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Not technically an inferior remake of the greatest concert movie that ever was or will be, of course, but that's inevitably what it sorta feels like. While I can't blame Byrne for performing his greatest hits—that's what the audience wants, and he's not in a position to deny them this late in his career—there's just no way that I can refrain from mentally comparing these perfectly serviceable renditions to their glorious '84 counterparts; "Once in a Lifetime" even sees him partially replicate choreography that contributes to one of the two shots I regularly cite (more or less alternately) as my favorite in all of cinema. (At 4:34 here, after the cut from where I hopefully have it cued. The other comes from Chung King Express.) And I'm unfamiliar with Byrne's newer material, having lost touch following his 1994 self-titled album (though I saw that tour, terrific show). So it was those Heads songs not featured in Stop Making Sense—"Don't Worry About the Government," "Born Under Punches," "Blind," "Road to Nowhere"—that seemed most effective, plus "I Zimbra" which arguably works better here as a march (captured by Lee via mobile shots emphasizing upstage/downstage depth) than in Sense's horizontal proscenium-style staging (viewable as a DVD/Blu supplement; it's not in the film proper). Perfectly enjoyable, and it's genuinely impressive that Byrne remains so vital at 67, but when one of the world's greatest filmmakers is behind the camera, you hope for something more distinctive than what you saw when this same crew served as the musical guest on Saturday Night Live. Could have lived without the voter-registration PSA; not sure why that one dude looks like he rushed over from auditioning to play the Joker in yet another Batman film; was amused when a series of closeups inadvertently(?) revealed that one musician, for whatever reason (presumably something medical), is wearing custom-made shoes designed to make her look as if she's barefoot, like everybody else.


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Anonymous

Love that I knew exactly what shot you were talking about. Side note about SMS: if Chris Frantz’s awful memoirs are to be trusted, Demme was absent for a lot of the shooting (was busy reshooting another film) and the first night of the show was basically unusable since everyone save Holt, Mabry, and Weymouth were on too much coke. They had to ask for the money for a third night.

Anonymous

Awful as in badly written or as in mean-spirited or something else? I have the book on hold at the library...

Anonymous

Reasonably sure that foot lift is to deal with a heel spur, I say as someone who has recently discovered the joy of having a heel spur. Will see this soon, but out of curiosity, does Byrne tell the story about "Everybody's Coming To My House" being recontextualized for him? (I saw UTOPIA live, and I got the impression he did the same spiels most nights, but I imagine a few of them hit the cutting room floor.)

gemko

Yep, that’s in there. And if the audience laughed and he said “I’m not sure what to make of that laugh,” that’s a regular bit.

Anonymous

Both. Frantz is a horrible writer and spends a lot of time trashing Byrne, 50% of it just for fitting the definition of medium-functioning autistic.

Anonymous

Don't recall that bit but it also might have landed differently with NZ audiences. Anyway, I'm a big fan of Byrne/Eno's EVERYTHING THAT HAPPENS WILL HAPPEN TODAY, and I actually preferred the tour he did for that to UTOPIA, which was filmed and released in at least the UK (though I've never seen the filmed version, called ... lemme Google ... RIDE, RISE, ROAR). But also that was at a much more intimate venue, so.

Anonymous

Hope we are going to get your write-ups on the W/O's you've done since your last update!

Anonymous

Great write-up. That Stop Making Sense cut is definitely my favourite in all of cinema. Something about the long chiaroscuro shot beforehand compared to the transcendent light that Mabry/Holt/Frantz are bathed in while Byrne proselytises in the foreground. Despite seeing it so many times over the years, every time I see it anew I get shivers down my spine and start tearing up. Even though I know exactly when it's coming and what it's going to be! Just marvellous!