Scrying the Enochian Aethyrs 19 - POP [AUDIO & TRANSCRIPT] (Patreon)

Myself and Spud are going to scry through all 30 of the Enochian Aethyrs over the next while. It'll probably take about a year given the availability, or lack thereof, of time to do it.

Here's my Number 19 - POP!

TRANSCRIPT:

There's a gate into a field. And the gate is a wooden gate, quite a heavy gate. It's light brown wood, like beech or something like that. There are trees on either side. The gate is rattling in the wind. There's a metal hook. I'm on a lane. The other side [of the gate] is a big open field.

I assume I'm going in. So I unhook it and walk into the field.

Immediately to my left, The Horned God appears – a skull face though [this time], like an animal skull. So he turns and starts walking along the hedgeway, which is on the same side as the gate. So I follow him.

I ask him, "Where are we going?"

"You'll see".

He has a big staff. The staff has four points coming off it, like an open hand, but with four rather than five fingers, but not really fingers. It's as if something like a big gem or a jewel has fallen out.

His cloak is red.

He starts touching the trees as he passes. You can see there is something [wrapped] around his wrist. His skin is human but you can see a blue pigment on it.

There is a fog coming in, and I can only see between him and the hedgerow. The rest of his body is blocking the view. I keep walking down. You can see that he's under his cloak he's wearing armour - like a knight.

So we come to another gate and it's leading into a very dark [area] with trees behind it. It's one of those gates that you have to walk into and then push them back behind you to walk around it - like those cattle gates. So, I do that,  and he stays behind the other side of the gate.

So, there's a whole big tunnel of darkness that's been created essentially by trees. But it's not like a natural darkness - It's too dark.

I go in. I see light at the other end, but it seems to be more like it's twisting around the end. I have to hunch down a bit to get through. And it's winding around to the left, and then up and up.

And so I come out on a road. There's traffic, but the traffic is going too fast, I can't really make it out [because of] motion blur.Almost as if it's been sped up, you know, that I'm seeing time too fast.

And then it's like, the god THOR is beside me, but [yet] it's still the same guy from before. It's just that he's constantly evolving into different things. So it's like, He still has the red cloak, still has the armour, but now he has -- maybe he isn't  THOR as he has the wings on his helmet. But I have the sense it's THOR.

And he's holding up the staff – it's in his left hand now, and I think he is going to try to stop [the traffic] in order for us to cross the road.

So, everything's still motion blurred, but it's stopped, If that makes sense, like a freeze frame. And we walk through and all the traffic and all the cars or whatever, have become like air- they're Misty! Not quite tangible, not quite there. And we're walking through it and going across, but there's definitely a sense or a feel of going through something like a spider web, or that the air is much denser than if you were just walking across the road [normally]. You can see people in the cars as freeze frames, but they're like skulls. They're mindless.

So, there are stone steps on the other side, and he's walking down  to a waterfall. It's like a big park waterfall. It's very steep down. There are kids swimming in the river bit of it. It's more like a big pond with a high waterfall coming out the cliff.

We're walking past them, down to the right, and then another lane, which goes with the river with more waterfalls.

And now he's definitely MERCURY. His Cape is blue. His helmet has the wings. He has less armor. He's muscley, more like someone who would be a runner, you know - a runner's body. You can see his boots. He's wearing a silverplated shirt, and shorts.

He's smiling.

I say, "where are we going?"

He stops, and pulls out a book. He starts looking through it, flicking through the pages fast, his finger running across it as he reads it.

He slams it closed with one hand and then throws the book over the trees that are the hedge, and it lands in the water, where a fish grabs it with his mouth and pulls it under.

The book is like a bait, so the fish is struggling with it, trying to get away. And then MERCURY, or HERMES, pulls it back like he's fishing. He pulls the book back with an invisible line, and he has this fish. The fish looks like a stereotypical Chinese man's moustache – like Fu Manchu's moustache.

Mercury says, "This is, this is the salmon of knowledge!", but I point out to him that it's not a salmon, though.

The fish is trying to escape, but it's as if they know each other. [MERCURY] is trying to pet [the fish] like you would a pet and says, "you can ask him anything you want."

I say, "I Feel unprepared."

I dunno what I want to know, so I just ask, "What do I need to know? What should I know?"

The answer is, "Everything, Tommie, just everything." And they're both laughing, not laughing at me, but laughing with me -"You've been told this before."

Its like recognition of it.

Then the fish is flung up into the air, and he flying up into the clouds. He does a flip and then lands the sea, and he's [swimming] away and he turns into huge, big shark, or something. He does this big flip, and then it's away.

And then I'm back with MERCURY, who is looking at his book again. He closes it over, gentler this time. Puts it under his left arm under his cloak and points to move forward.

There is a sense that this is coming to an end too.

So, there's another gate that's leading down into darkness as well. He's saying this is where you have to go on your own, or this is the end.

So, I go into the gate and it's warping down, and I'm back in that well with people looking at me from above – looking down. But I don't feel bad being in the well now. It's kind of funny. it's like, "of course, here I am!",There's a sense of laughing at the joke of it all, even though I'm in a well.

And I have the book now.

I put it on my lap. I'm sitting cross-legged, just feeling good, OK.

And that's it.