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The forces of liberal democracy (Jimmy Stewart) and rugged frontier self-reliance (John Wayne) come head-to-head in John Ford's masterpiece THE MAN WHO SHOT LIBERTY VALANCE (1962) - an elegiac look at a Wild West becoming tamed by progress. Aisling McCrea (contributing editor and podmaster general at Current Affairs magazine) fills in for Luke to discuss who shot Lee Marvin's chaotic outlaw, and what it means. The answers may surprise you! PLUS: the death of "mythos" in cultural criticism, and the history of "the Dilbert guy."

Check out the Current Affairs podcast - https://www.currentaffairs.org/podcast

"Satanic Panics and the Death of Mythos" by Aisling McCrea - https://www.currentaffairs.org/2021/02/satanic-panics-and-the-death-of-mythos

"The Adams Principle" by Aisling McCrea - https://www.currentaffairs.org/2020/10/the-adams-principle

"Dilbert: A Reckoning" by Miles Wray - https://www.theawl.com/2017/12/dilbert-a-reckoning/

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R.J Pennypacker

I am curious though about your thoughts on the depiction of the press in this movie. Liberty Vallance's assault on the press office, and near murder of peabody for reporting the loss of the representitive of the powerful interests,is the inciting incident for the final confrontation. Then when confronted with the truth of the death of liberty valkance the press chooses to disregaurd it in favor of the accepted narrative. It' something that always stuck with me, but id be curious to hear your thoughts.

Sam Harrison

I think I grew up in that orphanage but I can't quite remember.