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Power corrupts, whether it's in France before the revolution, or Italy in the waning days of fascism, or in international airspace on Jeffrey Epstein's plane. As the Epstein story exposes the rot at the core of the modern elite, we find parallels in Pier Paolo Pasolini's anti-fascist (read: anti-capitalist) classic SALÒ, OR THE 120 DAYS OF SODOM (1975). PLUS: the Marquis de Sade, Bernie Sanders on Joe Rogan, the sorry state of film culture, and Michael Moore on Chapo Trap House.


"Jeffrey Epstein Is the Face of the Billionaire Class" by Branko Marcetic - https://jacobinmag.com/2019/08/jeffrey-epstein-billionaire-sex-offender-elite-eugenics

"When Bernie Sanders Did the Joe Rogan Show" by Luke Savage - https://jacobinmag.com/2019/08/bernie-sanders-joe-rogan-experience-podcast

"Jeffrey Epstein's Society Friends Close Ranks" by Alexandra Wolfe - https://www.thedailybeast.com/katie-couric-woody-allen-jeffrey-epsteins-society-friends-close-ranks

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Peter Fishbeast

The old Michael Moore is not fully dead yet, sadly - https://www.huffpost.com/entry/michael-moore-michelle-obama_n_5d43b0f1e4b0aca3411b54ed

Borat Madingus

You're right about the unstoppable blob that is Disney's acquisition of IP. Time to start pirating movies like it's 2009. Dark episode this week, darker still that Epstein is already dead and everyone who flew on the Lolita Express is now free to build the next Jeffery Epstein.