverse" even in part was considered concurrent to the overall extent of this "virtual nation" as it was infrastructure needed to make it function. So you get a figure that is not just the whole amount of all data centers <b><u>on earth</u></b> and all the private company servers (76.23 TWh in the entirety of 2020) ... you get figures like 200+ TWh for all the infrastructure needed (laying cables, and workers) which is about 1% of the world's energy. But with an average server which has a 500W power consumption a single transaction lasts 7 seconds, so about 0.97 Wh let's make it a round 10 seconds so we exaggerate, and that's 1.4 Wh. There have been about 400K daily blockchain transactions on the hottest of days, but let's make the hottest of days the norm so we exaggerate. that's 200... megawatthours. which is about 1 millionth of those 200 terawatts in the projection. With my photovoltaic fields i (as a very small energy producer) literally create 10% of that each year. So... uh... the blockchain's impact on the environment is negligible, being 1 millionth of 1% of the total energy consumption of earth. Yes, it's still energy wasted to count money which i hate because i produce that energy. But the environmental impact is next to zero because we are already using those servers. In today's day and age of 2021 you don't have a server that "does blockchain transactions" very few people would spend money for that, because it's wasted money. What you have is servers which are rented to people who do blockchain transaction verification. So what annoys me is that: • data centers are being slowed down from *points at everything else which is more useful than blockchain*. • the blockchain itself is a cantankerous system that loses money for every single transaction since it has an obsolete and cumbersome verification system • what you get cannot be private in any way shape or form, and that is by design as the primary feature. Basically the blockchain is a system which has zero net worth unless you are a miner, as it's miners who essentially give you the price for each transaction you make. And everything you do with a blockchain is a transaction which must be paid to the miners. I honestly have <b><u>no clue</u></b> why anybody would like to use a system where every single transaction costs about 10$-70$ <b><u>when it is cheap</u></b>. (prices can go well beyond 200$ to have a <u>single</u> transaction verified, and as i stated before... you can do absolutely nothing with a single transaction as you need about 2 to 5 to get any money out of the system in the least number of transaction utopically possible in the best of cases) So... it's a bad system where you can't get things done without leaking money at every muscle needed to make a step, think good old QWOP where taking each step is just as graceful and where each single keypress costs you 10$ to 200$. It's a ridiculous system and i do not like it. BUT the environment is honestly the least of my worries about it.