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"I understand why you can't do this," a friend DM'd me, "but you should overrule the Step Brothers vote and watch Walk Hard instead. There is no way in hell you will like Step Brothers." Had hoped to prove him wrong—I contain multitudes, dammit! Even sorta liked Batman & Robin!—but it's hard to embrace a film that aggregates almost every one of your least favorite comedic tropes. With the notable, ultra-extreme exception of Pee-wee Herman (and even that's largely attributable to early Burton; Big Top Pee-wee was a chore), I've never much enjoyed man-child antics; while Ferrell and Reilly are admirably committed to the idiocy, and inherently funny enough to keep the experience from being painful, there's only so much juvenile belligerence I can handle at one time. About an SNL sketch's worth, basically. And then on top of that you've got fart jokes, poop jokes, realistic fake testicles rubbed all over a drum kit, etc. Just not for me. Again, though, the actors (including Steenburgen and Jenkins as straightfaced foils, plus a Seth Rogen cameo that's very funny until it turns into a fart joke) keep it watchable even when I'm not laughing. One can at least appreciate the purity.

Ancillary observation: In a drama, it can be immensely satisfying when something that appears entertainingly random later turns out to be a plot point, not actually random at all. That always seems clever. In a comedy, though, it bugs me to the point of making jokes retroactively less hilarious. Here's my single favorite moment in Step Brothers:

"We are California's pre-eminent 1980's Billy Joel cover band."

"Piano Man! WOO!"

[beat]

"What did I just say, man?"

That's all I needed. Didn't want the joke explained or repeated, and I absolutely didn't want to it be part of the setup for the big climax. So of course it's explained for the benefit of viewers who don't know which Billy Joel songs came out when and repeated multiple times with other era-inappropriate requests and is ultimately revealed as a means of "unexpectedly" getting the title characters onstage to perform "Por Ti Volaré" (which, okay, good choice of song). Embrace non sequiturs, comedians. 

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Comments

Anonymous

I've never seen Step Brothers and am baffled by the following it's seemed to have developed in some circles (which is a real thing I've seen in many places, not unique to this poll). I like Walk Hard quite a lot. But I don't see you liking it at all---it's, if not juvenile in the toilet-humour sense you describe here, just vaguely sophomoric and Gumpian in how it constructs its jokes. So I like to hope your friend is just trying to lead you down a rabbit hole where he keeps trying to convince you that, no, THIS middling comedy from the '00s is the actually funny one, for serious this time.

gemko

Yeah, the reason I hadn't/haven't seen these films is that nobody was very enthusiastic about them at the time of their release. But nobody (apart from me) was enthusiastic about <i>Joe Versus the Volcano</i> in 1990, either, so I'm always willing to investigate when a studio film acquires a cult following. Especially among cinephiles. <i>Walk Hard</i> seems as if it'd at least appeal to my distaste for biopics.

gemko

(True story: My first week in NYC, August 1992, I had my first celebrity sighting: Meg Ryan, who was shooting a scene for <i>Sleepless in Seattle</i> at Tiffany's. Hadn't yet learned to be cool and ignore famous people, so I ran up to her and told her I loved her in <i>Joe Versus the Volcano</i>. That was clearly not something she frequently heard.)

Anonymous

Speaking of non sequiturs 'n' Pee-Wee, I was shocked to watch the BIG ADVENTURE deleted scenes and discover that my possible favorite non sequitur ever, the "Amazing Larry" bit, was written as the payoff to an earlier, deleted scene that introduced the character, and that in that context the joke would've just been the reveal of his new hairstyle. I dunno if it was Burton or the editor or someone else who realized the gag would work in a completely different, infinitely funnier way without the setup, but man, that's a truly inspired edit. Makes me wonder if any other great comedic non sequiturs are actually repurposed...uh...sequiturs.

Anonymous

I could almost (maybe) see you going more for THE OTHER GUYS. (Great Wahlberg and Keaton roles. One scene resulted in the last time I laughed so hard I was worried about not being able to breathe.) Or maybe not.

Anonymous

I wonder if you might enjoy ANCHORMAN more, seeing as that movie is so utterly absurd and filled with random craziness, non-sequiturs and throwaway stuff. It's got its share of scatological humor too and the filmmaking is far from great, but I think you'll find it funnier than this one (and it's got a MAJOR cult following). Also, since you liked FORGETTING SARAH MARSHALL, I have a feeling you might enjoy I LOVE YOU, MAN as well as it's very much in the same vein and almost as good.

gemko

I’ve seen <i>I Love You, Man</i>, wasn’t a big fan (46).

Anonymous

I am surprised your feelings toward biopics hasn't driven you to watch Walk Hard yet. I'm also surprised that (as far as I can tell) the old Dissolve bunch hasn't convinced you to watch Pop Star yet.

gemko

I'm a Lonely Island fan, but the first 10 minutes of <i>Pop Star</i> seemed surprisingly blah. Possibly because I'm a middle-aged dude who pays little attention to contemporary pop stars, so a lot of specific elements of the parody are lost on me.

Steven Carlson

The non-sequitor thing is why my favorite jokes in this are the occasional ones that truly do come out of nowhere, e.g. "I traveled five thousand miles to give you my seed!" or Jenkins acting like a dinosaur.

Anonymous

Oh, man. Was so sure you hadn't seen it. Gotta remember to always double-check before I ask!

Anonymous

No offense intended George, but if you've never seen Step Brothers, why bother being baffled at the cult following it's developed? It's not my favorite Apatow/McKay comedy, but it's funny enough that I can understand why those who love it do.