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Apologies for the comparative paucity of reviews lately. I’ve spent much of the past few days barreling through all of the films that have been sent to me for my consideration, and even though I turn most of them off after 10 less-than-compelling minutes, there are still so many (I count at least 45, including Ultrasound which I actually made it to the end of) that they’ve taken up a lot of time. Just about caught up now, though, plus the Indiewire poll deadline is Wednesday in any case. So things should return to normal, at least until I head back to my dad’s for Christmas.

Oh, and I forgot to announce that Edvard Munch finally triumphed in the request poll last week, in what I believe was its third consecutive heads-up or three-way contest. Watched all three hours and 41 minutes last night; review forthcoming tomorrow.

Don’t think individual Sight & Sound ballots have been posted yet, but here’s what I submitted (exactly the same as in 2012, except that Brief Encounter replaced Woman in the Dunes after I revisited both ca. 2013–16).

—Only Angels Have Wings (1939, Howard Hawks)

Double Indemnity (1944, Billy Wilder)

Brief Encounter (1945, David Lean)

“A Day in the Country” (1946, Jean Renoir)

A Star Is Born (1954, George Cukor)

2001: A Space Odyssey (1968, Stanley Kubrick)

Manhattan (1979, Woody Allen)

Blood Simple (1984, Joel Coen)

Exotica (1994, Atom Egoyan)

“Outer Space” (1999, Peter Tscherkassky)

Kris Dotson pointed out on Twitter that after seeing Don Hertzfeldt’s It’s Such a Beautiful Day (shortly after submitting my 2012 ballot), I expressed regret at not having included “Everything Will Be OK,” the 2006 short that makes up the first third of that feature. To be honest, I completely forgot that I’d been blown away to that degree, and never considered including it. Remind me in advance 9.5 years from now, Kris, and I’ll take another look. Would be nice to have something from this century on there. (My favorite feature, A Separation, is somewhere down in my top 35 or so of all time.)

Comments

Anonymous

Hi, Mike. I was wondering if you had a specific outlet for compiling/listing your favorite short films because I’d love to check it out. I mostly browse your stuff on Letterboxd, but I realize you don’t mark shorts on there.

gemko

I’ve seen very few shorts, really—so few that my list of favorites would itself be extremely short. That seems to me practically like a separate medium, and I’ve chosen to focus on features (and predominantly narrative features at that). Actually, now that I think about it, my list would be mostly silent comedy two-reelers and Chuck Jones cartoons. But I’ll throw in a mention of “Alone. Life Wastes Andy Hardy,” which ranks among the most memorable structural avant-garde shorts I’ve seen. (You’ll note that it, too, is decades old now.)

Anonymous

Do you have a ranked list that you maintain of ALL the pictures you've seen? I've considered doing this but have always paused when sitting down to do so, mostly because I think it would drive me crazy to pick between #235 and #236. I also balk at reducing art to this arbitrary who-am-I-today whim. And, yet, the desire to do so is still there...

gemko

Not all, but a bunch. It’s almost entirely pre-2002 (exceptions are films that I watched at least three years after they premiered, such that they shifted from “new” to “old” in my mind), and only includes stuff I’ve watched since 2002. Also the order is almost utterly arbitrary and I couldn’t even come close to reproducing it from scratch. But here you go: http://www.panix.com/~dangelo/retrobygrade.html

Anonymous

Mike, 2022 list-related question: MoMI is screening Nathan Fielder's The Rehearsal in one sitting next month. Does that mean you will begrudgingly allow it to be eligible for the Skandies? (I'm remembering a block of Twin Peaks Season 3 episodes making the end-of-decade list.) https://movingimage.us/event/the-rehearsal/

gemko

It’ll be eligible for the ‘20s survey in seven years. To be eligible for the 2023 survey, it would need to run at Moving Image for a week. (I’ve finally relaxed those rules somewhat, to keep up with the times, but serialized TV can’t be designated a film just by virtue of being available to stream, otherwise every season of every show qualifies and what’s the use.)

Anonymous

Which makes me wonder: is anyone giving the new KINGDOM series a qualifying run? (If so, I'm gonna kick myself for not rewatching the first two in preparation this year.)