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Andrei Tarkovsky's debut film IVAN'S CHILDHOOD (1962) sends us into a discussion about poetic cinema, memory, Russia, and what it means to be a national filmmaker. PLUS: Spike Lee's flirtation with 9/11 truth, and check-ins with two reactionary celebrities.

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Nathan Beesley

Please do an episode on Come and See - the recent film The Painted Bird from Václav Marhoul is an interesting contemporary analogue

Ekaterina Sedia

As a Russian person, every time I hear some rando carrying on about “what did Russia ever contribute to the world…” I just yell “PERIODIC TABLE!”