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49/100

No point in belaboring this—I’m not a sports guy, never watch the Olympics unless compelled by circumstance, had no desire to sit through three hours of edited highlights. (Criterion completism: There is no vaccine*.) Held out a little hope because I’d always heard that Ichikawa takes a more abstract approach, emphasizing aesthetics rather than competition; there’s a bit of that, and I appreciated every shift to slo-mo (did this influence Chariots of Fire?) and extreme close-up (rifle-shooting sequence a particular standout in that regard), but the vast majority of the film just speeds through one event after another, understandably lingering whenever a Japanese athlete contends for a medal. (Was oddly touched by the voiceover narration, forever empathetic: “She did her best.”) Also, there’s 26 fucking minutes of pomp before the games begin—I’d potentially have been interested in behind-the-scenes prep work, but ceremony reliably puts me to sleep. Most of my interest was extratextual, as I paused to look up information that most of y'all no doubt learned long ago: how long-distance runners determine their optimal pace (this turned out to be fearsomely complex, not unlike bobsled curve trajectories which I somehow already knew about), why most long jumpers continue flailing their legs in mid-air (wouldn’t have guessed that it’s for balance, and am now confused about how some can perform superlatively despite not doing so), etc. Movie gets no credit for that stuff, though. Anyway, just not my thing; disregard if you’re a normal person who enjoys watching extreme physical exertion that doesn’t involve either roundhouse kicks or tap shoes.

* Though that 35-film Olympic box set may eventually see me establish a revised criterion of my own, requiring me to watch only those films with their own spine number. Not sure I really want to see every Zatoichi picture, either, even though I thoroughly enjoyed the first one.

QUESTION I HOPE SOMEONE CAN ANSWER: Why do the high jumpers look for all the world as if they're landing on a pile of old, discarded shoes? I tried googling this (without "shoes" in the query) to no avail. 


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Comments

Anonymous

I think those are foam squares that form a pit to land in softly. The Tokyo games in this film were the last ones before Donald Wallace Gordon invented the modern foam mats for the 1968 Mexico City games, and which are still in use today.

gemko

Huh. Doesn't seem like an innovation that should've taken decades for someone to arrive at. But easy for me to say I guess.

Anonymous

Yeah they actually landed in sawdust for a long time — even in the pole vault! But I don’t think that kind of foam was manufactured much (or cheaply) until mid-20th century, but I could be way off on that.

Anonymous

One of the things I remember vividly from high school track was the feel of the nylon fishnet-style cover over the blue foam mats we would land on during high jumps. They baked in the sun and would sear your flesh when you landed. I didn’t last long in that event and stuck to hurdles throughout college.

Anonymous

Those definitely seem like foam squares to me. You can see them today at some places, although they're more colorful and fun.

Anonymous

This might be due for a revisit. I saw it back-to-back with "Le Trou" and together they made for one of the most transformative moviegoing experiences I've ever had (both are in my Top 10). I'm not really into sports either so some alchemy was probably at work that time.

Anonymous

And the first person to land on the mat would become enveloped by a cloud of pollen! I too stuck to hurdles.

Anonymous

You don't really seem eager to check out any of the other Olympic films, but White Rock might be more up your alley (and it's less than 80 minutes!)

Anonymous

Those foam pits are still in use today, at least in places like my kids' gymnastics club. (Link provided for illustration purposes only). https://www.phoenixgymnastics.com/support-us/ways-give/fill-foams

Anonymous

I just watched this the other week since it was in the channel's staff picks section. Pretty good Rick Wakeman score as well!