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This week we spotlight our first screenwriter with two films written by Dennis Potter: 1983’s Gorky Park (d. Michael Apted) and 1981’s Pennies from Heaven (d. Herbert Ross). Gorky Park is a police investigation thriller set in Soviet Russia concerning a gruesome murder involving a sable smuggling ring, and Pennies from Heaven features Steve Martin in one of his few dramatic roles as a depression era sheet music salesmen who escapes his dreary life through elaborate musical fantasies and a love affair with Bernadette Peters as an innocent schoolteacher. While wildly different in subject and tone, they illustrate Potter’s range and depth as a writer over his prolific career.

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Ned Walrus

I'm just a small town country rube and don't at all comprehend the difficulties involved with adapting a screenplay, but everything Will and Hesse say that is clever about the writing for Gorky Park is like directly from the book (which is a great book). The tete-a-tete between Renko and Osborne, the self-delusion of Irina, the back and forth sable hat part, the creepiness of the skull reconstructor guy and his lines, and many of the lines they quoted ("everything I've told you is either an elaborate lie or the very simple truth") and all directly from the book. All of the baffling things in the movie are the things that were changed, e.g., the KGB major (Pribluda) who is suspected from the very beginning of the story is actually uninvolved with the Osborne conspiracy in the book and is an interesting character. They have some rat faced guy play him and he is exactly what Renko thinks he is, but if you read the book the correct choice would 100% have been Jon Polito. Ending the story in Sweden instead of New York also takes away a lot of the impact. It's a great story and I thought the movie sucked as an adaptation.

Brad Plumb

Holy fuck, I'm 30 minutes through Pennies in Heaven and it's absolutely demented! Great choice!