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Picture: The Northman (40/4)
Director: Maria Speth, Mr. Bachmann and His Class (37/5)
Actress: Vicky Krieps, Hold Me Tight (30/4)
Actor: Bill Nighy, Living (42/4)
S. Actor: Georg Friedrich, Great Freedom (41/3)
S. Actress: Noémie Merlant, Paris, 13th District (41/3)
Screenplay: James Vaughan, Friends and Strangers (33/3)
Scene: Rock talk, Everything Everywhere All at Once (31/3)

The first of several AVB-endorsed scenes this year that I actively dislike, though in this case it's mostly just that being able to jump into a lifeless universe's inanimate objects, while admittedly sorta funny, makes zero sense within the film's established-if-bonkers "rules." (Thankfully, only two people voted for Logan the asshole bully reacting with intense anger at having been portrayed as a golden god and then collapsing into tears as he grapples with the fact that he'll never be able to live up to Sammy's fawning cinematic portrait, which I consider a strong contender for Single Worst Scene Of The Century To Date. I'll take everything that happens in The Last Face over that garbage. "And Claudia, she just kissed me. In front of the whole school. I treat her shittier than I treat you." Uh-huh. Sure, Tony. Maybe not in a naturalistic context?)

HISTORY: 

I believe Mr. Bachmann is Speth's first Skandie-eligible film (though her fifth feature). 

Krieps is a previous Skandie winner in the same category (for Phantom Thread, 2017); she also placed 11th last year for Bergman Island. Nighy, despite starring in a late release that relatively few saw, gets his first nod in almost 20 years, having placed 16th in Supporting for Love Actually (2003). Merlant landed at #14 in Actress three years ago for Portrait of a Lady on Fire. Friedrich, who's been around since Seidl's Dog Days and Haneke's The Piano Teacher, is new. 

Again, first feature for Vaughan.

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Comments

Anonymous

Ah yes, Noémie Merlant, I gave her 5 pts for Supporting as well, so... oh wait. For what film?? (I wonder if we'll see her again later)

gemko

Merlant received votes for <i>Paris, 13th District</i> (on my own Picture ballot, now on Hulu), for <i>TÁR</i>, and for a third movie about a woman who falls in love with and fucks an amusement park ride. Look it up!

Anonymous

Oh good, I'm glad PARIS is on Hulu... I'm generally an Audiard fan and missed it in theaters.

Anonymous

I'm fairly out of the loop for 2022 films so I don't actually know what "Sammy" and "Logan" are from. Also don't know what "AVB" is.

gemko

AVB (August Voting Body) was defined in yesterday’s introductory post. It’ll come up again! Sammy and Logan are characters in <i>The Fabelmans</i>, a film I consider almost objectively bad that everyone else thinks is very good.

Anonymous

Oh yeah I did read yesterdays but I guess it just fell out of my head, cheers.

Anonymous

I forgive that scene not making sense in context for making an unsuspecting audience in a full theater watch two *actual rocks* have a heartfelt silent conversation. Felt like I was going insane.

Anonymous

Nighy got only 4 votes ... unless fewer than 5 people even saw LIVING, that's inexplicable to me.

Anonymous

Wouldn't surprise me. I have absolutely zero desire to see LIVING, for the simple reason that I've already seen LIVING.

Anonymous

To be a little more serious ... why wouldn't the Theo of 1940 say "I have absolutely zero desire to see THE FRONT PAGE, for the simple reason that I've already seen THE FRONT PAGE." Remakes can be good. Even ones of Kurosawa films -- or so I've heard.

Anonymous

Haha, yeah, good point. Kurosawa seems to have been very popular in 60s Hollywood; it's not just THE MAGNIFICENT SEVEN, there was also THE OUTRAGE (never seen it) remaking RASHOMON. Then again, e.g. Bergman also had SMILES OF A SUMMER NIGHT remade as A LITTLE NIGHT MUSIC, and THE VIRGIN SPRING became LAST HOUSE ON THE LEFT, so I guess there just was/is more cross-pollination than I thought. (Still don't want to see LIVING, though.)