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In this Bitwig Studio tutorial, I shared innovative EQ techniques and creative sound design processes. Here's a summary of the key points:

  1. EQ+ Visualizer and Tilt Setting: I demonstrated using the EQ+ with a visualizer and a tilt setting of 4.5 dB per octave to achieve a specific frequency slope. This differs from the commonly recommended 3 dB slope, providing a warmer sound. The tilt setting helps visualize and adjust the frequency distribution to match a desired curve, serving as a rough guide for mixing.
  2. Visual Overlay for EQ+: I introduced a method to create a visual overlay in EQ+ using a Loud Split device, which spectrally splits signals into loud, middle, and quiet parts. By applying a 4.5 dB per octave tilt to the loud parts, it creates a visual guide in EQ+ for frequencies that exceed a certain threshold, aiding in precise EQ adjustments.
  3. Creative EQ Techniques: I showed how to use the Loud Split device for dynamic EQ adjustments without a traditional EQ, by attenuating frequencies that exceed a threshold by 5-6 dB. This approach allows for targeted frequency reduction, similar to dynamic EQ or multiband compression tools.
  4. Kick Drum Design with Transient Split: I shared a technique for enhancing a kick drum's attack phase using a Hard Clip and a Transient Split device, focusing the clipping effect on the transient while leaving the tail clean. This process introduces some latency but is useful for designing punchier kick drums.
  5. Ambient Sound Design: I explained creating ambient textures using a Test Tone device generating pink noise, processed through a resonator and filtered to fit a specific scale. By utilizing a Loud Split device, FX grid, and various effects like reverbs and pitch shifters, I crafted evolving ambient pads and drones suitable for backgrounds or pad sounds.

These techniques highlight Bitwig Studio's flexibility for both mixing and creative sound design, emphasizing unconventional EQ methods and sound manipulation strategies for music production.

Files

Incredibly Crazy Bitwig Abuse

Thanks a lot for all the kind comments on the last Bitwig videos, they definitely motivate me to do more. Today it's all about Bitwig mixing tricks. We're using gear like Loud Split and EQ+ for things they weren't really intended for. I hope I can get you a bit excited about experimenting and making music. If you have any questions or suggestions for topics, please drop them in the comments! -- 💕 Support me on Patreon: https://bit.ly/3PgbxZz 💰 or donate via Paypal: https://bit.ly/3cae9t8 🎧 Buy my Music: https://polarity.bandcamp.com/ 💾 Download my Tools / Github / Resources: https://polarity-dnb.de/blog/polarity-music-tools-samples-and-bitwig-presets-update-2019.html 💻 Check out my gear on Kit: https://kit.co/polarity/polarity-music-kit -- DEALZ: 🛒 Buy Bitwig Studio & Support me https://bit.ly/3yQEyDU 🛒 Upgrade Bitwig Studio & Support me https://bit.ly/3OimEjc 🛒 VST/AU Plugin Deals https://bit.ly/3zcvo66 -- SOCIAL MEDIA Discord: https://discord.gg/eWwFBww Blog: https://polarity-dnb.de/blog/ Twitter: https://twitter.com/polarity Reddit: https://www.reddit.com/user/polarity-berlin/ Business Inquiries: robert@polarity-dnb.de Paypal Donations: donate@polarity-dnb.de

Comments

Andrew Duncan

Is there any chance you could share a preset for the last (ambient drone) part of this? I can't seem to get the same results despite going over the settings several times. My gratitude would be endless!