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Hello there, fellow futa lovers!

Moving from drawing to painting can be tricky, especially when our impatient eyes and minds demand that we add details before we have a good enough impression. I make this mistake all the time. Big shapes are what matters, though. Large masses of light and shadow. That's what makes a promising painting.

This illustration of Shola is the flipside of The way it rubs, now with Shola reciprocating Leto's concern for her pleasure and well-being. It was supposed to be a rough sketch, a monochromatic study, but after the values created the impression I was looking for, adding colors, textures, and details followed with minimal effort. I usually spend an average of ten to twenty hours on each painting until I consider it finished. This one took around four and a half hours, and 90% of that time was dealing with values only, a soothing monochromatic study.

I also decided to keep most of the original silhouette from the first drawing to stress how the drawing and painting stages can sometimes be flattering to one another. That's the experimental bit of today's post. =^___^=

I hope you like it!

Cheers, you all!

Q.

p.s.: this is an extra painting, an early access submission. I'll post it on my social media in the future.

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