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67/100

Barely feels like it belongs to the MCU (despite Civil War flashbacks), and is all the better for it. Indeed, I enjoyed this not so much as a superhero movie—T'Challa is arguably its least interesting character—but as a potent counterfactual vision of Africa, re-imagining that plundered continent as a secret technological powerhouse that regards "developed" nations with something approaching pity. Mythmaking should mean something, and Black Panther, unlike most of its predecessors in this franchise, dares to dream big, granting unimaginable power not to a single dweeby individual but to an entire people. Plus, it offers a villain whose agenda, while repugnant, is rooted in justifiable outrage at centuries of mistreatment (though there's also a strong personal angle that kinda dilutes the political one). Unfortunately, the film falters significantly when T'Challa "dies," since there's zero doubt of his survival; much of the third act amounts to a waiting game, culminating in a chaotic battle sequence that's no less visually incoherent than the usual Marvel finale. (Coogler, like everyone else who directs these things, is largely at the mercy of the F/X teams; it's difficult to truly direct a sequence that's destined to be heavily computer-massaged.) By the end, I did feel as if I were watching Part 18 of Hollywoo Stars and Celebrities: What Can They Punch? Can They Punch Things? Let's Find Out! But if that's what it took for us to finally get a big-budget fantasy in which white people are at best an afterthought (we even get Martin Freeman's Ross as the token white guy), it's a worthwhile tradeoff. Just Letitia Wright as Wakanda's Q was good enough for me.

OH NO MORE BUCKY. I really wanted him to be comatose for a long time.

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Comments

Anonymous

"(Coogler, like everyone else who directs these things, is largely at the mercy of the F/X teams; it's difficult to truly direct a sequence that's destined to be heavily computer-massaged.)" ----> I wonder about this. I'm not sure the clarity and expert pacing of the ultra-effects-heavy action sequences in READY PLAYER ONE, for example, are unrelated to Spielberg's direction. I guess I could buy that he hires better effects teams.

Anonymous

Funny you should say that about the Freeman character—there was a meme going around for a while referring to him and Serkis as the movie’s Tolkien white guys.

Anonymous

Maybe it became a meme, but it started as an on-set joke that Freeman repeated in several interviews while promoting the movie.

William Evans

There is an odd fact about the “afterthought” who is name checked several times as a CIA operative. The CIA was the primary antagonist to the original Black Panther Party. Any thoughts on that?

gemko

Nothing earth-shaking. I'd be interested in hearing Coogler on the subject, whether he wrestled at all with having a secondary hero from the Agency. Maybe the fact that he's secondary obviates the need to make him other than heroic. But I couldn't say.

Anonymous

Ross and his role were my biggest problem with the movie, aside from the complaints I’d level at all superhero movies. You can’t simultaneously be a story of black independence and empowerment and a story where a white CIA agent uses a high-tech drone to help save an African country from their despotic ruler. It’s a Top Gun-style dose of propaganda that treats the CIA as a force for good preventing weapons from getting into the wrong hands, or the exact opposite of what they’ve done since their inception. In a principled movie about black power, especially one set in Africa, if you involve the CIA, they’re the bad guys. Ross could have easily been a member of a fictional organization like Shield without the CIA’s baggage and the third act wouldn’t feel so regressive.