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"Nothing Was Your Fault" from Cosmos started with a simple drum beat (which it still opens with, in exactly the same form it had when I first put it down). As I started to play with adding chords though I gave myself the challenge of trying to come up with more unusual progressions. This led to a lot of modulation and eventually the decision that it should never rest in one key for more than three chords in a row. There was a lot of back and forth between coming up with the melodies and coming up with the chords that would go beneath them, which is not the way I normally work (usually it's one and then the other) but I'm quite pleased with the results. Hope you enjoy this, and if you want to play along, I put a ton of extra editing into getting all the chord names and piano fingerings on screen!

Thanks for supporting - you bring a lot of joy to working as an artist. xo

Files

SONG CHALLENGE: KEY CHANGES

Get COSMOS! Bandcamp https://andrewhuang.bandcamp.com/album/cosmos iTunes https://itunes.apple.com/album/cosmos/id1039749802 Support my work on Patreon and be the first to get all my new music: http://patreon.com/andrewhuang Check out some pictures of my custom synths, and download a free synth sample pack and drum sample pack on my Tumblr: http://andrewismusic.tumblr.com/post/129578579723/custom-synths-and-effects-that-i-built-with Let's be friends forever: Twitter http://twitter.com/andrewismusic Facebook http://facebook.com/andrewismusic Tumblr http://andrewismusic.tumblr.com Instagram http://instagram.com/andrewismusic SoundCloud http://soundcloud.com/andrewismusic -- Written, recorded and produced by Andrew Huang.

Comments

Anonymous

This is my favorite track from the album. I love the chord progressions!

Anonymous

I had no idea you played around with the chords like that, awesome! I'm really digging this album, by the way!

Anonymous

Really cool, highlights what a well written song this is. Do you have a specific way of going through keys like that? I've found perfect cadencing into it works well for me, but this just seems seamless and gives the track a modal feel at times (like the Ab chord in the chorus)

Andrew Huang

This was a mainly lot of experimentation and playing around. I did intentionally try to avoid many standard cadences as I wanted a more unpredictable feeling. A lot of extended chords were brought in to introduce the flavor of a new key, eg. in the chorus I could have gone from a Bbmaj7 to a C, but by making it a maj7 as well it takes it out of the key of F and it leaves you floating in this nebulous space for a bit - are we in C now? Or is it the IV of G? And then the Ab yanks us away to something new again...