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To create a vocal rider plugin in Bitwig using the envelope follower for recording modulator to automation lane, follow these steps:

  1. Prepare Vocals: Use the raw vocal recording without sidechain processing.
  2. Utilize a Separate Track: Bitwig does not allow recording automation data from modulators or within the grid on the same track, so use a second track.
  3. Set Up FX Grid:Ensure FX grid is set to mono.
    Add an envelope follower, adjusting settings based on how closely you want to follow the signal (consider switching to RMS).
    Output the envelope follower data as CC data (e.g., CC 30) to a MIDI channel.
  4. Use Tool Device and CC Modulator:After the FX grid, add a tool device followed by a CC or MIDI modulator using the same controller number to modulate volume.
  5. Record and Edit Automation:Since direct recording to the same track's automation lane isn't possible, output the FX grid to a separate track and record it.
    After recording, copy the CC data from the second track and paste it into a new MIDI lane in the automation section of the original vocal track.
    This allows manual editing of the automation data for detailed control over the dynamics.

Advantages:

  • Customization: This method provides flexibility to customize the signal processing and response of the vocal rider effect. You can add processing like signal multiplication, delay, smoothing, frequency filtering, or limiting to tailor the effect to your needs.
  • Learning and Adaptation: Building from scratch in Bitwig offers a deeper understanding of how vocal riders work and allows for adaptation to specific needs, unlike fixed-plugin workflows.

Key Notes:

  • Use the FX grid and tool devices creatively for signal processing before modulation.
  • The necessity of using a second track for recording CC data due to Bitwig's internal node format and MIDI handling.
  • After moving the CC data to the original track, you can fine-tune the automation for precise dynamic control, including timing adjustments and scaling.

This approach not only allows for detailed manual edits of automation data but also fosters learning and innovation by encouraging a hands-on, customizable approach to dynamic processing in Bitwig.

Files

Nothing you cant do in Bitwig - Riding the WAVE!

So, @blastoff9518 asked me how to create a Vocal Rider with @bitwig's stock tools, and how to edit the data afterwards to make some changes. Here's my solution, which may help you fine-tune vocals! -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 or donate via Paypal: https://bit.ly/3cae9t8 🎧 Buy my Music: https://polarity.bandcamp.com/ 💾 Download my Tools / Github / Resources: https://polarity-dnb.de/blog/polarity-music-tools-samples-and-bitwig-presets-update-2019.html 💻 Check out my gear on Kit: https://kit.co/polarity/polarity-music-kit -- DEALZ: 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- SOCIAL MEDIA Discord: https://discord.gg/eWwFBww Blog: https://polarity-dnb.de/blog/ Twitter: https://twitter.com/polarity Reddit: https://www.reddit.com/user/polarity-berlin/ Business Inquiries: robert@polarity-dnb.de Paypal Donations: donate@polarity-dnb.de

Comments

Mr_Smellnice

Wow, there must have been a lot of processing to get the voice right on the mastered version 😉

Starling

This would also be great for other things including mapping a drum track to open a synth filter percussively, etc. In fact, you could do this same thing with live audio from a synthesizer, and create a feedback system where the sound itself tweaks the parameters controlling the sound. 🤔 You could also apply the same data to a different sound and boom, Trackspacer.