Home Artists Posts Import Register

Content

Looks like it's time to officially meet the Daleks... Terry Nation how we love you!


https://vimeo.com/808513461/9a7edcc2aa


PAULA DEMING

YouTube: https://www.youtube.com/c/PaulaDeming

Instagram: https://www.instagram.com/paolobandita/

Tiktok: https://www.tiktok.com/@paulademing?

Twitter: https://twitter.com/PaulaDeming

IMDb: https://www.imdb.com/name/nm2984865/


KATRINA ALYSHA

Tiktok: https://www.tiktok.com/@kat.attack8?

YouTube: https://www.youtube.com/c/KatrinaAlysha

Instagram: https://www.instagram.com/katrina_alysha

Twitter: https://twitter.com/katrinaalysha

IMDb: https://www.imdb.com/name/nm8371578/


Gallifrey Gals Theme Song by:  NoAnie Music 

https://www.fiverr.com/noaniemusic

Copyright owned by Gallifrey Gals



All the videos, songs, images, and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.


Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

Files

GG_CLASSICWIBBLY_DALEKS_P1&2

This is "GG_CLASSICWIBBLY_DALEKS_P1&2" by Gallifrey Gals Gremlin on Vimeo, the home for high quality videos and the people who love them.

Comments

Mark Ten

Spoiler for the rest the Unearthly Child. The First Doctor in the earliest stories has not yet become a hero. There is a moment in one of these episodes where a wounded native is slowing down the companions escape. The Doctor wants to abandon him, but Ian and the others refuse. The Doctor picks up a rock with murderous intent. Ian stops him. How far the Doctor have to go to become the person we know and love? The Doctor will tell Bill Potts that the universe isnt fair and that evil should overcome good and he doesnt know why good prevails. remember her answer?

Nicole Mazza

Yeah, considering they have to remember a lot of lines in one take like a mini-play, it's made me respect the actors so much more. (Though I do find Hartnell's flubs a bit adorbz).

Keith Goodnight

About that first episode cliffhanger: Verity Lambert told the story that as soon as the broadcast of that episode ended, her phone rang. It was a friend of hers who just said "Oh my God, Verity, what is it?" It's hard for a modern viewer to understand just how shocking the Daleks were when they first appeared. They were deliberately designed to have no human or humanoid features at all— right down to the single eyestalk. Preliminary design sketches gave them two eye lenses, as well as jointed arms with mechanical hands, for a more comprehensible appearance, but the design was revised to make them even more alien. These days we're used to the Daleks themselves and also non-humanoid aliens as well as robots (like R2-D2) but in 1963 nothing as alien as the Daleks had ever been seen on screen before.

Henry Fuller

Its not true that nobody reacts to the entire unearthly child serial. I can list 6 reactors on youtube and patreon who do not skip it. Some only skip the missing stories. Its a mistake to skip the rest of the first serial shows character growth for the doctor. Its a kin to skipping the first season tng. You miss alot.

Henry Fuller

Traveling with Ian and Barbara makes the doctor a better man. I believe the Doctor went through alot of loss and trauma. His companions make him better there by he makes others better. He chose the name Doctor for reason many years ago

Henry Fuller

Keep in mind with this story and others what river said, "the doctor lies"

Henry Fuller

Barbara is a bad ass b#$&% like Ripley in Alien. Ian and Barbara are a great team

Bill

The first Doctor Who movie (Doctor Who and the Daleks (1965) is essentially this story, but kookier.

Bill

The sound stage can't be that big. Susan'll be fine.

Anonymous

21:40 such Peter Capaldi vibes in his manner right there :D

Josef Schiltz

Thing is, some of us are of the generation when continuity stories were far more common. Serializations were in magazines, comics and television, even in the cinema. Many of us over a certain age will be familiar with the Dan Dare strip by Frank Hampson and his studio of helpers. My Head of Illustration at art college in Ipswich, Andrew Dodds, was one of his helpers during the strip's heyday in the 50s. Some Dan Dare stories would last for a whole year. Dan Dare was a mainstay of the Eagle comic and had a sibling publication called Girl. Both had the top sequential artists working for them at the time. Some went on to illustrate the Doctor Who strips in later publications once Eagle folded in the mid-late 60s. Basically, having a lengthy serial in the Doctor Who universe was nothing. It allowed for much more character development and changes of pace within the story environment. What one of the earlier script editors, Dennis Spooner, called the 'W' of drama. Peaks of activity, followed by periods of relative rest and taking stock of situations where character scenes could comfortably take place. Not jemmied in on the run in a sense of panic. Thusly, the audience empathy with the characters was enhanced.

Josef Schiltz

Indeed. A great amount of development of the characters and Oh! That's when that happened! moments. 'The Edge of Destruction' - also referred to as 'Inside the Spaceship' - by David Whitaker, is vital.

Josef Schiltz

Hi Kat and Paula: Can we just mention, at this point, the marvellous Delia Derbyshire who realized Ron Grainer's theme composition for Doctor Who? Sadly, although Delia brought the theme to life, she wasn't personally credited. The onscreen credit is to The BBC Radiophonic Workshop. There is a radio play called The Sculptress Of Sound dedicated to her. The story goes, via Delia, that she was given the composition with various notations like 'cloud effects' and 'bubbles' and she got to work. On completion, the theme was played to Ron. "Did I write that?" Delia replied, "Most of it!" Ron Grainer, composer of the Doctor Who theme, always said Delia Derbyshire should receive a co-composer credit for her arrangement but in 1963 the BBC preferred to keep the Workshop assistants anonymous so Delia’s creativity wasn’t recognised. Nowadays, we certainly adore her contribution to music history. Delia Derbyshire: 5 May 1937 - 3 July 2001

Henry Fuller

The first serial was orginally called 100,000 bc right? Didn't they start calling the whole thing an unearthly child after the target novel came out.

Henry Fuller

The characterization of the doctor is a bit off that movie "I am Doctor Who and this is tardis" no center collumn

Josef Schiltz

Hmm. 15th October 1981 for the Target novelization. A bit earlier that I suspected. As JNT once said, "Memory cheats!" I have The Making Of Doctor Who somewhere, but since I've moved, it's difficult to find so many things! Trying to recall the entry in that book, the image of 100, 000 BC seems to pop into my mind. That book was 1976. Monday 2nd November 1981 was the start date for The Five Faces Of Doctor Who repeat season on BBC2. So maybe they did settle upon it at that time and possibly Terrance Dicks had something to do with it. TARDIS Data Core notes as below in their story title problem page which goes through all the Hartnell stories that had individual episode titles. "An Unearthly Child is the title used on every home video release of the first four episodes of the programme: "An Unearthly Child", "The Cave of Skulls", "The Forest of Fear" and "The Firemaker". Because of this consistent usage on home video, most are perfectly happy to accept the BBC DVD title. However, the final title used by the production team at the time of original transmission was 100,000 BC, while the working title was The Tribe of Gum. (REF: The First Doctor Handbook) Because it can be established that the intent of Verity Lambert and her team was to call the story 100,000 BC, and because that is a name which better describes the bulk of the episodes than An Unearthly Child, some fans vigorously dispute "Unearthly" as anything other than the title of episode 1. However, The Tribe of Gum also has its supporters, because it was used as the title of the four-part script when it was published by Titan Books as a part of their Doctor Who: The Scripts series. Some feel that this name comes closest to the intent of the scriptwriter, Anthony Coburn, but this is debatable in that said working title originated from earlier drafts of the script where Kal was instead named Gum. Thus, with the later name change, it can be said that the tribe was no longer of Gum, but instead of Kal." Source. TARDIS Data Core: Disputed Story Titles.

Bill

Both of the older movies are just consolidations of the serials but with different actors, locations, and quality. I believe they even say "Based on %serialname by %author."