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https://www.dropbox.com/s/gv9ektqa05h9f62/Supernatural%203X13.m4v?dl=0

Comments

Sarah Trow

It was all found footage...they had cameras set up in a lot of the rooms or at least that's what it seemed like to me when I watched it the first time.

Nicole Garver

I LOVE the ‘Ghostfacers’, but I get that thepisode isn’t everyone’s cup of tea. The footage was all either cameras that the actors were holding and/or the cameras that the Ghostfacers installed in the rooms. || The episode was written by the mad-genius Ben Edlund. Kripke told a story on a panel about Ben coming into his office with the idea and their theme song already written - he then proceeded to sing it to Eric. So of course they HAD to make the episode 😂. || Techically, I guess Supernatural has had a spin off, the Ghostfacers had a very brief run as a web based show. || Glad to see you back at it, but be mindful of how you’re doing. I’d rather have a healthy and well rested you than more episodes. 🤓😉. XXOO

Toasted Toad

Not a fan of the Ghostfacers myself. I just don't find them funny. The only thing that they ever brought to the show for me was calling the Winchesters "chisel chests" 😂😂. Aside from that, I could totally live without them. Opinion is divided though amongst the fandom. I know some others like them.

Lefwyn

This episode is canonical outsider POV of Sam & Dean. :) And this is John's boys, hunting, straight up. I love it. The episode is also really meta -- From the Superwiki: http://www.supernaturalwiki.com/3.13_Ghostfacers " Minutiae This was the first episode filmed after the Writers Guild of America Strike ended [in Feb 2008]. There is a meta element to the episode, which, as an unscripted show, is the type of programming that was predicted to replace scripted dramas like Supernatural if the strike had continued. This episode was nominated for a GLAAD Media Award in the "Outstanding Individual Episode (in a series without a regular LGBT character)" category in 2009. However it lost to an episode of The New Adventures of Old Christine. " [Oh! even more meta! -- one of the previous victims of the Morton House was cited as Julie Wilkerson -- a shout out to Managing Editor Jules Wilkinson of the Superwiki :)]

Amy Rustand

I thought this was a cool outside-the-box episode. I liked getting a peek at Sam & Dean from someone else's POV. And the Ghostfacers schtick was funny. Theme song, moving in fake slo-mo while cars zip by in the background, Sam & Dean's expletive-laced reactions to running into those guys again! Very fun.

Daniel R

I came to appreciate this episode over time. Wasn't a fan of the ghostfacer team the first time through, thought they were overdone and just their for the sake of appealing to the nerd part of the Supernatural fandom. there's another character that's like this that I don't like but that's some ways away. I do like the insight from the Ghostfacers because its basically us the audience on a roller coaster ride in a haunted house with cameos by Sam and Dean. Fun stuff

Natalie Shepherd

Not a massive fan of the Ghostfacers but appreciate the humour they bring as harmless antagonists for Sam & Dean. I do like the Ghost Hunters style of show for this Ghostfacers episode, I used to love watching the Ghost Hunters & loved your reaction to the rollercoaster ride. You & me both would be sticking to Dean like clue, as you said hold onto his jacket like a child😂

Anonymous

I loved season one's "Hell House," so of course, I loved seeing the "new future of reality TV." Also a quick little tidbit about Harry and Ed's last names I'm not sure you know, so I'll share it either way... two of the original characters in the movie Ghostbusters were Egon Spengler and Winston Zeddmore. This episode echoed a lot of stuff I really enjoy. The reality tv show Ghost Hunters, mostly, which use to be one of my guilty reality show pleasures, with a splash of The Blair Witch Project thrown in. I loved Ed and Harry doing a fake slomo in the opener, with the cars whizzing past. The queasy cam, the cheesy soundtrack, the genuine flavor of idiotic reality television on a not-major network – to me, it takes a tremendous amount of good writing, acting, and filmmaking to pull off a parody this good, but it's not everyone's taste so I get where you're coming from. I understand your confusion about the apparent difference in Corbett's abduction and Sam's, but, to me, they were done the same way - minus the screaming and begging in Sam's case. Daggett took them both into his ghostly realm, dragging them (or at least Corbett) to his creepy as hell birthday party. At least that's the way I explained to myself how come the Ghostfacers and Winchesters could hear Corbett, but couldn't locate him. Sam's disappearance solidified this explaination for me. Like you, I loved the death echo concept, and when I first saw this episode my gut reaction to Harry’s ridiculous line about being “gay” for Corbett's death echo was that I was going to watch some strangely exploitative nonsense that played Corbett’s crush as a joke and nothing more. Instead, the writers took Ed to this remarkably sad place? I didn’t want to watch Corbett do something like… I don’t know. I thought the show was going to make Ed make out with Corbett, despite his clearly being straight, and maybe this was supposed to be some revelatory moment for him? Instead, Ed realizes just how much Corbett meant to him as a person, and he humanizes Corbett. It’s not an exploitation of Corbett’s crush on him at all; no, it’s an honest admission of how much he loved Corbett. That part wasn’t played for laughs at all, and as Ed stood there, crying over losing his friend, and having to watch Corbett relived his own death, I was genuinely and completely surprised. I didn’t expect that. I didn’t! The way Ghost Corbett attacked Daggett and saved the night was a direct canon call back to "Home" in season one where Mary's ghost tells the poltergeist to "Let go of her son and get out of her house" before she "attacked" it, which destroyed both herself and the poltergeist from the home. I loved that they gave poor Corbett as epic a send off as they did for Mary. After all, they both did it for love. For me, the best part of this episode is seeing the Winchesters through the eyes of other people. Yes, Dean and Sam are brave, cool, handsome superheroes, and the contrast with Ed and Harry made the Winchesters look braver, handsomer, and yet even cooler. And – silly of me, I know – I really loved the skull bleeps. Dean and Sam finally got to "R" rating swear. It felt so natural. On my first watch through of this episode, I was bothered by what I thought was a big plot boo-boo. The FBI believed Dean and Sam were dead thanks to poor dead Henriksen just last episode. The boys suddenly appearing on a television show would have been, well, a problem. Fortunately, they addressed it, with a great big, funny electromagnet. I like to believe this was the main reason the Winchesters erased it, because honestly "it wasn't half bad".

TheMew

I love this episode. I always like the Ghostfacers. The comedy stuff is actually why I like it. They are suppose to be dumbasses and it's hilarious. I've rewatched the series a bunch of times and while I love the serious emotional or "scary" stuff the humor is for me what really makes rewatching enjoyable everytime. And if you were rating it down for not commiting with the found footage style you may want to go back and look closer because the whole episode up until it pans back to them watching the computer screen at the end is in the found footage style. It's either from the hand held or mounted ones on them or the ones set up in the house which is exactly what those ghost hunter shows do and the films where they have it be like this episode and are in a house or asylum or something it's done that way. There wasn't anytime where they cut back to normal cameras or angles. The whole thing was just watching it like we were watching the footage they filmed and we were watching there episode it never went back to the normal Supernatural cameras in between U think you may have confused the cameras set up in the house with normal angle or something.