Global Transpose in Bitwig - Ideas & Thoughts (Patreon)

In this video, I'm discussing a track I'm working on in Bitwig Studio, which includes drums, pads, bass, and chords. Here are the key moments and ideas I explore:

• Transposing Tracks: Initially, I consider manually transposing each clip in a track up by semitones, but this becomes tedious with multiple clips.
• Using Note Transpose on Each Track: Another approach is to use a note transpose in front of each device on the tracks. However, this also gets tedious, especially with many tracks.
• Global Modulators and Unit Mapping Issue: I introduce the concept of using global modulators, like macros, to transpose by up to 12 semitones. However, the modulation system uses percentage values instead of semitones, making precise transpositions challenging.
• Desire for Unit Selection in Macros: I express a desire for future Bitwig versions to allow selecting the unit type for macros, easing the process of precise transpositions.
• Using the Node Grid for Transposition: To overcome the limitations of global modulators, I suggest using the node grid. This involves creating a global instrument track and using a node of C3, which equates to a value of zero, allowing for easier transposition.
• Pitch Quantizer Technique: I use the pitch quantizer in a novel way to transpose notes from a global track, achieving precise control over the transposition by semitones.
• Suggestion for Grid Improvement: I propose that Bitwig should include a note input option in the grid, allowing users to select from which track the notes are taken.

In conclusion, I demonstrate how to use the pitch quantizer and node grid for effective transposition across tracks, and I suggest potential improvements for future versions of Bitwig Studio. This exploration helps me experiment with different keys and transpose tracks efficiently.