BLOG: Drawing Figures from Photo Reference (Patreon)

To accompany Friday's release of new images we thought it might be handy to have some suggestions on how to draw figures from photographs at home! Ever on the case Lance has penned just such an article. As always, feel free to tag any drawings you make from the blog on social media so that we can see them and share them.  (@Draw_Brighton / #drawbrighton / #drawingfromhome)

Once again, we all wanted to thank you for your invaluable support - all of the money you donate each month is being distributed directly to  over 30 freelance life model and drawing tutors - the models are being paid full cancelation fees for their lost work, as well as being paid well for their photo-sets and our tutors are working on blogs like this, which will be made publicly available every week. Thanks for all the good you are doing.

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Photo reference sometimes gets a bad rep, but it is a vital part of the work process for many artists. With social distancing protocols in place, life classes cannot run, but we still have an abundance of photo reference to fall back on and as we have just released a whole new set of figure reference photos on the Draw Patreon we thought it was time for a blog on how to use it effectively!

Purpose

When you are using photo reference, be mindful of your purpose. It is easy to sit down and mechanically copy something, but this is not always productive, or fun. Are you looking to emulate a life drawing class? Are you trying to work on that next big painting or just trying to study something specific, such as hands? It doesn't matter what you are trying to do, but it helps to have a purpose when you sit down to draw.

Picking Good Photo Reference

Here are some general tips for picking reference are aimed at figure and portrait work, but are not rules. If you want to get a certain effect, break them!

• Avoid images with flat, frontal light. This is a common lighting choice for magazines, as it disguises wrinkles and imperfections. Unfortunately, it means we lose information about anatomy, form, tone and colour.
• Watch out for overexposed photographs. If a large area of the light side of a subject is white, it means it is overexposed. This makes form and colour hard to discern, losing details.
• Avoid images with excessive airbrushing and other manipulations. 
• Be careful with coloured light sources. Coloured light can be a way to get interesting effects for painting, so don't exclude it entirely.

(Don't forget video, it is a great resource for gesture drawing. You can pause it or try to catch moving poses! These ice skaters were drawn in 1-2 minutes each)

Taking Good Photo Reference

Here are a few things to think about if you are taking your own reference photos to draw from:

• Make sure you have plenty of light, ideally from a single, dominant light source to create shadows. At home, natural light is great, and a strong lamp will do in a pinch. 
• When you can, use a camera tripod to reduce blurring. If you have a phone and struggle with blurring, you can prop it on a surface and use a timer. 
• If you have a camera, learn how to use it, even just the basics! There are often lessons available for free online, even for older cameras.
• Be mindful of your eye level. Sometimes reference shot a little too high causes noticeable foreshortening effects, such as giving a model tiny feet!
• Use a backdrop. Reference with clutter can be difficult to work from.

(1. Frontal light flattening form 2. Natural Light from right 3. Artificial light from top left – notice how the colour of the light changes)

Using Photo Reference for Life Drawing at Home

It isn't quite a substitute for a life drawing class but it can still be rewarding and productive to a series of figure poses from photographs. Here are some thoughts to bear in mind:

• I find screens are better in terms of colour accuracy and contrast than print outs. A print out might be a sensible option when it is tricky to introduce a screen into your set up.
• Don't feel you have to 'copy' the reference. Mechanically duplicating a photo is a big temptation, and this is one of the biggest issues with working from photography; the result looks copied more than 'drawn'. You can exaggerate poses, adjust shapes, experiment with your style. Draw as if you were working from life.
• If you are using photo-sets, like those on the Draw Patreon, consider timing the poses. I will do a page of a set pose times as if I were in a class drawing. By doing different length poses, you practise different drawing skills – such as gesture, rhythm, simplification in short poses, or accuracy and tonal values in longer ones. For more developed projects, keep time in mind to avoid overworking your piece.
• Don't take it too seriously – there will always be more drawings. You can reset the timer and try again, that great pose isn't going anywhere. You are at home in your own space, so relax, and take the breaks you need.

(Normal Rockwell – 'The Gossips'. Rockwell worked extensively with reference, but frequently used exaggeration for effect)

Online Image Resources

• Croquis Cafe 
• R/SketchDaily References 
• CharacterDesigns.com Artist Resources 

Draw is releasing weekly photo-set to our Patreon supporters, with the money raised going directly towards supporting our tutors and life models! www.patreon.com/DrawBrighton

Over to You: Home Life Drawing Class

You will need: 

• Your drawing kit - anything you like! A pencil and copy paper is enough to start with
• A timer - ideally a physical timer, but you can use a phone app.
• A set of photos 

Decide ahead what times you want to draw for. You may want to emulate a session of short (1-15 mins) poses, medium length (30mins -1 hour) poses. A 'mixed pose' session of 5 x 3 minute drawings, 2 x 20 minute drawings and 1x 45 minute drawing can be a great way to spend two hours. These step-by-steps are just a starting point you might want to try; there are many ways to draw figures! The reference was taken from Draw's £3 life drawing Patreon reference set.

Gesture Drawing Step-by-Step

1.     Start with an overall 'action line' to indicate the pose.

2.     Indicate major forms, working over the whole body.

3.     Start to develop details; here I incorporate ideas about gesture and anatomy. Try to work from one side of the body to the other.

4.     Keep adding detail until you run out of time – it's OK if you don't get everything, do your best!

Medium Pose Drawing: Step-by-Step

1.     As we have a little more time, block in large shapes and check proportion first. Look at the space the figure takes on the page and break it into measured sections.

2.     Work out the contour lines; think about how they overlap and intersect. Contour is not just a single unbroken outline.

3.     Here I am laying in shadow shapes. Try to keep these simple, and the edges soft.

4.     In this final stage I build up detail –  this may take almost half the drawing time. In this case, I am adding details like the features and wrapping lines